Quotes of All Topics . Occasions . Authors
Having nothing to do, I am correcting the Paris edition of Bach; not only the engraver's mistakes, but also the mistakes hallowed by those who are supposed to understand Bach (I have no pretensions to understand better, but I do think that sometimes I can guess).
Every bit of theorizing I've ever done, including my interest in Berg, has come as a consequence of discoveries I made as a composer and interests that I developed as a composer. I never thought of my theory as being a kind of irrelevant activity to my composing.
Most of my ukulele heroes were traditional players from Hawaii, like Eddie Kamae and Ohta-san. There may not be uke stars in popular culture, but there are certainly pop stars that play uke - George Harrison, Eddie Vedder, Taylor Swift, Train, and Paul McCartney.
Pursuing music eats into your life to the point where there is no space left for anything else. You are lucky if you find a partner who is able to understand that, but even then, they will only understand it for a while, and then things get - you know, difficult.
Artists talk a lot about freedom. So, recalling the expression "free as a bird," Morton Feldman went to a park one day and spent some time watching our feathered friends. When he came back, he said, "You know? They're not free: they're fighting over bits of food.
Paper should be edible, nutritious. Inks used for printing or writing should have delicious flavors. Magazines or newspapers read at breakfast should be eaten for lunch. Instead of throwing one's mail in the waste-basket, it should be saved for the dinner guests.
I feel as if dystopian and utopian representations are historically the most effective way of criticizing modern society. You know, because you don't have to be factually accurate. You can kind of construct some awesome strawman arguments in your fictional world.
Bit by bit, putting it together... Piece by piece, only way to make a work of art. Every moment makes a contribution, Every little detail plays a part. Having just the vision's no solution, Everything depends on execution, Putting it together, that's what counts.
One of the things I particularly enjoyed doing was taking raw sound from locations during the film, like the candy machine, and writing pieces of music to go with them, which is totally unnecessary within the context of the film, because they have their own logic.
I could express my feelings more easily if they could be put into the notes of music, but as the very best concert would not cover my affection for you, dear daddy, I must use the simple words of my heart, to lay before you my utmost gratitude and filial affection
The record company started as an adjunct to that, to give young composers their first recorded performances; to give young musicians their first debut on a recording. These are all things that big record companies would never touch because there is no money in it!
Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing.
The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get.
The first time I came to New York in 1952, I was busy with music. I made the acquaintance at this period with John Cage, and also the acquaintance of Varese for the first time. We were very good friends. He gave me some scores, and we recorded them a little later.
What I try to impart to a musician is to really try to practice the instrument in a really sincere way. Learn as much about music as you possibly can. Learn composition. Study to try to create compositions of your own and put your own personal touch on your music.
For myself, I can only say that I am astonished and somewhat terrified at the results of this evening's experiments. Astonished at the wonderful power you have developed, and terrified at the thought that so much hideous and bad music may be put on record forever.
The name of my ailment was longing, and it was not cured till I finally went to the department store and counted out the money in small coins before the dismayed clerk. When I came to the house, I held up the instrument before the eyes of the astonished household.
I cannot write poetically, for I am no poet. I cannot make fine artistic phrases that cast light and shadow, for I am no painter. I can neither by signs nor by pantomime express my thoughts and feelings, for I am no dancer; but I can by tones, for I am a musician.
I try to find a vocalist that I don't have to make better. I try to find a vocalist that can make me better, and in turn, I can make them better so that we are, as a team, making ourselves better. I like the vocalist to challenge me. I love to challenge a vocalist.
I never was very capable of expressing my feelings or emotions in words. I don't know whether this is the cause why I did it in music and also why I did it in painting. Or vice versa: That I had this way as an outlet. I could renounce expressing something in words.
Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in the same tempo.
The problem was the journalists who also did not understand much of my music, but they wrote about it. I think you fell into the usual trap laid out by parts of the press and other writers: that the poor musician has always to fight the evil companies and managers.
Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided.
I think about that "empty" space a lot. That emptiness is what allows for something to actually evolve in a natural way. I've had to learn that over the years - because one of the traps of being an artist is to always want to be creating, always wanting to produce.
Sometimes in the past when I was going to perform a piece again I would listen to old recordings and try to reproduce the material. This time I realized that carrying around old information, trying to get everything in, and still be in the moment just doesn't work.
I think about that 'empty' space a lot. That emptiness is what allows for something to actually evolve in a natural way. I've had to learn that over the years - because one of the traps of being an artist is to always want to be creating, always wanting to produce.
