Quotes of All Topics . Occasions . Authors
I think the reality is that, for me, real fur is extraordinarily old fashioned. I think you look old. Even if you're 20, and you've got a real fur coat, you just look like an old, unaware, unconscious being on the planet. It's not relevant, it's not sexy, it's not fashionable, and it's not cool.
If I were straight and I were trying to seduce a woman, I could do it just by standing up at the table when she came back from the bathroom. It works. Every time I do that, all the straight men are sitting at the table and their wives are kicking them. "Look at that!" "You never do that for me!"
I know one day I'll be irrelevant. No matter how hard you try there is a cultural moment, but eventually that window's gone, your time on Earth is finished, and you might as well leave. I could absolutely die tomorrow - I would not care. I feel like I've lived, I feel like I've had a great life.
When I was eight, nine years of age, my mother bought me a pair of green trousers - corduroy green trousers. I didn't like green, and I basically buried them underground. And my mother kept asking me, 'Where are your trousers?' I said, 'Oh, I don't know.' And from then on I stopped wearing green.
Mid-'80s in New York was fantastic. I remember my first Gay Pride parade in the city. Where I grew up was very sheltered, so when I got to the city, there was this freedom and so much happening. At the same time, there was this pressure of AIDS and everything else. New York is so different today.
If people want to change, they will. If they don't want to, it's hard to make them do so. The current interest in the environment is a good thing. The best way to make a contribution in fashion is to promote the idea that a fundamental interest in preserving the environment is itself fashionable.
Reduce risk, lower your required capital, and focus on what you’re really good at—and hire others for what you are not.) This is something you should think about in any business: don’t try to do everything. You aren’t the best at everything. Find out where you have an advantage and stick to that.
Women are not taught to get a massage or do anything for ourselves because it makes us feel extraordinarily guilty. But the more we can fill ourselves up with things that make us happy, the happier we'll be, the happier our children will be, the more we have to give, and the more loving we'll be.
I have a company, and I've got to think about that. I'm trying to do my best there, and that's a much harder task. We recycle as much as possible, and we conserve. But I've always been one to save everything - I even walk up stairs on the very inside or the very outside to not wear out the tread.
It's nice to be able to be whoever you want to be. I moved to New York for that reason. I think I am a very good example of how you really can do whatever you want to do without having any kind of prerequisite experience of any of kind of connection. None of my family members came from this world.
I don't feel comfortable talking about the specifics of how it all comes together, but the truth is, I don't ever know when Michelle Obama is going to wear my clothes! She, like everyone else, picks her outfits and wears them when she wants - sometimes two or three times. It's not ever calculated.
I'm not really well educated - other than an art survey course at the High School of Art and Design in New York when I was, like, 15. I don't know the history of art, but I got over intimidation from the art world when I realized that I was allowed to feel whatever I want and like whatever I want.
Fashion is something you attach to yourself, put on, and through that interaction the meaning of it is born. Without the wearing of it, it has no meaning, unlike a piece of art. It is fashion because people want to buy it now, because they want to wear it now, today. Fashion is only the right now.
To work on the competition wear for the Olympics is kind of insane. As a fashion designer, you don't think to yourself, 'I'm going to get the opportunity to work with athletes at that level at the Olympic Games.' It really is such an incredible thing to have any kind of contact with as a designer.
If you're at the Oscars, there's not a man on that red carpet who is not wearing make-up. Most straight actors I know get quite used to it. Even when they go out in real life they grab some sort of bronzer and they throw it on. They dye their eyebrows, they dye their lashes - they know the tricks.
There are many more important things in life than fashion. But fashion, to me, is part of pop culture. And I'm an art collector. I'm obsessed with art and pop culture. And I say that there is fame, fashion, art, music and entertainment, including celebrity, that really moves the needle in society.
I've always had my own access to the public, because I started off making my clothes for a little shop, and so I've always had people buying them. I could always sell a few, even if I couldn't sell a lot, and somehow my business grew because people happened to like it. I'm in a fortunate position.
