Quotes of All Topics . Occasions . Authors
At the end of the day, all you really have is your own sense of your artistic ability and I've always stuck with that my whole life. I guess there is always a bit of relief that I have and real joy of being able to engage other people who are talented, equally or better than you, and you can work with them.
I've realized as well after five years of being on the road that if I'm going to four or five months of my life to something even if I'm overpaid, it's four or five months of my life away from home, away from my son, away from family and friends. I better believe in it on some level even if it's a big movie.
I am the King of Frost Giants. And if you've seen any of the Frost Giants, you know that I am, of course, the Napoleon of Frost Giants. We've got some massive, fabulous guys who dwarf me and come in at around eight-and-a-half feet, nine feet. But, no. Can't you tell by the commanding presence? I am the boss.
I was raised as a Catholic. I went to a Jesuit school - obviously, being from Ireland, was brought up in quite a regimented belief structure. I shed a lot of that rigidity and got a sense that there are definitely forces that we don't understand. I think 'magic.' It's a word to apply to some of those things.
You could easily play the guy as straight-up hood throughout the whole movie, the Imperial Courts, but writer and director Malik Vitthal envisioned a human being that has never been seen before in film: a black man in circumstances that he does not like, who is passionate - persistent - in turning it around.
I've done a lot of theater work that has been quite diverse. I feel very fortunate to have had many different people think of me in many different ways. So, as an actor that's all you - all I want is diversity. So far in film and television work I have done has not been as diverse, and I hope it grows to be.
I didn't want to be short. I've tried to pretend that being a short guy didn't matter. I tried to make up for being short by affecting a strut, by adopting the voice of a much bigger man, by spending more money than I made, by tipping double or triple at bars and restaurants, by dating tall, beautiful women.
Kids are growing up and they don't know the difference between fact and fiction. The line is getting blurry. I can handle it, you know; I'm a big boy. And the entertainment industry has always been crazy. But the problem is, it spills over into some very serious issues, in politics and real newsworthy stuff.
I'm sorry to bang on about it because I know everyone is, but Bryan Cranston in 'Breaking Bad' is remarkable. To see him switch from 'Malcolm in the Middle' to suddenly become Walter White is incredible. It's a) nice to see an actor given that chance, and b) great to see him really take full advantage of it.
I super strongly identify with marginalized communities. I'm not at all religious, but I feel super, super Jewish. I can't even describe the feeling, but it actually feels really similar to being gay, the kind of kinship that you feel with the LGBTQ people. That same sense of community is there with Judaism.
I think what inspires me is in a constant state of flux...it's easier to stick to photographers and perhaps cinematographers, though the great medieval, Mannerist, and Baroque painters of Italian, Spanish, Flemish, and German origin are a constant source of inspiration, along with select modernists like Dali.
Communism destroyed so many generations. I look at my grandparents and their generation, and it's as if their lives were taken from them. It's really sad and frightening that something like that could have happened. But I don't really think of myself as Russian anymore. I didn't even live there for that long.
Listen, I think movies serve many different purposes, from those movies that are frivolous and just an entertainment, to movies that just go to exploring the complexities of the human soul. Everything is valid if it's done with honesty and dignity, and I actually do both of those types of movies in my career.
When I was leaving Yemen to come to America, things were tough. My dad had just been laid off, and it was a challenge. When I lived in Yemen, I thought America was a perfect place. Everything was bigger and better. I dreamed big. The American dream, you know? You have to work hard for your dream to come true.
Vampires have always held a very seductive kind of lore and have always been some variety of attractive, whether it's attractiveness that's born of just the physical attributes that they have - this kind of ethereal beauty or translucent pallor - or whether it is more to do with the way they carry themselves.
I take some pains to learn the material beforehand. I have a bunch of tricks I use to try and hit the ground running. I write everything out. I take the text and I very methodically go through, and that tends to put it into my head a little bit more solidly than if I just glanced at it and hoped for the best.
First day working with Tom Hiddleston. He is my ideal as an actor: brilliant, reliable, human, decent, open, and friendly. He charmed my daughter as he has charmed me. I think my kid charmed him, too. This is a fellow I could joyfully spend the rest of my career working with. He's that good and that generous.
