Quotes of All Topics . Occasions . Authors
Terraforming our moon will take many decades and vast abilities. Before we can begin, we'll have to master the resources of our solar system - especially transporting raw masses over interplanetary distances.
Zachary Jernigan's short stories are in deep conversation with the history of the genre while maintaining a thoroughly modern sensibility. Here’s a new writer who has found his voice. Listen to him and enjoy!
Amanda Hocking and Hugh Howey have been successful in their self-publishing ventures. But notice that Hocking would prefer to write and hand over the editing, promotion, and selling to a traditional publisher.
I don't think anyone wants a reader to be completely lost - certainly not to the point of giving up - but there's something to be said for a book that isn't instantly disposable, that rewards a second reading.
In temperate zones, winter is the best insecticide; it keeps the bugs in check. The tropics enjoy no such respite, so plants there have developed a wide range of alkaloids that kill off nosy insects and animals.
Reared in rural southern Alabama, we enjoyed an idyllic Huck Finn boyhood. But education there was casual at best. Our mother and father were high school teachers and challenged the pervasive easy-going ignorance.
Don't use metaphors in fantasy; your readers will take them literally. Or they may take them figuratively - but if so, they'll also take your magics and transformations figuratively. Either way, you're in trouble.
A knife can be a symbol, but it also better be able to cut string. And if it represent cutting free, cutting loose, in the story’s beginning, it better not be used to prop up a bookcase and then forgotten later on.
Because I've been a full professor doing research and lecturing at the University of California, I didn't have a lot of time to write, so I have always used my unconscious a great deal to do the really heavy lifting.
When I first started editing a 'Year's Best' volume in the '70s, the job was pretty straightforward - there were three or four monthly magazines to read and a few original anthologies from trade publishers every year.
Fate does not invite ugly boring people to save the world; and if you do try to save the world (without being beautiful, strong, clever, or wise), you will soon die pointlessly and how much adventure is there in that?
In life, we do not give employees enough leeway. If you look around Semco's office, there are plenty of empty desks. The question is - where are these people? I do not have the slightest idea, but I am not interested.
When I say the grace of wildness, what I mean is its autonomy, its self-possession, the fact that it has nothing to do with us. The grace is in the separation, the distance, the sense of a self-sustaining way of life.
I had immediate success in the sense that I sold something right off the bat. I thought it was going to be a piece of cake and it really wasn't. I have drawers full of - or I did have - drawers full of rejection slips.
Even at the worst of times, when nothing goes right, when the prose is clumsy and the ideas feel stale, at least we're doing something that we genuinely love. There's no other reason to work this hard, except that love.
My feeling is that science is virtually an unexplored ground. It's very visible - more so all the time - but there's no fiction that tells us how scientists think, and they really don't think the way that other people do.
Electromagnetic theory and experiment gave us the telephone, radio, TV, computers, and made the internal combustion engine practical - thus, the car and airplane, leading inevitably to the rocket and outer-space exploration.
Indeed, the history of 20th century physics was in large measure about how to avoid the infinities that crop up in particle theory and cosmology. The idea of point particles is convenient but leads to profound, puzzling troubles.
Linguistics is our best tool for bringing about social change and SF is our best tool for testing such changes before they are implemented in the real world, therefore the conjunction of the two is desirable and should be useful.
It turns out that if you optimize the performance of a car and of an airplane, they are very far away in terms of mechanical features. So you can make a flying car. But they are not very good planes, and they are not very good cars.
Short stories are my favorite art form. A good one is compact and complete, a telling little slice of life, capturing a moment in time that - for the character - defines her, changes her, is the tipping point for all that will follow.
This was what the universities were turning out nowadays. The science-is-a-sacred-cow boys. People who believe you could pour mankind into a test-tube and titrate it, and come up with all the answers to the problems of the human race.
I guess if one set of my books was selling like Stephen King's, and the other wasn't selling at all, editors would want me to do the ones that sold like Stephen King's. But they seem to be willing to let me pick what I want to do next.
Of course, the way writers think about those things is almost certain to be affected by their own cultural background, and it would be hard to deny that, for whatever reasons, a lot of SF writers come from Anglo or European backgrounds.
In science fiction, basic doubts featured prominently in the worlds of Philip K. Dick. I knew Phil for 25 years, and he was always getting onto me, a scientist. He was a great fan of quantum uncertainty, epistemology in science, the lot.
As fandom grew more variegated, genzines reflected a broadening of interests, carrying personal columns of humor and reflection, science articles, amateur fiction, stylish gossip, and inevitably, thoughtful pieces on the future of fandom.
