Quotes of All Topics . Occasions . Authors
There was a time when black and navy blue suits were pretty much everything you saw. That has completely changed. People are wearing big checks, checks with browns and blues and shades of gray, and the scale is very large, and some of them are very bold with heavy contrasts.
Because you have very limited time and you have to be very judicious and wise about how you spend it. But otherwise, I've always been - ever since I was a kid, I've always been coming up with ideas. So I'm able to come up with crazy ideas twice for two collections! It's fun.
I didn't have many friends. I was very shy ... And, then, even worse, when I was 14 I became Gothic. I had long, black hair. I was going to school with makeup. Because I was trying to find my language, to scream to the world that I felt so closed in a box where I was living.
I'm very conscious about putting good food into my body. Years ago, I went to see an amazing healer called Allah, who could read your body. She told me that I can't absorb vitamins very well, and I have to eat the right things to get my vitamins. I've always remembered that.
I've always liked wrinkles. When I was a young girl, I used to make lines on my face with my nails because I loved Jeanne Moreau. I always wanted to be older; I always added years to my life. For the longest time, if people thought I was older I would take it as a compliment.
I like the idea of having many different ways to express myself. There is a part of me as an artist and a creator who would like to express myself in many different ways. But then at the same time I know I have limited hours in the day, and I can only do so much successfully.
Alexander McQueen's designs are all about bringing contrasts together to create startling and beautiful clothes and I hope that by marrying traditional fabrics and lacework, with a modern structure and design we have created a beautiful dress for Catherine on her wedding day.
I love a pocket. I'm about helping women look as good as possible on the least amount of effort. I want versatility and comfort. Clothes that can go from the office to anywhere. We're always trying on samples at work. If none of us would wear it, chances are no one else will.
I wanted to see people from different age groups, body shapes and personalities wearing Lanvin That is what Lanvin is all about and represents - we dont only do clothes for 20-year-old girls. I love to see mature women wearing Lanvin as well. I love wrinkles, I love grey hair.
I hate the terminology of "costume" because my clothes are not costumes at all. I think they're high fashion, avant-garde, and more couture, definitely, and yes, some of my pieces are not particularly wearable, but I wouldn't say they're costumes, I'd say they're more couture.
I hate the terminology of 'costume' because my clothes are not costumes at all. I think they're high fashion, avant-garde, and more couture, definitely, and yes, some of my pieces are not particularly wearable, but I wouldn't say they're costumes, I'd say they're more couture.
I’ve always been inspired by women, and my mission was to inspire women. I always wanted to become a certain kind of woman and I became that woman through fashion. It was a dialogue. I would see that the wrap dress made those women confident, and made them act with confidence.
I've always liked wrinkles. When I was a young girl, I used to make lines on my face with my nails because I loved Jeanne Moreau. I always wanted to be older; I always added years to my life. For the longest time, if people thought I was older, I would take it as a compliment.
My main influence is - it's music. It lifts the spirit. I am always listening to music. And sometimes what inspires me is a little sound or some small arrangement. I really do listen to music continuously all day long - very loud, so people can't stand to be around me anymore.
It is imperative to create luxury products that are also functional. My vision for fashion precludes frivolous, fantasy-only designs. That said, fashion does tend to move more quickly than interior design. One doesn't change their couch every season as one does their wardrobe.
I woke up one day and I was like, "I don't have anything to save for myself for the future." That's when I started archiving things. I take four or five things that are really key to each collection, and I restore them or, in some cases, remake parts of them, and archive them.
For me, actresses are constantly chameleons, and so they are taking a backseat to their own personality. I don't feel like we're trying to show off their personality as much as let them be a blank slate. It's precisely the reason why I dress more musicians than I do actresses.
Yes, e-commerce is a strange situation for an old guy like me. You can buy a TV online, OK, but to buy a dress or shoes? Ugh. The customer has to go back to the store and breathe and smell and have a good time. Because shopping is a good time - like going to a nice restaurant.
I once had this idea that I wanted to make the perfect boxer short that's not too long, not too short, with pearl buttons, made from real shirting fabric. They were coming in at $215. Well, not even the richest guy in the world is going to pay more than $125 for his underwear.
I love to see what they [Michelle Obama and Kate Middleton] wear but I am not interested. It’s not natural. If you are a girl dressing up in the morning thinking about the whole world having a point of view on what you are wearing, it takes the pleasure out of getting dressed.
There is a conception in this country about luxurious things that we have to save them for a time that's right. But an object is truly luxurious if you allow it to be, if you use it. When you live with beautiful things you stimulate your mind, you enjoy life a little bit more.
Some couture collections have everything including the kitchen sink! Everything gets thrown on to make it look expensive. I find it grotesque when clothes hit you in the face and there's no room for fault. But I don't expect to turn things around all by myself. I'm not a saint.
Unfortunately, there's a lot of confusion today over what is sexy and what is vulgar. It's horrifying. They say, 'Oh, that girl is so sexy,' and she turns around and the dress is four sizes too small. Or she's wearing so much stuff, you wonder how long it took her to get ready.
I've taken a lot of risks through the years, but I always followed my instincts and always explored new opportunities. The biggest reward has been having an idea and being able to make it a reality. My passions always lead the way - travel and adventure, fitness, art, and home.
I've always been inspired by women, and my mission was to inspire women. I always wanted to become a certain kind of woman, and I became that woman through fashion. It was a dialogue. I would see that the wrap dress made those women confident, and made them act with confidence.
