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Having agreed to play Elrond, I realized how much had to be worked out about this character: the idea of portraying someone who is immortal, for one thing; plus the fact he is noble, wise, powerful, good - and beautiful! I began to think that he was altogether impossible to play!
I don't study films particularly. I plan to direct, but I'm not watching film - I watch the entire film to see how the story goes, but I don't say, 'Oh, so he does a slow pan here, or he pulls here, watch the crane shot, or look at the composition,' because it's got to be my eye.
That's the real joy, when somebody else comes up with something that you haven't even thought of, that's better than what you would have thought of, and you get to ride that. The joy of discovering that is what would make me want to show-run again. It's the best team sport, ever.
What I think after reading the script and seeing where the story goes, I go with my instincts on the character. If my instincts are wrong the director and the producers will guide me in the right direction. That's just kind of how I take on any role, be it a fantasy movie or not.
I feel pain everywhere. A lot of guys in chairs do feel their legs. But if you don't, there's a thing called disreflex, so you know if something happens, say, you can't feel your foot or your leg and your body reacts. You know something's not right and you survey what's going on.
Science fiction, in its purest form, for me, it works the best when it's being used as metaphor to look at something from a one-step-removed process, to give a little objectivity and insight into something that, if you were applying it on the face of it, we'd all be too close to.
In '08, Barrack Obama was famously elected president. Even though I'd supported McCain and dreaded what I feared Barrack might do, I felt a surge of elation when the networks announced he'd won. I really hadn't thought the U.S. would go for an African-American for a decade or so.
Let me tell you something, I didn't become a lawyer because I like the law, the law sucks. It's boring, but it can also be used as a weapon. You want to bankrupt somebody? Cost him everything he's worked for? Make his wife leave him, even make his kids cry...yeah, we can do that.
We had shot six episodes of the West Wing season when 9/11 happened. An extraordinary thing that would never happen today is Aaron going to the network and saying, "I think we need to go back and reshoot, I have something I want to do," and the network just kind of let him do it.
My roles in comedies from 'Austin Powers' to 'Tommy Boy' to 'Wayne's World,' were sort of comedic 'straight man' parts. My character on 'Parks & Recreation' is the comic relief in a comedy. To play a character that appears strictly for laughs is sort of new for me and really fun.
I've made a way to allow myself to do big films, small films, dramas, comedies, action films, horror films, or whatever interests me, as a movie-goer. I like watching myself in movies. I want to choose movies that allow me to enjoy myself, the way that I want to entertain myself.
I said to George Lucas, "I'd like a purple lightsaber." And he said, "Why?" and I said, "I just want to be able to find myself. I'm the most powerful Jedi in the universe, and I think it would be an interesting thing for me to have a different color lightsaber than anybody else."
Honestly, I love movies so much that I don't really have a favorite type. It's all script-related. Whatever genre it is, if it's cinematic at all or has a tone and a feel that I think is gonna be exciting to put up on screen, then I'm there and I'll put everything I have into it.
I don't like what's going on in Iraq, naturally. I'm part of a large majority of people who don't, but I do not know the whole story. I do not believe what I see on television. I believe a percentage of it, so it's hard for me to discern. I don't like what it's doing to the world.
You get kinder when you get into my age range. You think back to how really unkind you were, and how cynical you were and how you tossed things away and you tossed people away, and you didn't care because you were climbing some mountain that you thought you needed to be on top of.
One day when I was working on a movie, I stayed at the beach a little too long, and they said, “You are going to ruin a whole day of shooting because you’re so dark. Two days ago you weren’t like this!” So I started putting that in the character; I made him suntanned all the time.
Since my stroke, I have begun to see so many miracles all around me. I look out of the window in my room: verdant grass, silver-tipped oak leaves, tall palm trees gentle swaying as they reach to the sky, masses and masses of roses. All colors, so many shapes, exquisite fragrances.
Five hundred thousand Americans die from tobacco poisoning every year, and it's legal. I don't know, it just that's the - you can't stop giving people organs because of bad behavior. If you keep on having bad behavior, then of course they'll deny you a liver, or whatever you need.
Funnily enough, I had a real giggle with Gary Oldman when we were doing an interview together for 'Tinker Tailor Soldier Spy.' Because I joked I was probably the only British actor who wasn't in the 'Harry Potter' franchise. The same is true of 'Game of Thrones.' Also 'Star Wars.'
My retirement is both voluntary and involuntary. One reason, and this is voluntary, is the impact of television. All old movies are turning up on television, and frankly, making pictures doesn't interest me anymore. Another reason is that the film industry is in a declining state.
Marriage is becoming sort of fake. It's almost like a handbag. Everybody wants the newest, greatest and latest. It becomes an event, and it's definitely a status symbol in our society. I'm not saying it shouldn't be; it absolutely should be - but you shouldn't be focusing on that.
With the kids around, this is a different world to me. I spend a lot of time with them till they go to their playschool. I wake up early, have breakfast with them. I come back from work and am with them again till they go to bed by 10 P.M. Touch wood, this is what I wanted always.
You need that marketing power. You need to go do the interviews. You need to put yourself out there and risk and be open to the fact that people are going to not like you, and they are just going to rip you apart, and whatever you say in an interview can get quoted out of context.
The inferior creatures groan under your cruelties. You hunt them for your pleasure, and overwork them for your covetousness, and kill them for your gluttony, and set them to fight one with another till they die, and count it a sport and a pleasure to behold them worry one another.
I grew up in the South Pacific. Basically, my brothers were Guamanian. I spoke words of Guamanian long before I spoke words of English, and so I've seen a lot. You know, I've traveled in places where people don't have the benefits of American life. And so I've seen a lot of stuff.
