Quotes of All Topics . Occasions . Authors
I think that right now we're in a very hard moment and off-putting. I mean, look at shoes today - women's shoes. They couldn't possibly get any higher and meaner and sharper. But then again, you go and watch most films today, they're violent and we're living in a world that is, at the moment, quite hard.
The easy glamour of the French Riviera in the late 1960s - inspired by Romy Schneider's character in La Piscine - mixed with garden elements. Blueprint, botanical, lattice, Queen Anne's lace and folly prints are paired with cleaner silhouettes and proportions in a fresh palette of green, white and coral.
I had the luck at 18 to become assistant to Christian Dior, and to succeed him at 21 and to meet with success from my first collection in 1958. That will be 44 years in a few days. Above all it was Christian Dior who was my master and who was the first to reveal the secrets and mysteries of haute couture.
I don’t like the collusion between high fashion design and high street. You have to know where you stand. I belong to luxury fashion. That’s what I’ve always felt and embraced. I like the best quality, the best fabrics and the most creative field in fashion. I will stay consistent. I belong to this world.
I don't like the collusion between high fashion design and high street. You have to know where you stand. I belong to luxury fashion. That's what I've always felt and embraced. I like the best quality, the best fabrics and the most creative field in fashion. I will stay consistent. I belong to this world.
I am definitely a person who supports mothers. I believe in having children. Maternity leave and all that stuff is super important to me. In terms of one-on-one with employees, being a mom helps me ground my roots to humanity. When someone is going through a personal issue, I can keep it on a human level.
Every weekend, I'm on the highway to Antwerp. I need to be there, to have the calm. It's a whole different life: I jump on my bike, and it's so small, I can be anywhere in a minute. I like to be at home when there's free time because when you're at a big company, you're constantly surrounded by 30 people.
But as an adult working in the fashion industry, I struggle with materialism. And I'm one of the least materialistic people that exist, because material possessions don't mean much to me. They're beautiful, I enjoy them, they can enhance your life to a certain degree, but they're ultimately not important.
My children came out as individuals in their own right. They were not my products. They had their own characters and were very strong-minded. I gave them a lot of freedom when they were still very young. The one thing they got from me is morals. They would never betray anyone. They are really good people.
I have been wanting to do beauty for years and to pair with an international beauty company. It will solidify the image of Jason Wu as a world. All my shows have a distinctive hair and makeup look. It feels so natural for me; the woman who wears my clothes would have my makeup as part of her beauty regime.
I invited a group of students to my studio to expose them to both the creative and business sides of the fashion industry. It was fun because the group was so bright and full of curiosity. They asked really challenging questions about all aspects of the business and absorbed so much information so quickly.
At the end of the elementary program, I then had to move onto high school. Simultaneously, my parents moved to Attica to a suburban area not far from the well-known Attica State Prison. Then I would take the school bus which was a very short distance away, where I was involved with a much larger community.
I can't become naked for everybody. It's never going to be possible for the person to write the whole story completely, so I find bits of myself, bits of what I think in some articles. And I don't give lip service to journalists. I never make them feel comfortable. I say, "It's your job to make the story."
My mum had a massive influence on me, not just in what she wore and how she looked, but in her spirit. She was married to one of the most famous men in the world, and she didn't wear any makeup, ever. I mean, have you ever seen the wife of a man like that rock up with no makeup on? Because I haven't since.
There are two classes of women in Soviet Russia. There is the professional class, which has taken the place of the nobility and includes government officials, artists, doctors, composers and writers as well as former members of the old nobility whose sympathy is with the Soviets, and also the peasant class.
First, at a certain point, I wanted to have my own magazine, but I never could. Why? Because I am not commercial enough. The people who would have been able to give me my own magazine, they were not insulting me, but they would simply say, "It wouldn't work for you." And that was a big disappointment to me.
I've always been fascinated by people's capacity to care. Everyone has a different capacity for it. Some people can take on more and deal with more. Today, with the economy, I have such respect for the hard work that has to be done. But we're on this planet and we have a responsibility to ourselves to care.
