We fill the hands and nurseries of our children with all manner of dolls, drums and horses, withdrawing their eyes from the plain face and... Nature, the sun and moon, the animals, the water and stones, which should be their toys.

History no longer shall be a dull book. It shall walk incarnate in every just and wise man. You shall not tell me by language and titles a catalogue of the volumes you have read. You shall make me feel what periods you have lived.

The most advanced nations are always those who navigate the most. The power which the sea requires in the sailor makes a man of him very fast, and the change of shores and population clears his head of much nonsense of his wigwam.

The poor and the low have their way of expressing the last facts of philosophy as well as you. "Blessed be nothing," and "The worse things are, the better they are," are proverbs which express the transcendentalism of common life.

All poets have signalized their consciousness of rare moments when they were superior to themselves, -when a light, a freedom, a power came to them which lifted them to performances far better than they could reach at other times.

Consider what you have in the smallest chosen library. A company of the wisest and wittiest men that could be picked out of all civil countries, in a thousand years, have set in best order the results of their learning and wisdom.

An English family consists of a few persons, who, from youth to age, are found revolving within a few feet of each other, as if tied by some invisible ligature, tense as that cartilage which we have seen attaching the two Siamese.

Semiotics is in principle the discipline studying everything which can be used in order to lie. If something cannot be used to tell a lie, conversely it cannot be used to tell the truth: it cannot in fact be used "to tell" at all.

Every time that I write a novel I am convinced for at least two years that it is the last one, because a novel is like a child. It takes two years after its birth. You have to take care of it. It starts walking, and then speaking.

It is clear that when you write a story that takes place in the past, you try to show what really happened in those times. But you are always moved by the suspicion that you are also showing something about our contemporary world.

We cannot learn to love other tourists,-the laws of nature forbid it,-but, meditating soberly on the impossibility of their loving us, we may reach some common platform of tolerance, some common exchange of recognition and amenity.

Sensuality, too, which used to show itself course, smiling, unmasked, and unmistakable, is now serious, analytic, and so burdened with a sense of its responsibilities that it passes muster half the time as a new type of asceticism.

One of the most graceful of warriors is the robin. I know few prettier sights than two males challenging and curveting about each other upon the grass in early spring. Their attentions to each other are so courteous and restrained.

Virgil has very finely touched upon the female passion for dress and shows, in the character of Camilla; who though she seems to have shaken off all the other weaknesses of her sex, is still described as a woman in this particular.

Across much of the developing world, by the time she is 12, a girl is tending house, cooking, cleaning. She eats what's left after the men and boys have eaten; she is less likely to be vaccinated, to see a doctor, to attend school.

I meditate at airports because those are the places where I’m extremely tense, and I often meditate while I’m walking down the street. I have a thought and become aware of that thought and thereby create another level of awareness.

The cultural decoding that many American writers require has become an even harder task in the age of globalisation. The experience they describe has grown more private; its essential background, the busy larger world, has receded.

We early arrive at the great discovery that there is one mind common to all individual men: that what is individual is less than what is universalthat error, vice and disease have their seat in the superficial or individual nature.

Rem tene, verba sequentur: grasp the subject, and the words will follow. This, I believe, is the opposite of what happens with poetry, which is more a case of verba tene, res sequenter: grasp the words, and the subject will follow.

We are a pluralist civilisation because we allow mosques to be built in our countries, and we are not going to stop simply because Christian missionaries are thrown into prison in Kabul. If we did so, we, too, would become Taliban.

The well-ordered mind knows the value, no less than the charm, of reticence. The fruit of the tree of knowledge ... falls ripe from its stem; but those who have eaten with sobriety find no need to discuss the processes of digestion.

In 2002 the [George] Bush administration effectively put an end to negotiations of an agreement which would have established inspection procedures to ensure or to monitor compliance with the existing legal ban on biological weapons.

I'm not a poet, but I was in the poetry program. And I'm also not much of a nonfiction writer, at least not in the standard sense of nonfiction, nor especially in the way we were thinking about nonfiction back then, in the late 90s.

Thus I live in the world rather as a Spectator of mankind, than as one of the species, by which means I have made myself a speculative statesman, soldier, merchant, and artisan, without ever meddling with any practical part of life.

By anticipation we sugar misery and enjoy happiness before they are in being. We can set the sun and stars forward, or lose sight of them by wandering into those retired parts of eternity when the heavens and earth shall be no more.

