Quotes of All Topics . Occasions . Authors
The most important thing that I think we've done this season is to show navy and gray in a very new way. Most men understand navy and gray as a navy blazer and a gray flannel trouser, but today, we're taking that very traditional color palette and putting it in a more modern shape.
If you're a New Yorker, there are two things that are most important: a car and a washer and dryer. Literally everyone else in America has those things! It's so weird to them that these are our luxuries. You can eat at Per Se every night, but I don't have a car or washer and dryer!
In thinking back, not having any experience in any other elementary school, there may have been an advantage of being with different age groups to benefit from what they were learning in a more advanced capacity. With a small group like that, there was a lot of one-to-one teaching.
A scarf has to be the most beautiful thing ever invented to wear! It's a winding, a continuity, an infinity! I love things that are endless, I hate them to stop. It's like order and disorder: I rather love disorder and things that move, it's a state where one gets more things done!
In high fashion, we're always accused of doing things that are not very relevant, not the real world. I know that it's important sometimes to do fantasy, but I felt like touching people and going back to different women and men, especially the idea of different ages and body shapes.
Why am I so determined to put the shoulder where it belongs? Women have very round shoulders that push forward slightly; this touches me and I say: 'One must not hide that!' Then someone tells you: 'The shoulder is on the back'. I have never seen women with shoulders on their backs.
I think people should have fun with fashion, should enjoy wearing beautiful clothes--but also not save everything for the best. Fashion is there to be enjoyed, to be indulged--to wow in. Don't save it for Sunday best only. Get it out of the tissue paper and be sensational every day.
If you want to be in fashion you have to absolutely love what you do, because it's more than a job - it's your life. This is a very intense and hard business. But don't worry, trust life. Anything you want, you are capable of getting, it just takes a combination of effort and grace.
Ralph Lauren has always stood for providing quality products, creating worlds and inviting people to take part in our dream. We were the innovators of lifestyle advertisements that tell a story and the first to create stores that encourage customers to participate in that lifestyle.
I am one who is very meridione - Southern Italian. I am proud of this. I design everything with my team, which is fantastic and small. I design by look. For example, people always comment to me, "When you do men's shirts, you always keep them closed on the catwalk." That's my thing.
I talk to fashion designers and say I want some money to save the rainforest, and they say, 'Oh, I agree with you completely Vivienne. Yes, climate change, it's definitely happening,' but they don't feel that they can do anything about it; they don't even think 'Well let's stop it!'
The thing is, if you're a designer, then you want to constantly push yourself and your designs. When we make a new collection, we're changing shapes, we're changing patterns. We get a dress on a model, and it's our first time seeing what the dress really looks like on a woman's body.
When I work, I wear pants usually because I want to be comfortable. I wear dark colors, especially in winter, because I don't want to concentrate on myself but on what I'm working on. Because I really, really love clothes, I can start to think too much about myself. It's distracting.
Whatever I design, it has to please my eye. If I go to work on an office block, I'll draw the office that I want to walk into. If it's a piece of crystal, it must feel the way I want it to feel in my hand. If it's women's wear, it must be something I'd like to see my wife dressed in.
I think scent is sensual. I guess evoking a mood or a spirit is key, and I think with the women's fragrances we have evoked different types, moods or sensibilities of a woman - whether it's Daisy with the sweetness and the innocence or Lola which is more provocative, sexy and sultry.
It's easy to get wrapped up in the season-to-season business, but to have real longevity in this field, you've got to always maintain your point of view and what makes your brand unique. Your business is always going to have ups and downs, but there needs to be a certain consistency.
When I was a little kid, all I wanted to do was to escape what I thought was the country and get to a city. Probably film and television had influenced me so much, I really thought the key to happiness was living a very artificial life in a penthouse in New York with martini glasses.
If l give you the right conditions to work, and I put you in a beautiful place, where you feel a little bit better about yourself because you know your work is being used for something greater than producing a profit, maybe you will get more creative, maybe you will want to work more.
If I give you the right conditions to work, and I put you in a beautiful place, where you feel a little bit better about yourself because you know your work is being used for something greater than producing a profit, maybe you will get more creative; maybe you will want to work more.
I saw my potential as artistic director, which is very different from designer. Fashion companies might have $200 million to $300 million in annual sales - Hugo Boss has €2.5 billion. I have to create a world that is believable and also relevant in 7,000 sales points around the world.
In 1993, I had my Super Show in Red Square, Moscow. No one before me had ever gotten permission to use that location and my show included fashion, fireworks, and dancing. I felt like it really communicated my heartfelt belief that all human beings are wonderful and unique individuals.
I think you'd have to be a pretty brave man to say "never go out of style," but men's suiting has been relatively stable for 100 years now. The single-breasted, two-button gray flannel suit, you could've worn it in exactly the same cut, shape and fabric in 1910 as you wear it in 2010.
I never really have to sit at a desk thinking, "What should I do now?" It doesn't work like that for me, and it never has. My thinking process is constant. The difference is that once I was in Antwerp only doing two men's shows a year. And the weird thing is I thought I was busy then.
I was sometimes embarrassed about making it - people look at you in a different way. You become this rich guy with the house. I wouldn't trade my life for anyone else's, but I've sometimes felt set apart from the people I work with. They think, "You're rich - you don't have problems."
I never want to promote an ad that makes women feel bad about themselves, because when I was young, I never felt rich enough or fashionable enough or good enough. I felt talked down to by luxury fashion labels. There was a disconnect. They made me feel we weren't right for each other.
