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As I've said a million times, I'm obsessed with Liya Kebede's LemLem line. The pieces, made by artisans in her native Ethiopia, are perfect for summer! I'm also a big fan of jewelry line Lulu Frost. Designer Lisa Salzer and I have been friends forever, and I love how she incorporates vintage pieces into her jewelry.
You know, all these sentiments about beauty coming from within, they've always resonated when I've read them, but it takes a bit of living to truly appreciate them. To realise we are so much more than our experiences, that we are who we are because of the lessons we've learnt, now that's what true 'beauty' is for me.
My agent and I try to be picky with roles so that I can drive my career in different directions and be different, creative characters. I want to be an actor for the rest of my life and to have fun with my career. So I told him that I wish I could do a movie that already has a fan base. And then 'Twilight' came along!
I love the Sixties with Julie Christie and Jane Birkin - those natural English beauties. That's the look that is most me, when I wore the tight-to-the knee dresses. I don't think I bleached my hair until I was 20. I like experimenting for big occasions, though. You've always got to do a bit of a number for the birthday!
I am very picky with my career. I don't need to do it for the money or the fame. I'm very choosy, which is why I haven't played the typical role that people expect to see from someone of my stature and size, as the mean jock or the preppy. It's very easy to see me like that. That's why I go against it in different roles.
When I first lived in a model apartment... It was two bunk beds to a room, and the bathroom was constantly in use. I was bringing in Lucky Charms cereal, and one day an agent put a stop to that. She said, 'You're making all the girls fat.' They took it off our grocery order. That was the most dramatic thing that happened.
No one ever said learning was to be easy, but it's part of the process of evolving as a human being, and we all have to go through it. When I look back, I see that each difficult time brought an important lesson. And I prefer to look at it with gratitude because I wouldn't be who I am today if I haven't gone through it all.
I've met Bob Dylan. We did one of those non-handshake handshakes. I was with all guys, and he shook hands with all of them, and then they said, 'And this is Kate,' and I put my hand out, and he didn't put his out. And then I took my hand away, and he put his out. It was one of those. We finally did shake. And then I fainted!
I survived a potentially life-threatening childbirth-related complication after delivering my daughter. I learned that hundreds of thousands of girls and women die each year due to similar and often manageable complications. They die because they don't have access to critical maternity care that could easily save their lives.
I don't see myself going out in sweats, dropping Barron at school in sweats - it's just not my style - never was. I like to put myself together and go out. I do wear jeans and T-shirt though! I like them - why not? They're very comfortable, and when I'm home and playing with my child, I like to wear a white T-shirt and jeans.
I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'
Sure, we had to be skinny. I lived on Diet Coke and apples for two years. For the couture, we had to get up at 4 am to be sewn into the clothes and there was huge pressure to be thin. But I made a million dollars by the time I was 20, I bought a town house in Manhattan and put myself through Columbia. Does that make me a victim?
The minute we don't finance the arts, the accountants, attorneys and politicians keep taking the cream of money off the top and it doesn't trickle down unless all of society understands that we must support the arts, whether it's ballet, opera, fashion. Fashion is like opera, is like ballet, is like theatre. It's a visual theatre.
My Cop Stopper was a Pokémon ball that you push the button and then Tesla's coils go in and the chemical compound reactions go, so it's an electrical ball so once you throw it out the window usually, in my idea of robbing a bank, I'd go through an alley way, and what this Pokémon ball would do, is it hits the metal of the cop car .
It's all about setting new goals. I reached one goal when I got the Sports Illustrated cover, which was such a surprise to me. Then after that I had a meeting with my agency who asked, "What do you want to do next?" I'd love to do more TV, I want to do more editorials, more high-fashion stuff. It's like picking it all and doing it.
Jackson [Rathbone], who plays Jasper Cullen. He’s such a mysterious kid. I’ve been friends with him for a long time, and I still don’t get him, and I don’t think he gets himself! He’s really friendly, but there’s this mystery about him and he’s talented in so many ways. It’s too much talent for one person. He reminds me of a vampire.
Because of who my husband is, and our life, and also he is number one in the polls - well, you take that all together, and people are very curious about me. I'm choosing not to go political in public because that is my husband's job. I'm very political in private life, and between me and my husband, I know everything that is going on.
I shot a lingerie campaign in Munich once during the winter, and it was actually snowing. At one point, my body literally turned blue, and we had to stop for 20 minutes to get my temperature back to normal. I kept telling myself, 'Try not think about the cold,' but that's extremely hard when you feel like your toes are about to fall off.