I grew up in Chicago, so I've always been a Bears fan. Dad used to take me to Bears games and Cubs games. My brother used to ride me over to Lake Forest College on his Honda Supersport and we'd watch the Bears practice. I remember those guys out there as monsters - they were the biggest things I've ever seen!
I've been very blessed to work in some films that I'm very proud of. When you're going to commit yourself to a series, to a certain degree, you're almost saying, "Okay, some of these opportunities, I'm just not going to be available for," so it has to be something that you really, really are passionate about.
We were doing this close-up of my character on a cell phone, and the director's just like "Cut! Can we get somebody else's hand in there?" I do bite my fingernails, and you don't want to see a fat, bitten thumbnail on a 30-foot movie screen, so I get somebody with really nice, sexy hands and put 'em in there.
So I think that in the beginning of your career you're just looking to work. Luckily for me, my first movie was 'Rabbit Hole' and I got to work with incredible people, a Pulitzer prize winning writer, John Cameron Mitchell, and all the actors involved. So it's tough, man, because you want to have credibility.
Young actors ask me for advice. They say, 'Should I get an agent?' I tell them, 'Don't worry about that. Act, act, act. Get into that production of 'The Three Sisters' in a church basement. Consider every audition a chance to act, even if it's just for three minutes. Just do it whenever and wherever you can.'
From the time I made my announcement that I was going to be an actor, I auditioned for community theater, did shows at Greenbrier, interned at the Cleveland Play House for a summer, took voice lessons, took ballet lessons. I did everything that Cleveland allowed me to do - everything that was available to me.
O for a summer noon, when light and breeze Sport on the grass, like ripples o'er a lake Alive with freshness! when the full round Sun, With the Creator's smile upon his face, Walks like a prince of glory through the path Of Heaven! - Thou vast, and ever-glorious sky, Mantling the earth with thy majestic robe.
What if I say that in my view about the least Christian thing you could do is what the Republican party are trying to doing again now, which is try to take charge of the richest country in the world and then deny the people of that country free access to free healthcare and free education and start more wars.
When somebody brings up a movie (of mine) that I haven't heard about in a long time, I feel like a 70-year-old pitcher at a bar somewhere, and somebody walks in and says, 'Oh, my God, I was in St. Louis and I saw you. You pitched a shutout.' It's real. I really did do that, because someone today remembers it.
My father is a Marine. My brother is a Marine. I almost became a Marine. I'm no stranger to fight training. I used to do jujitsu and boxing as a kid. I was a running back in football for my high school and my college. I played ice hockey as well as did theater. So, there's always been a physical nature to me.
It's really up to the acting community to be willing to be educated about what performance capture is in order to fully appreciate it as acting. It's not a type of acting, but rather the use of technology to harness an actor's performance and translate it into an ape, another animal, or an avatar of some kind.
I am a bit difficult to be around sometimes. I can be stubborn on a lot of things, and I'm set, but I can also adapt in a conflict situation and don't hold on to an ego. I end up seeing the larger good and adapt to it, provided it benefits me. I may come across as a cold person, but I am extremely sentimental.
I was going to design sports cars, but my father came to my college to visit me. At the time he was making a picture in Sweden and he took me there with him. I got to see Ingmar Bergman's company and I thought, 'Gee, filmmaking is a lot more fun than sports cars,' so I decided to follow him and go into acting.
I remember when I read Walter, for example, six years ago now, I said, "This is the role for me." I said that to my family. There was something there that I knew was absolutely right, and that was just based on the character. That's when gut instinct comes into play. I know there are certain things I won't do.
Had a dog. I had many. I grew up in rural Washington before I moved to the Twin Cities in Minnesota, and my first dog was - his name first was Bear, but then it changed to Big, and he sort of looked like Old Yeller. And then we also had a three-legged dog named Foxy, who we found because her leg was in a trap.
If you move here from somewhere else, I often think if I move to Germany, for example, or if I move China and I go worship there I will understand and I'll be willing to give up a lot of my culture because I'm in somebody else's homeland. So I'm going to have to act German or Chinese, whatever that might mean.
