Quotes of All Topics . Occasions . Authors
The way my parents brought me up to see the world is still absolutely key to what I am about. The beliefs I was raised with - to respect animals and to be aware of nature, to understand that we share this planet with other creatures - have had a huge impact on me.
Although in skating you compete with other people, anyone who achieves a certain level of success is first and foremost competing against themselves. And for me, the idea that I could always do better, learn more, learn faster, is something that came from skating.
I've got a real sense of three-dimensional geometry. I can look at a flat piece of fabric and know that if I put a slit in it and make some fabric travel around a square, then when you lift it up it will drape in a certain way, and I can feel how that will happen.
We have dresses that I actually think look better if you have more of a bust or more of a hip... or whatever it is. That's why, in a collection, it should be as diverse as you can be. I think there should be options for a lot of different types of bodies and women.
There's design, and there's art. Good design is total harmony. There's no better designer than nature - if you look at a branch or a leaf, it's perfect. It's all function. Art is different. It's about emotion. It's about suffering and beauty - but mostly suffering!
Belize suits me because I'm active and I like diving. I learnt when I was 18, in Thailand, and I have dived in Vietnam, which wasn't great, the Red Sea, which was incredible and reasonably priced, and then the Maldives, which is like being submerged in an aquarium.
Accessories are important and becoming more and more important every day. They can completely change the look of an outfit, and women like the idea of having a wardrobe that's versatile. For instance, a strong piece of jewelry can make a simple outfit look elegant.
Basically, I'm in a kilt and a white shirt every day. So, you know, I don't have a lot of scope, and I'm really picky about what I wear. Even if it's weird, it's very particular to me. And you can't make a business out of what I would wear. We'd be out of business.
I think the secret of my brand is that I speak to the guys who just get it. They don't want something all logo'd and tricked out. But they go to the gym. They still go out; they want to look hot. And they want an upgrade, but they don't want to look like their dad.
I’ve never wanted to be called an artist. The term itself seems old-fashioned. It’s a term that does not relate to modern times. And it’s too confining. What I love about fashion is its accessibility and its democracy. Everyone wears it, and everyone relates to it.
Christianity began in Palestine as an experience, it moved to Greece and became a philosophy, it moved to Italy and became an institution, it moved to Europe and became a culture, and it moved to America and became a business! We've left the experience long behind.
I learned from books that I picked up. That was something that just came out of nowhere but continued to be an attraction. So there was a continuum of my interest in the arts and involvement in creating that was strong enough that it later blossomed into much more.
It saddens me to see the reality-television shows that are getting so much fanfare that are a celebration of stupidity and the degradation of women. And those women are consistently wearing too short, too tight dresses. I hope the trend of aging gracefully returns.
You have to be luxurious nude. It's difficult to move in the nude in front of a mirror. It's much easier to move when you're dressed. But if you can walk around in the nude easily in front of your man, if you can be luxurious in the nude, then you've really got it.
I own my own company, so I've never had businessmen telling me what to do or getting worried if something doesn't sell. I've always had my own access to the public, because I started off making my clothes for a little shop and so I've always had people buying them.
I like to look good, but I like my body to function well more than anything. For me, it's as spiritual and intellectual as it is physical. And emotional. I'm a better husband, I'm a better father, if my body is physically functioning at the highest possible levels.
'Commercial' is not the word that has to be said only by CEOs. It has to be something that is maybe the essence of design, because design has some sort of art in it and creation, but it's also some object that you have to use. There is also this pragmatic end to it.
I remember an old Singer sewing machine at home that belonged to my grandmother. It had a pedal. My mom taught me how to use it when I was 12 years old. I used to find it so intriguing, how a flat piece of material could be made into an object that had so many uses.
When I design a collection I strive to make a woman feel as special as the delicate creation she is wearing; take her to an enchanted time and place where women are princesses and magnificent goddesses. In today's modern world we need to pause and indulge in beauty.
As you get older, your skin tone will change, and that means the colours that suit you best change, too. Take a trip to a department store and ask for advice, or simply hold colours close to your face in the mirror, as this should give you a good idea of what works.
Personally, I have had sometimes moments where I thought my idea behind the idea of a collection - the concept maybe - something that we don't see at the end on the catwalk, I think the way it was, the genesis in my mind, was probably artistic, an artistic approach.
When I went to see Mrs. Clinton and we talk about the inaugural dress I ask her what would you like to achieve with this particular dress? And she said to me what I would like is - that when I walk into the room and people will look at me and say wow you look great.
If I do something I think is new, it will be misunderstood, but if people like it, I will be disappointed because I haven't pushed them enough. The more people hate it, maybe the newer it is. Because the fundamental human problem is that people are afraid of change.
The natures of men and women are very mixed and for me the most fascinating type of woman is the one who is a little masculine, has a little of the man in her, and the sort of man who is fabulous is the one who is a little woman too. It's impossible not to mix them!
I interview these people all the time who come to my office and say, "I want to be a fashion designer." I tell them where they should start, and they say, "I don't want to do that. I don't want to get anyone coffee." Don't they know it is great to get people coffee?