At the end of the day, I want to create collections that, although I am inspired by very creative women, I want my customer to walk away with a silhouette that she doesn't even know what collection it comes from. That it just lasts in her wardrobe and makes her feel strong and confident and hopefully happy.
Every collaboration I do, I feel like I've benefitted in so many different ways; it all depends on the organization. With Moncler, there is such a heritage to the brand and to the way that they work. With Brooks Brothers, in the same way, having the heritage to draw from in that collaboration is invaluable.
Technical garments for sporting performance will, I believe, simply become more and more fit for purpose and will perform better and better. What is perhaps more interesting is how this technology will cross over into the fashion mainstream. We already see this trend in everything from footwear to outerwear.
I thought Victoria Beckham was going to be one of those pop girls, but she's absolutely the complete opposite. She's a working girl. She knows what she wants. And when she doesn't know, she really prepares herself. I love this working type of women. And she's a girl from - I don't even know where she's from.
I think women are much more open to new ideas but approach a line more from a more personal and skeptical place - you need to seduce them into your clothes, whereas most men just like to be told what they should be wearing. Women are a bit like cats and men like dogs in that respect when it comes to clothes.
I haven't made many wedding dresses. It's a dress very, very important for the girl; it's important to know the person, I believe, but at the same time it should be a shock to the person - the person should be shocked to be suddenly revealed. That's the work of a designer sometimes, to propose an ID of look.
I don’t shout the loudest, and I’m quite shy, which was why I was reluctant to throw myself into the public eye. I love beauty, craftsmanship, storytelling and romance, and I probably don’t have the armor to survive the relentless competition that exists in this particular world. But I have my own toughness.
When we put the antlers on the model and then draped over it the lace embroidery that we had made, we had to poke them through a £2,000 piece of work. But then it worked because it looks like she's rammed the piece of lace with her antlers. There's always spontaneity. You've got to allow for that in my shows.
Many of the customers here are traveling all over the world so they need multiple types of clothes. That's one thing about Urban Zen - it is seasonless and it is timeless. So it's not about the fashion of a moment saying, "I have to have it now." It's something that you become a part of...sort of like a sari.
My mom used to take me to antique shows, which I hated because everything was so dusty and old and there were all these weird ladies selling their antiques. We call them "eclectic" now. But it was really amazing that I was exposed to that when I was younger. Now that I have my own taste, I understand it more.
If I'm having a bad day I put on the very best thing I have. I polish my shoes, I shine everything up, because that helps me get though the day. It helps me, you know, it's in a sense armor. It says, okay, I'm a mess inside but you know what, on the outside I'm going to be pulled together, everything is okay.
How impossible it is for us to imagine ourselves victims of disaster. We suffer for the poor people who were thrown into the sea from their cruise ship off the coast of Tuscany, some losing their lives. Imagine a world of accelerating natural disasters, one after the other so that nobody can help anyone else.
I consider lace to be one of the prettiest imitations ever made of the fantasy of nature; lace always evokes for me those incomparable designs which the branches and leaves of trees embroider across the sky, and I do not think that any invention of the human spirit could have a more graceful or precise origin.
The most overrated ingredients are garlic and extra-virgin olive oil. With garlic, it's personal; I have never been that big of a fan of its flavor. As for extra-virgin olive oil, I do use it quite often but its ubiquity serves to overshadow many wonderful oils like pistachio, walnut, argan and even grapeseed.
I love what I do and feel really lucky to still love what I do - I want to get out of bed and go to work at least three out of five days a week! My fear is it ends up any less than three days. But design-wise, I've still got an appetite, a lot more I want to say with my work - the story is not nearly complete!
There is something I think we share, which is, of course, an appreciation for Helmut Lang. I think at a certain point he really changed so many things in fashion. I'm a bit younger than Helmut, but from my point of view he provided a true entrance into this new way of thinking - not being invaded into couture.
