Radio helps DJs break into a whole different audience. Radio has so much power. And that's my mission: to not only break into the EDM audience, but to break also into the mainstream audience.

Radio helps you break into a whole different audience. Radio has so much power. And that's my mission: to not only break into the EDM audience, but to break also into the mainstream audience.

I always try to evolve my sound - innovate, improve, be different but still Martin Garrix. It all starts with an idea in my head, which I work on until it starts to shape itself into a track.

Every James Brown cut makes a party get crazy. He's the god of all music. I always play different wild remixes of his songs because people start bugging out when they realise what I'm playing.

The bigger your songs get, the bigger the festivals you play at will be, until you make it to Ultra. It happened super quick for me. I'm still in shock, actually. I have to pinch myself a lot.

The people are only tools, a means used by God. But they are not the sourse of help, aid, or salvation of any kind. Only God is. The people cannot even create the wing of a fly (Quran, 22:73).

That's what a DJ is at the end of the day - someone who leads where the music goes. The only thing that's changed is that in America, people have woken up in the last few years and realized it.

There are certain things that they say you can't do, there are all these secret people behind the scenes who make things available for you to do. That's why you have so much crime and violence.

When you go see a good DJ, you'll know it, man - you'll know it in your bones. Between the guy who's phoning it in and the guy who's obsessively working it to give you the best show of his life.

I try to produce whatever I like, it doesn't really matter what it is. It could be Progressive, it could be deeper, it doesn't matter to me. I produce whatever I like and I hope people enjoy it.

The good thing, really, is that electronic music started as a fringe subculture, and now it's the biggest youth culture in the world. People pretty much everywhere go crazy for electronic music.

Some people become artists for whatever reasons. Some of it's frivolous. And I don't think there should be any shame on that, but I think there comes a point in life where you want to offer more.

I'm a fighter for love. I guess it's just that thing of standing up for what you believe in and what and who you love. And any opportunity to avoid people fighting about things the better, really.

Personally, I'm happier than I've ever been. So for me and my tiny little bubble the world is awesome, but I think that the world is in a pretty horrific state, especially at the momet with Syria.

Marketing of art is, and to my mind has always been, trendy. Unfortunately, that doesn't mean there is any real long-term value. As an artist I do what I like. As a collector I collect what I like.

A 'Magik' session is a journey through different stages of emotions and the 'Search for Sunrise' is more chilling music for when you come home after a party or when you are just about to go to one.

Actually freestyle really comes from 'Planet Rock'. If you listen to all the freestyle records you'll hear that they are based on 'Planet Rock'. All the Miami Bass records are based upon Planet Rock.

Don’t always want to go up. Go down, like water, because eventually it’ll go up again. Just like rain, it falls from the sky, flows as a river, then merges with the sea, the goes up again as a cloud.

If kids can have some sort of social responsibility, that's cool. But if they're not actually having social responsibility, and they're kind of hiding behind it, that's kind of useless, or even worse.

The best Party is but a kind of Conspiracy against the rest of the Nation. They put every body else out of their Protection. Like the Jews to the Gentiles, all others are the Offscowrings of the World.

I have been DJing in clubs for years. I always dreamed to be a famous DJ in Holland. And now it's worldwide. You can't imagine. I mean, I still can't believe it myself that everything has gone so well.

I believe in a 'give us this day our daily bread' sort of thing. And what I draw from that is, I try not to stock my refrigerator for groceries for the week, cause I might not live to see the full week.

I keep saying if I ever get a good amount of quiet time that I want to learn to play cello. It's a very warm instrument. The tone of the cello and the movement - I don't know what is; I love it so much.

I'm good at melody - I'll write the top-line melody and ideal words I want to go with it. But I'm not that good at writing lyrics. I bounce those back and forth with songwriters or someone who can sing.

I have worked with a lot of different great people. One of the things my partner, my manager Judy Weinstein, instilled in [David] Morales and myself is that the quality goes in before the name goes home.