It takes tremendous will to compete in any athletic endeavor, so it meant going to bed early and getting my homework done in advance. I had to sacrifice things, like a social life, to be a skater at 15. But I loved skating so much that it was worth everything to me.
One woman told me that every time she wears Lanvin, men fall in love with her. Another told me she wore Lanvin to face her husband's lawyer because she felt protected. If I can make men fall in love with women and if I can protect women, I think I can die peacefully.
I can't tell you how much I appreciate these young [Israeli] designers. There's too much strife in the world. If we become united in our creativity, not only in what we wear, but what we do, we will change the world. It's truly an honor to be around such inspiration.
When I was young, we always went to our posh cousins at Christmas. My dad made sure we had new shoes and clean clothes - he was really proud - and that's why I felt different from everyone living around me. We had the first television on the estate, the first fridge.
As the label has developed over the years, more and more structure and tailored pieces have been added, and so, whilst the core values of the brand have remained, I feel it's important to try new things and add more layers and dimensions to a collection every season.
As a group, the fashion industry has been one of the strongest in the effort to fight HIV and AIDS. There are many groups dedicated to fighting this disease; GMHC's Fashion Forward is just one of them. But I think everyone in this industry fights it in their own way.
I want to get away from couture just being done for a picture or for a single moment on the red carpet. I want to try and convince women that couture can be worn in the day and that there's a reality and relevance there, because that's what Mr. Christian Dior wanted.
Fashion as we used to know it doesn't exist. The dress as we know it today-it's dead. The dress has become so short it's really a tunic worn with leggings....Fashion is fantasy, it's a child's game....Now I'm going to be this, and then I'm going to be something else.
The whole process of being one of the 10 finalists for the 'Vogue' Fashion Fund award has to be my biggest achievement to date. Meeting Anna Wintour, Diane von Furstenberg, etc., has been an amazing experience that even now gives me goose bumps when I think about it.
When you decide you want to make a film, you start listening to everything that anyone has to say about filmmaking and reading everything, and there's a maxim about film being a visual medium, and so you need to make, in a sense, a silent movie and layer on dialogue.
I think some journalists and bloggers want their articles to be clever, and the way into that is by writing nasty things. I think our culture likes to be mean. I don't just find this in fashion - I find it in the news. More and more, it is about ripping people apart.
I like things that are well cut, things that are considered within their detailing. Fabrics that are very developed; specialist jacquards and prints. My clothes are statement pieces. They're decorative, but there's always a subversiveness or an othersidedness to them.
In the fashion world, you have to make clothes to sell. You have to make clothes for the press. You have to make clothes for yourself. What I mean is, everything is an obligation. But a writer? A pure artist? Maybe he doesn't make one lira - but he does what he wants.
I was drawn to biology and history and, of course, art. And I loved languages. The biggest problem I had is that I wasn't taught about the connections between all these things. I think that would have given life a lot more meaning and it would be a lot more enjoyable.
We live in the world of images, but we also live in the world of the Internet, of zapping and where people move. You can make little videos on your phone. I love very composed images, but the idea of moving pictures with a story, with a plot is quite interesting, too.
The aim of being a good designer is to have an influence. If you design furniture or lifestyle, you should influence the way people evolve globally. It's good to have an influence. I feel like people on the street today probably dress better than they did in the '50s.
I'm lucky that I'm inside the fashion industry and see clothes from a different perspective than the traditional consumer. Being able to curate, edit, and style product to make my own look is a privilege, but something I think men are becoming more aware of how to do.
I love fashion. What I love is the ability to express yourself, to be able to make a product and shoot an ad campaign that tosses you out into the world and lets you have a voice in contemporary culture, iconography. I felt a little bit neutered not having that voice.
I love to design. I am a commercial fashion designer. I always design jackets with two sleeves. I don't design jackets with three sleeves, or the layers and layers come off like little dolls from Russia. Fashion for me is a creative endeavor, but it is not art for me.
I think that because I'm overweight, [my] fantasy was lightness. So I project my fantasy to the clothes, and now all I do is light, light clothes because it's the one thing I don't have. That is why I'm too afraid to lose weight because then I might make heavy clothes.
It was something I was more interested in myself. When I went to see my sister dance at ballet, I was really into costumes and the arts, and my family was also supportive of whatever me and my sister wanted to do. I would say I pushed myself the most to be into design.
There are a ton of A-list stars I'd love to dress - fashionistas like Keira Knightley and Scarlett Johansson. Also, Cate Blanchett would be fun and fabulous. My picks vary by the day and how I'm feeling. But, as a new, young designer, I'm open to working with everyone!
I was a very young girl and I got into fashion very much by accident, wanting to be independent. What was wonderful was that while I was learning and discovering - learning about the work, discovering myself as a woman - I was allowing other women to feel the same way.
It was always sort of my dream to make handbags and I wanted a handbag that was very sharp, very structured, very tailored I wanted a bag you could put all of your things in it, you can open it, you could close it, you could hid all your tricks, but it's not all lumpy.
The range of genre that we is very diverse, which makes for a fun and multi-dimensional show, but creating something that flows, depending on what kind of vibe the show is going to be [loud dive bar, small theatre, festival] is a bit of an art a haphazard art at times.