I think it's different in fashion, because even if I would be an outsider, I would still be in the middle of the whole world of contemporary fashion. But it's interesting to think what outsider fashion could be. Does it mean to be completely disconnected from the regular system or just disconnected style-wise?
Today, there is no fashion, really. There are just... choices. Women dress today to reveal their personalities. They used to reveal the designer's personality. Until the 70s, women listened to designers. Now women want to do it their own way. There are no boundaries. And without boundaries, there is no fashion.
The biggest thing I'm seeing - and I have to be careful what I say here - is that people are tired of the old guard and the familiar brands. They're looking for more individuality and creativity, and that's coming out of this whole new wave of younger brands: Thom Browne, Michael Bastian, Robert Geller, myself.
Sustainability goes across everything I do with Adidas and everything I do with my own house, so the Olympic kit is no exception. It is incredibly environmental in the way that it is manufactured. For example, there's no leather; it's free from PVC. There's lots of woven materials, which means a lot less waste.
I think my collection is doing really well, but collaborating is actually just a nice exercise in doing something different. For example, I do things very differently for Moncler that I wouldn't specifically do for me. For me, I can do whatever I want. With other companies, you have to stay responsible to them.
I suppose the most marked example of color as structure is in the Byzantine use of mosaic decoration that becomes architecture. The decoration of the interiors so related to the form that they fuse. In less elaborate interior design this is always the ideal approach to color - used not only as just color alone.
The capitalist system is about taking from the Earth and from the other great commodity, labour. What's happening with this system is that the rich are getting richer and the poor are getting poorer, and the only way out of it is supposed to be growth. But growth is debt. It's going to make the situation worse.
One of my fondest memories was when I was in London as a young, independent businesswoman and stayed at Claridge's. I knew I had made it. To me, Claridge's is the most glamourous hotel in the world; I regard it as my home away from home. I am honoured to become part of the hotel's legacy and rich design history.
The idea of transformation is super-important to me. You can see it in the way I approach things. I have never been a clean-faced, freshly scrubbed hair person. I'm the New York designer who doesn't do that. I think about the hair and makeup almost as much as I think about the clothes because it all has to work.
I got the letter about becoming a Sir in 2000, the same year that Pauline asked me if we could finally get married. My assistant, Colette, called up and it turned out both the wedding and the Buck House ceremony were happening on the same day. I was knighted at 11 and married at four. She became an instant Lady.
And it's absolutely great, when everything comes together with the hair, the dresses and the makeup and the models and the music and the presentation. I can't get over these girls. They look wonderful. But by the time we finish with them, they look like they came from another planet. And I just think it's great.
I am an avid follower of the news, and sometimes you just can't take any more war, any more disasters, and you want to remind yourself there's beauty in the world. I wanted to show a more poetic side to my work. It was all about... a feeling of sadness, but in a cinematic kind of way. I find beauty in melancholy.
I like making sure that I've got a decent haircut, my beard's a decent length. I trim it once a week and that's all I need to do. Also, shoes polished. Just put yourself together properly. It's about self-respect, but it's also about having a bit of respect for the people you're interacting with on a daily basis.
If you really want success in life, it's two-fold. You want to be able to take care of yourself and take care of yourself well, but there's the other side in which you want to be able to take care of yourself so that you're a happy person, so that you're passing those qualities and those tools onto your children.
I love the fact that H&M has created a new phenomenon in fashion through the pioneering concept of collaborating with high-end designers to create one-off limited-edition capsule collections. I am thrilled that my creations for H&M will be accessible to - and hopefully enjoyed by - so many people around the world.
It's interesting for me because in my work, a lot of times, I like to scrutinize the clothes and think what's going to make them look dated, and I do the same with vintage. In vintage, you want something unique and different, but at the same time, something that doesn't make you look like you dress like a grandpa.
With couture you have faithfulness - people are faithful to you. In couture, you will see that the cut looks like a lace dress from a distance, but it's only when you get nearer you understand that it's layers of lace, hand stitched in a certain shape, all the work - the zips, the buttons, the hooks... it goes on.