You cannot have a healthy body without drinking a great deal of water. But remember, you can't just drink a glass of water and tell a glass of water to please go straight to your skin and moisturize your complexion. Water has to be there all the time, doing what it does naturally in a healthy body.
Even when I'm writing in character I'm normally still writing about things I know or things that have happened to me or using that character to start an exploration of my own consciousness. Really though, any character that you can examine is just an examination of a part of your own consciousness.
Sometimes, you just have to clear your head and get out to see other things. It is very important to be nourished. I love to go to museums and galleries, I like to see theatre, film, dance - anything creative. It doesn't promise you inspiration, but it nourishes your creative soul, and that's good.
We, as designers, have a job with so many possibilities and connections. We are connected to so many different portals, from art to movies to music to design. Fashion is always evolving. Actually, the field is huge. I don't think there is another profession that is so open to so many possibilities.
If I have done anything, it is to make ugly appealing. In fact, most of my work is concerned with destroying—or at least deconstructing—conventional ideas of beauty, of the generic appeal of the beautiful, glamorous, bourgeois woman. Fashion fosters clichés of beauty, but I want to tear them apart.
Designing kids clothes is something personal to me because I'm a mother. So to be able to see my kids wearing something I've designed is very fulfilling. With the kids' collection, we really try to focus on great quality with an accessible price point in styles that appeal to both parents and kids.
I pass for a hypersensitive, reclusive neurotic, which I may well be, but I hope the year won't come when my anxieties and fatigue will destroy my love of this life, of all the things that inspire me--a line of music, a face in a Vermeer portrait, a character in an opera, or a model born in Harlem.
I've always been interested in justice. I think what is happening to the Palestinians represents the ultimate injustice. I also hate bullies and the effect of them, the way people side with them out of fear. The Israelis are the schoolyard bullies, with England and the United States siding with them.
Today, people no longer go out with a total look or ensemble taken straight from the runway. Customers mix and match between labels and between price points. The idea is to create something for yourself: what you want, and how you want it. I realize that shoppers want more flexibility and choice now.
Halston was one of the hardest-working designers I have come across. The way he cut, moulded, manipulated and draped fabric was inspiring. I was submerged into the Halston subculture alongside Andy Warhol, Liza Minnelli, Elizabeth Taylor and Truman Capote. They shaped who I have become as a designer.
I've got hope, I've got dreams and I have aspirations. I don't need to climb mountains; I don't need to build nations. What I do need is the courage to look deep inside, Cos I'm me and from me I know I can't hide. I don't wish to fly, I'm quite happy to glide. I am who I am and I'll be me with pride.
I have always been inspired by the dream of America-families in the country, weathered trucks and farmhouses; sailing off the coast of Maine; following dirt roads in an old wood-paneled station wagon; a convertible filled with young college kids sporting crew cuts and sweatshirts and frayed sneakers.
I said that Mrs Obama has been extremely supportive of American designers, but clearly we were disappointed that she chose to wear a British designer for the state dinner...From there, I was so embarrassed that I am definitely going to write to her. She has been super supportive to American designers.
If I didn't already sense that I was different, I certainly was reminded, whether by my parents or by the other school kids. Not just reminded. Told... I was made to believe it wasn't right. If I went a little bit too off - slap! It was Dad's upbringing and it was Victorian, and that's the way he was.
My greatest peace is at the ocean, which was part of my decision to move out of Manhattan. A real treat is a trip to the beach. One of my favorites is Capri, and I love Mexico, but no matter where it is, it's really difficult to be in a bad mood when you're sitting on the sand, listening to the ocean.
I do the final fitting because the client wants me there. They're not spoilt, they really understand that you're very busy, but they just want you to say what you think - for just ten minutes. They really want to know your opinion because it really is a service at the end of the day, a luxury service.