Fame... it's been a challenge, let's put it that way. It's a privilege and a responsibility, and I'm not sure I carried the responsibility well at times, which is embarrassing. And I've had to look and be disappointed in myself occasionally for how I behaved in some circumstances.
A film just doesn't involve actors, a director and a producer, there is also the cameraman, the sound engineer, the music composer, the lyric writer. So many people come together to make a film. When we all feel satisfied with the film that we have created it's a win for all of us.
In the Indian film industry, especially those of us who are in mainstream cinema, we invariably play a typical hero's role. More often than not, we cater to the public perception. However, there is a latent desire in most actors to do a role where you can go all out and experiment.
People are mystified by it and so they kind of think, the acting community thinks they're gonna be replaced by CG characters and animators think they're gonna be replaced by performance capture (and) a lot of directors, particularly European directors, who have no experience of it.
Frank Sobotka in 'The Wire' on HBO was one of the greatest characters I've ever played. They cut his throat at the end of that season. There's something about creative coupling that seems to go with great characters, and the fact that you can never play them again once you're done.
I don't think it's aiming at gags, I think the humour is woven into it. It's part of how the characters operate and how they deal with disaster because they're worldly enough to have a bit of irony and wryness about their own circumstances. So, I think the humour comes out of that.
I had one of the most outdoorsy childhoods you could imagine. I basically lived in the woods until I was 13. My dad and I built a huge treehouse in our backyard in Chesterfield, about 30 feet in the air. And we'd vacation on an island in Michigan, where I hunted a deer that we ate.
'Years of Living Dangerously' is a wonderful opportunity to reach a lot of people with the story and importance of climate change in our lives; in recent history, there's no bigger threat to the quality of human life than what is taking place right now in respect of climate change.
I look for the essence of a story and a human angle that I think audiences can relate to. I also look at how the dialogues flow in the film as a whole and between the characters, and most importantly I always consider what I can bring to the character from a creative point of view.
There is nothing, not a thing, like the process of creating a character for the stage - you can't get it anywhere else. Unless you're totally method and spend six months living your life like your character for a film, the theater is the place to get that intense acting experience.
'Crash' is a movie about the racial tension that still exists in America. A lot of us pretend that we don't have preconceived notions and stereotypical ideals about each other, but we do. And we wanted to create a movie about people whose lives crash into each others' accidentally.
Do you believe God's whole world runs by the laws of the few sciences we have been able to discover? Oh, no, Christine, there is more. But people are satisfied. They know so much, they think they know all. And that makes it easy for Nosferatu. That makes it easy for all the devils.
I love making people laugh, and to be able to be that humorous character was great. And I actually was very similar to Neville Longbottom. I was very shy and chubby-cheeked. I wasn't bullied at school, but I wasn't particularly outgoing. We were similar. And so I loved playing him.
I'm apparently attracted to things that are on the edge of what America really wants to watch: 'Six Feet Under,' 'Sports Night,' 'Dirty Sexy Money,' and 'Parenthood' were always struggling in the ratings. It was kind of heartbreaking not knowing if we get to come back every season.
It really reminds me of the great movies of the 30's and 40's with huge sets and voluminous fireplaces you could walk around in. Glazed floors. I was expecting a Busby Berkley dance number. Big fanfare and all the girls coming out. I'd have joined in. It's got that scale, you know?
As an actor you're only supposed to be a lover. I am a romantic hero though I don't like that tag. With all the hardships, problems, illness, goodness, badness, awards and money... an actor will always be a lover. And a lover makes mistakes. You'll be silly, nonsensical and stupid.
I wear lots of Junk de Luxe sweaters, Cult of Individuality jeans - which are about the best for me - and Fiorentini + Baker boots. With fashion I'm good on jeans and boots. Ask me about anything else, and I'll just look at you doe-eyed and not understand what you're talking about.
There are large numbers of people in India below the poverty line; there are large numbers of people who lead a meager existence. They want to find a little escape from the hardships of life and come and watch something colorful and exciting and musical. Indian cinema provides that.
I have a company in the U.K., a performance-capture studio. We're looking to push the boundaries of performance-capture technology in film and video games, but also in live theater, using real-time performance capture with actors onstage, and combining that with holographic imagery.
Physical attributes can make you appealing, but to keep the appeal going, one has to draw from within. You have to be a real person. Your fans and the people you associate with have to be able to see beyond your looks. You have to be a good friend, dutiful son and a good family man.
The idea of implanting memories where by the implantee couldn't tell the difference between a real experience and a fantasy experience was really cool. And his ideas of technology - do we control technology or does technology begin to control us? His work hasn't aged a day it seems.
It's hard to get yourself into a position where someone will trust you to direct a film anyway, whatever sex you are. Certainly in England, the film set is a very male preserve. There's a lot of very rough looking men pushing equipment around that don't want the gaffer to be a girl.
The skill of a good actor is to make it always seem like you're in that fantastically spontaneous moment. Very often, a stand-up comedian has a different instinct, which is to reinvent. Once you've laid down some material, and made them laugh, you move on and find some new material.
As far as I'm concerned, I'm the good guy. I'm doing my job. That's how I look at it. I don't look at it as good or evil. I look at it and say, "I have a job to do. I love this woman. I love the people that I work with. They take care of me. I'm going to do whatever I can for them."
In my cranky old age, I actually prefer recording alone now, on 'The Simpsons,' for example, because I find that the director can just focus on what I'm doing and I can do a lot of variations. A lot of times, when I record with a group, I'll stay after class for another hour or two.