In England, when we're at drama school, we spend a lot of time learning the craft from playwrights and stage actors, who are very well trained in the basics of acting because they need to get it right the first time - you can't have second or third takes when you're in front of a live audience, unlike in film.
Once parents have a clear idea of their important parenting goals, beliefs, and values, they can then think about specific situations and identify the outcomes they would like to achieve in these situations. How can you be the parent you want to be whether or not your children are behaving as you would prefer?
I don't think your personal life has anything to do with your professional life. They are separate things. Whatever is happening at home shouldn't be carried to work. Everyone has his/her own journey. Some revel in the fact that they derive that from personal contentment, and others draw it from extreme sorrow.
I never saw myself as a director. It's certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.
The less lines, the better. I am the silent film actor, but not in a slapstick sort of way. Film is an image-based medium, so whatever you can say without the words is far more provocative and punctuating. If the lines are not funny or if they don't advance the story, sometimes it's hard. I hate talk in movies.
For me, one of my favorites, director-wise, is Tim Burton. I also really admire the work of actors like Sean Penn. He is probably my favorite actor because of his dedication and commitment to roles, and the ability to morph and change himself when he needs to. It's about dedication and commitment and a passion.
I cannot wait to come back to Glasgow. I know the place like the back of my hand. In fact, one of the jobs I had as a student was in Cineworld. And I was always at gigs in King Tut's, Nice 'n' Sleazy's and the Barras. I played Ultimate Frisbee down on Glasgow Green and pulled pints in O'Neill's on Queen Street.
I think I did have a reputation for being grumpy. I don't think I'm grumpy. I have opinions. I have an independent vision. I am a purposeful person. But on a daily basis, I think I'm other than grumpy. I think it is a case where I am coming to do business and not there just to be flattered and cajoled and used.
For too long we have occupied ourselves with responding to the consequences of cruelty and abuse and have neglected the important task of building up an ethical system in which justice for animals is regarded as the norm rather than the exception. Our only hope is to put our focus on the education of the young.
Acting is a challenge at times. I mean, when you have scenes where you're jumping into a mascot bear to travel back in time, and you try to make that seem real. For me, I'm a person that has a pretty wild imagination, just kind of letting that run wild and sort of just doing the best you can to not feel stupid.
My first job was on Broadway. Then I went into the Navy. When I came out of the Navy, I went back to Broadway and a friend of mine, Lauren Bacall, was in Hollywood filming with Humphrey Bogart. She told one of her producers I was great in my play, and he saw it and cast me in 'The Strange Love of Martha Ivers'.
I think there was a bit of brotherly love, but I think everything has a motive when you're king. It's all about maintaining that power - securing that power - and I think Edward was very skillful at doing that. I think he was a great king. Opinions are split, if you look at what he's done and written about him.
It is easy to bare your body, but it is difficult to bare your soul. What works for me is that I am not a city-raised boy with city-raised sensibilities. I can play the vulnerable tough man, the guy with a gun in his hand, tears in his eyes, fire in his heart, innocence in him, and in his arms a woman he loves.
We shot every scene of mine in the entire movie in five days. All my coverage, everything. I left. They went back and shot everybody else around me. Insane. The part [Billie in Crazy Six] called for a handsome, coiffed cool guy romantic lead, and I showed up like you see him in the movie. And they let me do it.
I love being on stage. I'm completely, totally relaxed. It's the only time in my life when I know where I am and what's coming next. The other Robert Powell is probably fairly melancholic. Let's just say happiness isn't my default position. There are dark parts. I'm very good at it. I frighten people sometimes.
I had always told my father that before working with him in the same frame as an actor, which I was petrified to do, I wanted to learn from him, so I had pleaded with him for two years before he agreed to write and direct 'Mausam.' It was our dream project and a wonderful opportunity for us to work as a family.
I enjoy working with writers and their scripts. It's very exciting to me. Eventually I would like to produce, direct and act onstage, but it's not a heavy pressure. When I do it, I want to do it well. I'm just educating myself with writers and scripts, because I didn't read a lot of books when I was growing up.