Mr. Trump doesn't radiate many of the qualities I respect. But what do I know? I've never met Trump. I know he's savvy enough to change his tune according to his audience and I don't know very much at all about how government works.

Spring still makes spring in the mind When sixty years are told: Love wakes anew this throbbing heart, And we are never old Over the winter glaciers I see the summer glow And through the wind-piled snowdrift The warm rosebuds below.

But only that soul can be my friend which I encounter on the line of my own march, that soul to which I do not decline, and which does not decline me, but, native of the same celestial latitude, repeats in its own all my experience.

Do not fear to put novels into the hands of young people as an occasional holiday experiment, but above all, good poetry in all kinds,--epic, tragedy, lyric. If we can touch the imagination, we serve them; they will never forget it.

The genius of reading and of gardening are antagonistic, like resinous and vitreous electricity. One is concentrative in sparks and shocks: the other is diffuse strength; so that each disqualifies its workman for the other's duties.

We are like travellers using the cinders of a volcano to roast their eggs. Whilst we see that it always stands ready to clothe what we would say, we cannot avoid the question whether the characters are not significant of themselves.

Intellect is void of affection and sees an object as it stands in the light of science, cool and disengaged. The intellect goes out of the individual, floats over its own personality, and regards it as a fact, and not as I and mine.

Would we codify the laws that should reign in households, and whose daily transgression annoys and mortifies us, and degrades our household life, we must adorn every day with sacrifices. Good manners are made up of petty sacrifices.

The other terror that scares us from self-trust is our consistency; a reverence for our past act or word, because the eyes of others have no other data for computing our orbit than our past acts, and we are loath to disappoint them.

The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb.

A writer writes for writers, a non-writer writes for his next-door neighbor or for the manager of the local bank branch, and he fears (often mistakenly) that they would not understand or, in any case, would not forgive his boldness.

Sydney Smith playfully says that common sense was invented by Socrates, that philosopher having been one of its most conspicuous exemplars in conducting the contest of practical sagacity against stupid prejudice and illusory beliefs.

If the October days were a cordial like the sub-acids of fruit, these are a tonic like the wine of iron. Drink deep or be careful how you taste this December vintage. The first sip may chill, but a full draught warms and invigorates.

To this end, nothing is to be more carefully consulted than plainness. In a lady's attire this is the single excellence; for to be what some people call fine, is the same vice, in that case, as to be florid is in writing or speaking.

It is certain that there is no other passion which does produce such contrary effects in so great a degree. But this may be said for love, that if you strike it out of the soul, life would be insipid, and our being but half animated.

We are apt to rely upon future prospects, and become really expensive while we are only rich in possibility. We live up to our expectations, not to our possessions, and make a figure proportionable to what we may be, not what we are.

Though we seem grieved at the shortness of life in general, we are wishing every period of it at an end. The minor longs to be at age, then to be a man of business, then to make up an estate, then to arrive at honors, then to retire.

Praise of blame in the moment means little: it is how their decisions play out over time that matters, and so the redemption they're looking for is of a more lasting kind. They are one another's peers; who else can really judge them?

Photographer James Nachtwey has spent his professional life in the places people most want to avoid: war zones and refugee camps, the city flattened by an earthquake, the village swallowed by a flood, the farm hollowed out by famine.

Shallowness and ignorance have been our lot in the mass consumer societies we inhabit, where we were too distracted to act politically, apart from periodically deputing political elites to take life-and-death decisions on our behalf.

The first time I stepped onto the rooftop of the Potala Palace in Lhasa in 1985, I felt, as never before or since, as if I was stepping onto the rooftop of my being: onto some dimension of consciousness that I'd never visited before.

Worst, when this sensualism intrudes into the education of young women, and withers the hope and affection of human nature, by teaching that marriage signifies nothing but a housewife's thrift, and that woman's life has no other aim.

And the glory of character is in affronting the horrors of depravity to draw thence new nobilities of power: as Art lives and thrills in new use and combining of contrasts, and mining into the dark evermore for blacker pits of night.

I suppose an entire cabinet of shells would be an expression of the whole human mind; a Flora of the whole globe would be so likewise, or a history of beasts; or a painting of all the aspects of the clouds. Everything is significant.

There is a condition or circumstance that has a greater bearing upon the happiness of life than any other. What is it? Something to do; some congenial work. Take away the occupation of all people and what a wretched world it would be.

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