After a fashion, they did, mingling the sale of perfumes with anti-Nazi propaganda. In the event, my tirelessly publicised determination to wrest back control of the business neutralised most of the adverse repercussions on me from an unwilling association with their propaganda.
The reason American cars don't sell anymore is that they have forgotten how to design the American Dream. What does it matter if you buy a car today or six months from now, because cars are not beautiful. That's why the American auto industry is in trouble: no design, no desire.
No one ever said 'no' to me about anything. No one ever told me anything was wrong. Never. No one ever said, 'You can't be a fashion designer.' No one ever said, 'You're a boy and you can't take tap-dancing lessons.' No one ever said, 'You're a boy and you can't have long hair.'
The craziest thing about fashion people in general, not just designers, is that it's always, "Oh my God, you lost weight! I love your hair!" Or "Oh, you're so tan!" Or, "You're so skinny! I love your shoes!" These are fashion icebreakers. Everyone's always looking at each other.
The moment I moved to New York City to study fashion, I met and became friends with people not only involved in fashion but in all the arts. It's quite fluid with so many types of artists, designers, and musicians who know each other through collaborations or friends of friends.
Other than a couple of moments in time, I always thought that, some way, I'm going to make it. I'm just going to make it. And I'm not going to give up. And I'm going to realize that dream. So, I never gave up. And I have realized the dream, and I enjoy every moment of every day.
People get very trapped where they are. When they hear "fashion" they get intimidated, particularly at the upper end because it's so elitist. If you can bring your own concept or your viewpoint and translate it not down but out, then you're really successful in the truest sense.
Love advice is like life advice, so there are so many elements of that. I think humor, patience, admiration are really important love elements. Love and respect. You have to respect the person that you're going to love, and you have to be confident in yourself and love yourself.
At the point when I wanted to become a designer, I didn't think about, 'Oh, but I'm a woman,' just like didn't think about like, well, 'I'm Chinese' or that 'I'm in Michigan.' You know, none of those things were obstacles to me. I just had this idea that this is what I had to do.
I'm very involved in my business and with my family and my friends. I don't play the social world very much, and not to promote my product. I do it for the philanthropic problems because there I feel that I'm making a difference, and that I'm helping. So I do it in a soulful way.
I have always considered that my collection must have an international flair so it can be at the service of the European public. Or to people in Asia. Yes, there are tiny little alterations I notice in the proportions of the outfits, but fundamentally, the collection is that way.
I am thrilled to be working with Lane Bryant on this collaboration. Designing apparel women can feel confident and beautiful in has been a long-standing pillar of the Lela Rose brand, and we are looking forward to bringing our designs to Lane Bryant's inspiring base of customers.
As far back as I can remember, I had an interest in fashion. I used to go to sleepaway camp, and they'd provide a list of things that you had to bring, and I always wanted to be a bit more creative than the list allowed. Like, if they required chinos, I wanted to hand-paint them.
I believe there are only one or two people in the world with whom one can have a true connection. When you've been fortunate enough to marry one of those people, you are reluctant to settle for less. One can have lovers, those are easily found, but true love rarely strikes twice.
I went home and went to Mustang, in the mountains between Nepal and China, and was so inspired by the landscape and the rich culture and heritage. I loved the textures, the draping, the palette. Everything was so beautiful. This little kingdom wasn't open to the world until 1991.
Until I was eighteen, I did not know that you could study fashion design or art. I really didn't know. I already had my nose in the art world; I was already looking at things, but I didn't really get it that you could study that because my school was a very different environment.
I suffered a lot when there was, like, a birthday party and I was not invited. Not because I was ugly or stupid; I was not invited because the parents would say to the kids, "Don't invite him, because he's poor and he comes from the south of Italy, and he can't give you nothing."
I think that we are in a very strange time, when everybody is thinking about what is going to happen, and everybody is kind of cleaning house a little bit. In the fashion world, we are doing something similar. We are taking the fake out and being a little bit more real and simple.
It's funny when I hear people complain - particularly about the most fabulous parts of being a designer, like when you're getting ready to work on a show. I don't even know that I'm tired. I could stay up for six days straight! No drugs, no coffee, no nothing. I'm just so excited.
People usually forget that fashion designers are not artists, but there is an artistic side that is very strong in my point of view. At the same time, you have to be so organized and so serious. There are two aspects that are quite big contradictions, strangely, in what I'm doing.
I am very aware of my family name. I'm very aware of the legacy that that kind of carries with it. And I think that I didn't want to lose any kind of hold of that. And I think once you're born into something that you're proud of and that you're aware of, you don't take it lightly.
I've been writing an ongoing letter to my children since they were born, full of recollections of their childhoods. I've filled two journals. It's a great thing to do as a mother - you forget a lot as you go along, but reading over what you've written brings all the memories back.
I am not allowed to be afraid. My mother made me like that. As a child, if I was afraid of the dark, she would lock me in the closet. Things like this. And she would talk about the time she spent in the concentration camp, but not about being afraid, only about the good side of it.
When I have to do something fast, I wear the most unflattering rubber pants over my pants and a big easy sweater. I can get on my knees in the garden in whatever condition, and when I'm done, I can take it off, get in the car, and drive to the office. It's the most practical thing.
I don't like menswear that's too tricky, and I wanted to take a lot of inspiration from myself and really only do things that I like. I don't like chinos, but I do like dress pants and jeans, so we do them. It's pretty straightforward, and just a matter of doing the right products.