I've never been interested in dressing one woman. What's interested me was to have a philosophy. It hasn't been important to put a woman in a blue dress. I wanted to dress women who wanted to look at themselves. To stand out. To be women who were not part of the crowd. A woman who fights and advances.
I'm obsessed with not chucking away food. I'm lucky enough to have a gardener, so we grow sweetcorn, tomatoes, beetroots, cabbages, pumpkins, lettuce. I'm trying to get into blanching it and freezing so I don't have to buy veg over the winter, but then you need loads of freezers, and that's not ideal.
I told myself that I would not come back to women's fashion until I felt I had something new to say. I feel that fashion has become too serious and that the actual customer's needs have not really been addressed. Fashion needs to make one happy. It is a luxury and should enhance one's quality of life.
Every woman hates her own body. I don't know a woman who doesn't . . . well, I do know a few who love themselves but in the case of most women it's like, "ugh." And when I dress a woman, my design intention is to give them an attitude or a grace, no matter whether it's a wedding gown or ready-to-wear.
There is one common philosophy, one thing that you can do no matter who you are or what you look like: You can actually get passionate instead of remaining cool or instead of trying to look like everybody else. You can - you must - immerse yourself passionately in who you are if you want to have style.
I never designed before. I wasn't formally trained in design, I went to photography school at the ICP. But over time, I taught myself to draw, and I studied different techniques, various hemlines, and then I would take the ideas to a manufacturer and a patternmaker and have them produced into garments.
My favourite feature is my hair. It has always made me look different. It was so red when I was born that my mother thought I had blood on my head. When I was a teenager, I looked like a tomboy, but then I understood that I could be a woman who was an intelligent mix between a lady and my mannish side.
I grew up in New Mexico, and the older I get, I have less need for contemporary culture and big cities and all the stuff we are bombarded with. I am happier at my ranch in the middle of nowhere watching a bug carry leaves across the grass, listening to silence, riding my horse, and being in open space.
I didn't consider myself a fashion designer at all at the time of punk. I was just using fashion as a way to express my resistance and to be rebellious. I came from the country, and by the time I got to London, I considered myself to be very stupid. It was my ambition to understand the world I live in.
There are issues that are being questioned that are fundamentally upsetting to me, deeply: immigration, funding for the arts, Planned Parenthood, and women's rights. These are just issues that are very close to my heart, and I use my own private voice and funds to fight for them and in support of them.
If you take something out of the freezer, it's cold, but what happens when it melts? It's a cool party, a cool person, a cool collection. What does that mean? I'm more interested in things that are uncool, things that have a certain individuality, a certain soul, a certain longevity, emotion, fragility.
There are two kinds of designers: ones who are very happy locked in their office surrounded by their coterie. The last thing they need to do is to go to a trunk show; they'd go running for the hills. I not only enjoy it, I think, how do you design things that are applicable to life - unless you live it?
It's very easy for me to say that I think everybody should just be treated how they're supposed to be treated and tattoos shouldn't come into play. But what if someone has an offensive throat tattoo that might affect someone's business? I am sure there are a lot of opportunities out there for everybody.
I am honoured to be a part of H&M's designer collaborations. The work with their team is an exciting, fun process. They are very open to pushing boundaries and to set a platform for creativity. This will be a great way for a wider audience to experience elements of the Alexander Wang brand and lifestyle.
I'm usually the sparkle in a closet full of conservative clothes. Either that or my customer has a closet full of my clothes and a few conservative suits from Calvin Klein. I think you've got to give a girl what's missing from her closet. If something jazzy, tacky or sexy is what's missing, I provide it.
My brands all are unique in terms of their spirits, but they have the same Armani stamp. There is a level of taste which runs through every single product. Sitting side by side, they are perhaps more stimulating than they would be just on their own. It gives a new idea, a new proposal, a new perspective.
Your body can be very female, which is something you can do nothing about, but then you can have the soul, the mind and the spirit of both male and female. The women friends I am closest to somehow have this masculine side to them, they shove their hands in their pockets when they walk: I love that side.