I think the international appeal of SF is quite understandable since the kinds of people who like to read it, are, by the nature of the beast, interested in other cultures, of which other nations on Earth are the closest available example.
The common liberal orthodoxy that living close to the land leads to eco-awareness is historically naive, considering that Mesopotamia, northern Africa, and the Mayan civilization were ruined by people who had lived there quite a long while.
The advice would be the same for any kind of fiction. Keep writing, and keep sending things out, not to friends and relatives, but to people who have the power to buy. A lot of additional, useful tips could be added, but this is fundamental.
Forget socialism, capitalism, just-in-time deliveries, salary surveys, and the rest ... concentrate on building organizations that accomplish that most difficult of all challenges: to make people look forward to coming to work in the morning.
We live on a minute island of known things. Our undiminished wonder at the mystery which surrounds us is what makes us human. In science fiction we can approach that mystery, not in small, everyday symbols, but in bigger ones of space and time.
The comments I most appreciate come from ordinary readers who've happened on one of my books at some time of stress in their lives, and who actually credit the book with helping them through a bad time. It's happened a few times in forty years.
Very little useful science got done in the space station. NASA never did the experiments needed to develop the technologies required for a genuine interplanetary expedition: centrifugal gravity to avoid bodily harm and a truly closed biosphere.
A high percentage of organisations develop a military rationale, whereby only a very small number of people make all of the decisions. There is little wonder, then, that people aren't keen to get out of bed and come to work on a Monday morning.
One of my many theories about short stories is that their titles and first lines ought to be memorable, because if not memorable they will not be remembered, and if not remembered the stories will not be reprinted (because no one can find them).
Persistence is worth at least as much as talent. The writing life is not a series of gentle encouragements. It's more like a series of brutal kicks in the teeth. Those who grow a thick enough skin to persevere, survive. Those who do not, do not.
Rumors are like lightning on summer tinder, producing flames that dance in flickering brilliance from person to person, sometimes flaring in great conflagrations of exaggeration before finally extinguishing themselves in the cold waters of fact.
I doubt I'll ever do another book collaboration; I've been spoiled. Roger and I both happened to move to New Mexico at about the same time, when we each had a family of young kids to raise. Socializing seemed to lead naturally to working together.
There are companies which are prepared to change the way they work. They realize that nothing can be based on what used to be, that there is a better way. But, 99 percent of companies are not ready, [they are] caught in an industrial Jurassic Park.
There are interactions with characters within the game which I think are pretty neatly done considering the limitations that you have to work with. I mean, a computer can't really generate a character that talks back and forth with you successfully.
I pulled out the manuscript [from the envelope] and a great big stiff cardboard finger sprung up. This is someone that was so certain they would be rejected, they would be getting their revenge in advance. I was lucky - it could have been a pipe bomb.
I never use the word "drug" without defining it. I define it exactly the way the DEA defines it, "a chemical compound capable of reproduction in standardized dosages." I explain that marijuana is a plant with many drugs in it, just like any other plant.
Philadelphia's a good science-fiction town. There are many professional writers here, like Michael Swanwick, Tom Purdom, Gregory Frost, Victoria McManus and others. There are professional artists such as Bob Walters and Tess Kissinger and Susan McAninley.
People are too keen to follow standard preconceptions of how organisations should work. All too often, we feel that we are unable to make changes and so hope that someone, somewhere in your organisation knows what we are doing and what the overall aim is.
Enzymes - plainly the most important biotechnology of our era - already permeate many industrial processes. Unlike fossil fuels, they carry chemical programming which drives complex reactions, are renewable, and work at ordinary pressures and temperatures.
There are a significant number of people who appreciate what we do, and most of them gravitate to Analog because this is where they can find it. The other magazines tend to share their audiences, which may result in each of them having a smaller market share.
During the four days of the storm, I became accustomed to the soft light of lamps and candles and grew to like it. When the power came on again, I discovered that I was actually disappointed. The electric lights seemed cold and impersonal; they revealed too much.
Driving down the wrong road and knowing it, The fork years behind, how many have thought To pull up on the shoulder and leave the car Empty, strike out across the fields; and how many Are still mazed among dock and thistle, Seeking the road they should have taken?
The Swords were still interesting but by then a cast of characters had started to appear and go on from book to book, and other things about the world began to feel constricting. And there were other things I wanted to do, so I closed the series up and stopped it.
As his talent expands, some of his stories become pointed social commentary; some are surprisingly effective religious tracts, disguised as science fiction. Others still are nostalgic vignettes, but under it all is still Bradbury, the poet of 20th-century neurosis.