Every single Act either weakeneth or improveth our Credit with other Men ; and as an habit of being just to our Word will confirm, so an habit of too freely dispensing with it must necessarily destroy it.

People don't listen to terrestrial radio. They don't find their music that way. They don't get their news that way. They go to blogs. They go through Sirius/XM. They go through all these different places.

I always just sit down at the piano and make the main hook - what I want the track to be about melodically - and then I'll build everything else around that. But growing up, I did not play any instruments.

The Christian must abstain from sin. It is as simple and direct as that. You have no right to say, 'I am weak, I cannot, and temptation is very powerful.' The answer of the New Testament is, Stop doing it!

I've never went into the studio looking for a certain direction for my next production. I make music that I enjoy and whatever flows in my head when I'm in the studio is how the track is going to turn out.

I don't drink. Never taken a drug in my life ever. In fact from a newspaper point of view I'm very boring. I don't do anything. I don't drink no booze, no drugs, no kinky carryings on, don't go to brothels.

It doesn't matter if they're famous or not - I just want to meet other creative people who can maybe bring something different to the studio than what I have. I think that's the most important thing for me.

Hip-hop has been hijacked by a Luciferian conspiracy. People have used hip-hop in a lot of ways that cause a lot of mind problems. They use the word wrongfully. They use it to mean a part instead of a whole.

I think you can't really beat Bob Marley, especially the stuff he was doing with Lee Perry. Just that kind of clubby and dark and crazy stuff, even with the Wailers... Some of the songwriting was phenomenal.

It's funny - some producers ask me, 'Man, how do you work on a Bieber record? That would kill my career.' I can work on any record there is as long as they are good records and you're pushing things forward.

Bieber's so talented, he needs to just be himself and be by himself and work on his craft. He has a lot of people around; he has to find the right team to help him make something that's going to stand alone.

When I'm playing with the band or playing with some projects or some of my own stuff it's about the musical approach. That would be the more turntablist approach to things of where it's strictly about music.

It doesn't matter how tired I am; I will always still be happy. As soon as you go onstage, you get adrenaline. You hear the crowd: they're screaming your name. They have posters. The energy gives you energy.

As a DJ, it's my job to break new music. And instead of it just being the stuff that's coming from the major labels or the big pop records, I've always gravitated to something that's just different, you know?

Don't get caught up on 'I'm brown, black, white, red, blue, whatever.' You gotta ask, what were you called before 1492? All these names we're using now are just an illusion made to keep us fighting each other.

You can never judge any music by their audience. That's the main reason people in England have a prejudice against someone like Skrillex. You judge people by their music. That's always been first and foremost.

Sooner or later we all must die. Warriors choose to do so on their feet, standing between their enemies and those they hold dear. With a weapon in their hands. Cowards choose to do so on their bellies. Unarmed.

I studied communications, only because I could get my own show on the campus radio station. I never thought of it as a career. Music was always a really passionate hobby - it was like collecting DVDs or stamps.

My name came from me wanting a 'double-letter' artist name. In search of the ultimate L-word to put in front of my real name Luke, I heard Snoop Dogg rapping in Gin and Juice 'Laaaaiiidbackk...' and I was sold!

My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.

DJ Tiesto was my first inspiration. I heard him play at the Olympics in 2004 and from that moment on I knew I wanted to make music and become a DJ. I made a bootleg of a track by Enrique Iglesias called Tonight.

The beauty of running your own label and your own show is that you are in charge. I get sent a huge amount of musicfrom new and established talent every day, so if I like a track, I play it - no questions asked.

There's a lot of people over time who have brought out all these funky records that everybody has started jumping on like a catch phrase... When Planet Rock came out, then you had all of the electro funk records.

If you listen to a Deadmau5 record or a Skrillex record, I really enjoy that stuff because, as aggressive sounding as the Skrillex records are, they're still musical, and that's why they have such a broad appeal.

I'm a very optimistic person. I have the chance to listen to so much phenomenal music. Connecting with social networking to create music is a progression of what electronic music does anyway - it connects people.

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