There may be something to the suggestion about the pace of technological change intimidating writers, though - it's been awfully hard to keep ahead of real developments.

Naturally, the reader has access only to the events I show and the way I show them, but as has been said, there's generally a good deal of ambiguity in that presentation.

Ideally, I'd like every issue to include a diverse group of stories that meet the qualifications sketched above, but covering a wide range of specific matter and flavour.

Research, in nature’s laboratory, never stops. It explores every possibility. It never lacks funding. It is never demoralized by failed experiments. It cannot be lobbied.

I finally decided one day, reading science fiction magazines of the time, I could do at least as well as some of these people are doing. So I finally made a serious effort.

I generally find fiction without some move to the weird, less imaginative, dull, prosaic. Not all of it, of course, but a lot of it. I suppose it's just a question of taste.

I've come to realize that artists and scientists are alike. They go through the same processes using different tools. They are both driven to answer the question, 'What if?'

I realized very young that I loved reading and wanted to do something related to books/reading for a living. I didn't think of publishing, really, until I was out of college.

A Healing Dream can never be completely "interpreted," or fully understood. Healing Dreams want us to stop making sense; not just to crack the case, but to enter the mystery.

As for sticking strictly to presently known science, I will simply point out that we have already experienced at least two major revolutions in science in this century alone.

An experienced slush-pile reader doesn't need more than a few seconds to see if a story has potential. You don't need to eat all of a rotten egg to determine that it's rotten.

I don't know why a computer game can't be an art form just as a puppet show or an opera is. I'm still interested in computer games as something I would like to work on someday.

Apparently God takes reception of Holy Communion seriously. Apparently some things are more sacred than politics. Apparently it's all or nothing when it comes to being Catholic.

Oak trees come out of acorns, no matter how unlikely that seems. An acorn is just a tree's way back into the ground. For another try. Another trip through. One life for another.

And, of course, some SF is set close enough to here and now that Anglo and European do apply. Since many of the writers come from those backgrounds, so does much of the fiction.

When something hasn't been around much for a while, and one example of it turns up and catches people's eyes, they go looking for more like it - until they get tired of it again.

More immediately, I'm currently working on another Dracula in which there will be connections with ancient Egypt. That's about as far as I want to go in commenting on current work.

This was the 1940s; there was no television. It was a different age - it was not swamped by media; it was swamped by reality, and storytelling was a very big art where I came from.

Practise, practise, practise writing. Writing is a craft that requires both talent and acquired skills. You learn by doing, by making mistakes and then seeing where you went wrong.

Usually if nobody hates a piece, nobody loves it, either; and a magazine which sets itself the goal of provoking thought is not doing its job if everybody agrees with what it does.

My gut feeling is that paper and ink are going to be with us for a long time yet, and in substantial quantities, though certainly books are now going to be available in other forms.

To write good SF today...you must push further and harder, reach deeper into your own mind until you break through into the strange and terrible country wherein live your own dreams.

Like the ocean, land plants hold about three times as much carbon as the atmosphere. While oceans take many centuries to exchange this mass with the air, flora take only a few years.

Science fiction writers didn't predict the fade-out of NASA's manned space operations, and they weren't prepared with alternative routes to space when that decline became undeniable.

Some of the biggest changes that have happened are behind the scenes, in the way we produce the magazine. E.g., much of our production has been brought in-house via desktop publishing.

The fact that some religious fanatics might support a theory doesn't invalidate it, anymore than the concurrence of UFO abduction cults invalidates the notion of extra-terrestrial life.

About the time you might start to think that science fiction - the real stuff, not the species of fantasy that goes under the name - is really dead, along comes a story by Cory Doctorow.

That's the first rule of command; be consistent! You can be sadistic, you can be lazy, you can be stupid, but if you're consistent the crew will still let you sit in when they play dominoes.

One of the things that is very silly - and I hear from educators all the time - is that schools essentially teach kids to learn. They don't need school for that. Learning is what they do best.

Solve global warming, eliminate the nuclear threat, and we will still have to confront the vastness of our species and the way it diminishes, without thinking, all the other species around it.

Actually ideas are everywhere. It's the paperwork, that is, sitting down and thinking them into a coherent story, trying to find just the right words, that can and usually does get to be labor.

The Matrix itself is not some external evil, but rather an outcome of our own error, our karmic payoff of past actions. Not merely illusion, it is an allusion to a founding myth of our culture.

Every one of us has learned how to send emails on Sunday night. But how many of us know how to go a movie on Monday afternoon. You've unbalanced your life without balancing it with someone else.

For a company to excel, employees must be reassured that self-interest, not the company's, is their foremost priority. We believe an employee who puts himself first will be motivated to perform.

If people ask me for the ingredients of success, I say one is talent, two is stubbornness or determination, and third is sheer luck. You have to have two out of the three. Any two will probably do.

Star Trek's insight lay in the promise of going to the stars together, with well-defined stereotypes who could supply the emotional frame for the potentially jarring truths of these distant places.

Science is like literature, a continuing dialog among diverse and conflicting voices, no one ever wholly right or wholly wrong, but a steady conversation forever provisional and personal and living.

Will searching for distant messages work? Is there intelligent life out there? The SETI effort is worth continuing, but our common-sense beacons approach seems more likely to answer those questions.

At one point I intended to write precursor and sequel novels, about the establishment of the Web and its next evolution, but I am very unlikely to now; they would take place in a different universe.

Our moon was born too small to harbor life. It came from the collision of a Mars-sized world into the primordial Earth. From that colossal crunch spun a disk of rocks that condensed into a satellite.

Time seemed to suspend itself, or cease altogether. Place faded away. There was only her self, the centre that endured through all times, all events, from the world, from its pain. Timeless, eternal.

Loosen the bonds of discursive thought. Extend the circle of caring. Cease armoring against suffering. Wish for others the same happiness you wish for yourself. Be a tender-minded steward of creation.

If the Holy Bible was printed as an Ace Double it would be cut down to two 20,000-word halves with the Old Testament retitled as ‘Master of Chaos’ and the New Testament as ‘The Thing With Three Souls.

Horror isn't only about ghosts or monsters. For example, paranormal romance seems the antithesis of horror. Once you have a sexy, fun vampire who is sweet, and you have a happy ending, it's not horror.

The moon's closeness is a huge advantage: To make it habitable, we would first have to bombard it with water-ice comets, a tricky endeavor best attempted with the many resources waiting on and near Earth.

Despite the fact that he's been dead for over seventy years and his prose considered purple and overwrought by many, H.P. Lovecraft's work is still widely read and has remained influential for generations.

When I was a boy in Salem, Mass., in the 1950s, if you wanted to buy a book, you had to take a train to Boston. And when you got there, to a bookstore, there was no such thing as a science-fiction section.

The thing that most critics miss about Faulkner is that his famous storytelling voice is, in fact, a standard Southern storytelling voice that is typical of the Gulf Coast - Mississippi, Alabama and so on.

It is not socialist, as some of our critics contend. It isn't purely capitalist, either. It is a new way. A third way. A more humane, trusting, productive, exhilarating, and, in every sense, rewarding way.

People tell me they laughed hard enough to wake their spouses, that they've given away numerous copies to friends, and that it's the one Trek book they'll give to people they wouldn't expect to like others.

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