I was never drawn just into fashion. I was drawn into it because I am really interested in serving women and providing women with solutions, trying to figure out what we need and why we need that and why we wear stuff, how it makes us feel. That was always my starting point, you know.
I want to feel I have the energy I will need as an older mother having a younger baby. It's really important that when I'm 51, and my daughter is 10, that I feel I can still run around and do things with her, and feel the energy of a slightly younger woman having their kids at school.
A lot of my peers don't think about collaborating the way I do. My approach is to imagine my world. The Jason Wu woman isn't just floating around in a beautiful dress. I like to know where she's going, what she likes. I'm not just in the fashion business. I'm in the lifestyle business.
I have a nostalgia for the years I was growing up and experiencing new things for the first time - so the late '80s and early '90s are always fascinating to me. Those were the times that I was being informed about a lot of my tastes, and so the memories are fused with a lot of emotion.
Designers have a reputation for setting the tone for what people - and especially women - are supposed to wear. How long their skirts should be, things like that. I have a different philosophy: put something out there with humour; let people see that and come around to it on their own.
The main thing [of social media] is it allows us to speak directly with our fans and customers, getting that immediate feedback, that conversation; that's what I love. It means that no matter what we are saying, if it's big or small we have a way of saying it. People connect with that.
I don't even think about the word. But I do have certain things where I just go, "Aaaaahhh," irritatingly boring and insistent because I want it to look that way and I can do it - I don't even know if you'd call it passion or obsession. Obsession, possibly, but I really love what I do.
I absolutely adore cows. They're the most fascinating, gentle and beautiful animals. Their eyes are so amazing. I have ten that live on the land around my house. I love to talk to them. There are few things better than falling asleep in a field and being woken up by an inquisitive cow.
You want to be confident when you work out because it takes a lot to make you work out. So many women really enjoy it, but it's a hard thing and you have to make yourself do it most of the time. I think you want to feel that you look good to make you want to work out a little bit more.
You always notice a facelift on a woman. It's a tightness around the ears, and the scar is usually inside the ears. If I suspect it's been done, I usually move around until I can see it. But with a man, it actually pulls your beard and your sideburns back, and that's what's so strange.
These kids are more savvy. They know what people are wearing instantly. It's brutal. We're the ones sending the dresses and we can barely keep up; these kids see it before we do. So we know they're plugged in. Now they can forget that for a few hours. Just go big with ideas! Experiment!
I think by my father owning a store, I was definitely aware of the commercial aspect of selling clothes. His shop was a place I enjoyed spending time in as a boy, so I learned things almost by osmosis at times, by literally just being around all the action and not really despite myself.
So many designers only sketch and leave pattern-making to others. Pattern-making is important so you know the structure. Then if someone tells me, 'I can't make a pattern from that sketch,' I can tell them, 'I will make it' and then they are quiet. If I can't make it, I don't design it.
In Sardinia one summer my best friend Marisa Berenson and I ironed each other's hair. We used a hot laundry iron and took turns putting our hair on the ironing board, literally ironing it. That's a recipe for straightening that may be highly successful, but is definitely not recommended.
Animals come from nature. They were not designed. All my inspiration comes from nature, whether it's an animal or the layout of bark or of a leaf. Sometimes my patterns are very bold, and you can barely see where they come from, but all the textures and all the prints come out of nature.
With couture, you're going right to the consumer, and that's something we learned from doing trunk shows. You're meeting the client; you're finding out what they like and what they don't like. You've really got your customer there in front of you, so you know what works and what doesn't.
I see my position in that whole Dior construction very differently from my own brand. My own brand will stand or fall because of me. Dior won't fall if I fall. It will also still stand if I'm not there. I'm coming in there and it's like a - I don't know the English word - like a passage.
I wear mostly black Main Line or T… But the other day, the sun was shining so I wore blue jeans. It caused so much excitement in the office! People were literally coming up from the floor below and peering behind my desk saying; we hear you’re wearing blue jeans and we have to have a look
[The consumer] shown new styles in the moment, but she's not going to get them for another six months - and I think that's very confusing for her. She feels she's seen it all by the time it comes around. She's also a little bored. She's really into [snaps her fingers], "Wear-now-buy-now."
When people ask me what it is about Brazil and my work, it's not something that I can say literally. It's unidentifiable. It's like when you do research and things inspire you. If you're smart enough, then obviously you don't take it literally. The inspiration will come out later somehow.
What I was interested in wasn't popular and young, but I never really deviated from doing it. I just decided that I was going to go full force into exactly what I wanted. I think there's a certain comfort that comes with age and experience, and when I got that, I think my work got better.
If anything happens to me, I hope that I would've raised my children in a way that they know how to take care of themselves. I want them to know how to make themselves happy. It's important to work in a field that you absolutely love so that even when problems arise, you love what you do.
When I was growing up, officers in uniform were very impressive to me. They were doing a job. They were protecting our country; they were heroes. When you wear an old military jacket, there's some sort of connection to those qualities - to being strong, to being tough, to being a warrior.
While I think men in general should not fuss over how they look, I do feel as though they should make more an effort to find a way to look good in their own individual, but natural way. I think it's a shame that it's become acceptable to wear jeans and a T-shirt to any place and function.
My morning routine varies by how much time I have. In the winter, I like to take baths, but in the summer, I prefer a good shower with some soap and then maybe some moisturizer afterward. I use D.R. Harris and Geo. F. Trumper products, which we also stock at our shops in Paris and Antwerp.