Then finally I said, 'Okay, well, I want to know all the details. I want creative input. I want to be consulted. I want to know what they're doing and who's involved. And I want to see the space.' So they took me to see it, and then I realized it was major! All these red flags on the Rue de Rivoli with my name on them right by the Louvre!
There's no way I would have got to see so much of the world, with my humble background, without modelling. We were penniless and hungry for most of my youth. I washed the sheets in the bathtub in my bedroom and hung them out of the window on the clothes line, which in winter was difficult as the sheets would freeze and get stuck to the line.
I don't want to be known as the guy who always takes his shirt off... I've done a lot of photo shoots lately for the press coming up with 'Immortals' and 'Breaking Dawn,' and every photographer wants to get the topless shot. We've really had to be choosy and not do that for every magazine. I've actually been trying to keep my clothes on more.
In L.A., I was meeting people who were all actors. My mind started to open up to what acting was. I didn't realize that Brad Pitt was a real person. I didn't think he was a robot or a machine, but I thought you were just born into acting - that it's a family tree, kind of like NASCAR. No one can just say, 'Hey, I'm going to be a NASCAR driver.'
I personally love lingerie. I've been buying, shopping and modeling in lingerie for 10 plus years. So, for women who are shopping for the first time, I'd say start with the basics and work your way up. Definitely buy a variety and start with something that is comfortable and then work your way up to more flirty and lacey pieces. Comfort is key.
I see a 16-year-old now, and to ask her to take her clothes off would feel really weird. But they were like, 'If you don't do it, then we're not going to book you again.' So I'd lock myself in the toilet and cry and then come out and do it. I never felt very comfortable about it. There's a lot of boobs. I hated my boobs! Because I was flat-chested.
I moved from Denmark to America. I left my family. I left my school. I left my friends. And it was basically to pursue my career, and I didn't know if it was going to work out. So that was very scary to leave everything and just put everything into a whole new thing where you don't know if you're going to make it or not. But I think I'm doing good.
Bethann Hardison has been my collaborator, my closest friend, we've gone through starting businesses, losing businesses, kids, divorces, marriages, and she was my maid of honor when I married my husband, David Bowie. And she's still such a part of my life. This is the person when it's totally dark, outside and inside, this is the person I would call.
Companies doing "business as usual" have to get baseline data on their impact and simultaneously understand what the impacts are. The larger the company, the more challenging that can be - so I empathize with the arduousness of the process. But it can be an exciting and rewarding challenge for all those involved, particularly when you can show progress.
I'm going to continue working as a model. I want to do it all! And I think it's possible to keep working while you go to school. Christy Turlington did it. Natalie Portman did it. Emma Watson just did it! And those are just women in the public eye, but plenty of others do it, too. You know, women around the world are great at multitasking. We do it well.
I need to learn how to stop destroying myself, stop being hard on myself and be nice to myself. I need to keep telling myself that I need to keep wanting something, something nice, something warm[so] I can make other people happy. I can understand other people's pain because I can love even after all that is left of me is gone because I have that strength.
I never looked at magazines before I started modeling. I was 13 or 14 and none of my friends were into magazines. We were into the fashion of the day, though. Designer jeans were really popular - Sasson, Gloria Vanderbilt, Calvin Klein, Jordache. Once I started modeling, I began to learn about these things, and magazines helped me to understand who was who.
I have one funny story - because we knew we don't have fangs. But I remember I told Billy (Tangradi) "Dude, where's your fangs?", and he was flipping out because then he would have to run back to the hair and make-up trailer, they would be like "You don't have fangs." and then he'd run back and I'm like, "Dude, where's your fangs," It was great. A little easy.
I was friends with Salvador Dalí until the day he died. Lucky me. I can't say why. I didn't live to be noticed, I lived to enjoy the excitement of doing right that day, and I knew I was doing it right when they would have me back. That was the thrill for me. I yearned to be validated because my mother was stern and I never did much right, that's how I perceived it.
I would encourage the youth to get in to their bodies as much as possible through sport or exercise, and to embrace their uniques expressions as individuals and freethinkers. They are lucky enough to grow up in a time where the individual is celebrated - it is their duty to find their voices so that they can be heard. It is time to practice compassionate communication.
Bill [Condon] is such a great actor's director. He cares about what you're thinking. And, he's very open. Even though he was pressed for time, and he was doing two movies at once, and all this stuff was happening around him, he would still take time to sit there and talk to you about your scene and your character and what you were going through. That was really a treat.
Our company is geared toward making the lives of women run more efficiently. Every single day, day in and day out, we're thinking, How do we make the world better for women? It's something that's on our minds all the time, so to have a day where it's actually celebrated officially feels really special. And to do it with a friend just makes it really personal and special.
Life and death, energy and peace. If I stop today it was still worth it. Even the terrible mistakes that I made and would have unmade if I could. The pains that have burned me and scarred my soul, it was worth it, for having been allowed to walk where I've walked, which was to hell on earth, heaven on earth, back again, into, under, far in between, through it, in it, and above.
Some models are naturally very thin, but if they aren't naturally like that, then what these girls do to their health to fit in ... To be a size zero or a two when you're tall is incredible to me. It would be nice if models were allowed to be a more healthy weight - for the models, and for the young women who look up to them. We were athletic and healthy, and we looked like women.
I could learn photography. That could be something to want. I could photograph children. I could have my own children. I would give them yellow roses. And if they got too loud, I would just put them some place quiet. Put them in the oven. And I would kiss them every day, and tell them you don't have to be anybody, because I would know that being somebody doesn't make you anybody anyway.
There's politics. When you talk about Asia - no one really wants to approach that full-force because it's very thin ice. No one wants to harm the relations with Asia, where most of those products are going to and being exported to. Many of the local institutions and politicians and veterinarians are involved in illegal trade. To crack that down, it's a big crime and big names to reveal.
I don't really have an anti-aging strategy. I accept it. It is what it is. I think about how I feel. So to me, yoga and running and doing work that is meaningful to me is the best way to look and feel good. I think happiness and living a life that you feel good in and you don't feel compromised - that all makes a big difference to the way that you look. I don't give a lot of thought to aging.
In terms of economical aspects, reinforcing those national parks with sophisticated anti-poaching patrols - these poachers are beefed up like the army. In the case of Cameroon, that's a perfect example of the lack of finance. The government could not provide the national park with more guards. Therefore, they lost the majority of the elephant population. I don't want to see that anywhere else.
We are all going to die. When it happens in such a drastic, inhuman way, which we've been seeing in Africa, this is crime on its highest level. It is affecting not only the security of the national parks, it is affecting the people in communities that live around the national parks. In terms of security for wildlife and our society, it's an incredibly alarming situation, and we need to address that.
When people ask me about modeling, what it was like, I say, "It was fabulous!" If you can use it in the right way - to travel to meet other people, to learn how to dress, to make some money - I think it's great. But I also think it takes girls. If they don't know how to handle themselves, or if they do it just for a little time and are not successful, then they get terribly depressed about themselves.
I was raised by a strong mother who always taught me to speak up, I never had difficulty leaving an uncomfortable situation or cutting eye contact; people used to call me cold. Girls need to learn that they're allowed to say no and to speak up. This is what I work on in Africa with the girls, but the issue is global and I'm glad that women are speaking up and saying that we won't put up with it anymore.
I'm certainly not an expert and I imagine I'll spend my life figuring it out. What I do know, is that you can't take it all on yourself: find amazing people to collaborate with, build a team, and support other people doing the same. When you share your goals and ambitions with other people and they share with you, you exist in an energizing cycle of always creating new things with people that believe in you.
London College of Fashion, University of the Arts London, offers the range of subjects that help young designers to arrange the underpinnings that are necessary to get from zero to 10. The hardest part is the beginning, understanding your passion and making the decision that whatever it takes, that's what you're going to do. London College of Fashion shows them what they must do and helps them to find their goal.
I had a really small role (playing goddess Aphrodite), and I was only working for just over a week with Ralph Fiennes and Liam Neeson. I'd done a few short films before and thought acting was really creative, but when I worked with those guys, I was just like: "Wow!" They had such fun and freedom. They were trying things and stretching themselves. It was so inspiring that I was like: "I definitely want to do this!"
I came from a background where I was very poor growing up but I have never known poverty. My parents worked hard and they went to bed hungry, but they fed us. Then my father became an ambassador, so I ended up being driven by chauffeurs. And then we became refugees. After that, I looked at it through this "glass" of to have and have not, and at the end of the day, who actually helps, who actually steps up, who is there for you.
I've been doing my own makeup for red carpet events for years, but it wasn't until I met my business partner Divya Gugnani a few years ago that I realized I could actually turn my passion for beauty into a makeup line. We're the opposite of an artistry brand. We're for the everyday women who is very busy and only has 5 minutes in the morning to get ready. So, that's our goal, to really keep you beautiful and gorgeous on the go.
I'm doing the best I can with the ravages of time on my body and I'm a work in progress. I can't write a memoir because I can't do it this week or next week... I try to be an inspiration to the young to respect their older people; we can't stay the same, but we do the best we can with what's left. You can't whine about stuff, you have to learn to eat humble pie along the way and keep going, because the alternative is going to happen.