My interactions with musicians have been simply that: interactions with musicians. Issues of gender, or anything else beyond the music-making, have in my experience played no role in whether or not a musician has been able to articulate my intentions as a composer.
Being a good Hans Haacke student, part of his influence on me is that there's no difference between a gallery show and a film - or even an ad and a T-shirt-in terms of cultural legitimacy. They're just different contexts in which to have some sort of communication.
The composer must bear in mind that the radio listener does not hear music directly. He hears it only after the sound has passed through a microphone, amplifiers, transmission lines, radio transmitter, receiving set, and, finally, the loud speaker apparatus itself.
I remember those moments in my life when the tape came out on that Tuesday, and I went to Sam Goody to cop it. And sitting and listening to it. In awe of the music I was listening to, but also imagining this music at the hip-hop clubs and with the homies in the car.
I want to say at once that I frankly believe that Irving Berlin is the greatest songwriter that has ever lived.... His songs are exquisite cameos of perfection, and each one of them is as beautiful as its neighbor. Irving Berlin remains, I think, America's Schubert.
In the '70s, anybody who was a connoisseur of collecting vinyl had the velvet brush. Remember the velvet brush? It would clean the record, and you would only grab the record from the sides and you would carefully slide it into the jacket. I never had a velvet brush.
Those who enjoy their own emotionally bad health and who habitually fill their own minds with the rank poisons of suspicion, jealousy and hatred, as a rule take umbrage at those who refuse to do likewise, and they find a perverted relief in trying to denigrate them.
There's no scientific definition. A hymn... is a song of praise to God. I think there were three real goals with our hymns that made them seem more in line with traditional classical hymn writing than with the modern worship movement and differentiate us slightly...
It happened to be, from '73 to '78, the five years that, our most glorious years for bass players. We had Larry Graham, with his own band, Stanley Clarke with his own band. We have Bootsy doing his thing. We had Jaco Pastorius. They were all leading their own bands.
A laborer might last ten years or so before expiring. But individual workers in the death camp of sugar were survived by their culture, which was constantly re-Africanized by fresh arrivals. To that plantation culture, the music of our hemisphere owes no small debt.
Take a sound from whatever source, a note on a violin, a scream, a moan, a creaking door, and there is always this symmetry between the sound basis, which is complex and has numerous characteristics which emerge through a process of comparison within our perception.
The truth is, I initially became a singer-songwriter while still in my teens because it was the only way to guarantee that somebody on earth would sing the songs I was writing. Since then, I've performed just about everywhere: rock clubs, concerts halls, arenas, TV.
My kids miss me when I'm away, but I don't mind living out of a suitcase. The U.K., U.S., France, Germany, Iraq... it's such a thrill meeting people of different cultures, learning about and from them. It's changed my perception about life, humanity and spirituality.
Well we'd just seen Gerry. I think he wanted somebody who had that authority and was handsome. The thing is, he's a big hunk isn't he? All I can say, if you look at his chat line, or the Phantom website, it's quite worrying. Because the girls really seem to love him.
I think as this generation of electronic musicians goes on, popular electronic music will be more and more accepted. It's gonna get less confusing. You know, most people called rap stupid when it started, and it was one of the most innovative music forms of its time.
Irving Berlin has no place in American music. He is American music. Emotionally, he honestly absorbs the vibrations emanating from the people, manners and life of his time and, in turn, gives these impressions back to the world -- simplified, clarified and glorified.
I just really try to stay focused on what the material is wanting to do. My basic assumption is that no one will ever listen to it anyway. It's fidelity to the material. That's my contract: It's me and the material. And if it connects with other people, I'm thrilled.
The sounds proceeding from the instruments of symphonic music seem to be the very organs of the mysteries of creation; for they reveal, as it were, the primal stirrings of creation which brought order out of chaos long before the human heart was there to behold them.
If you force yourself to write away from the piano, you come up with more inventive things. If you're too good a piano player, as some composers are, the music may become flavorless and glib. And if you're not a very good pianist, you're limited to the same patterns.
I row for about 40-45 minutes every morning and put in my iPod and it's a huge range. That's when I listen to either things that I just love and know very well and just want to pay attention, it's also where I listen to things that are new that I want to get to know.
There were basically three themes. One was the sun theme which is the guitar when he'd get sun on his leg and it comes again in the end. And there's of course the lullaby which Dido sang, "If I Rise." And then there's this driving guitar which is the motivation theme.
I ate Bengali food after my parents married and Dad started living with us, in both Willesden and in Delhi for three years, and then we all moved to California. Dad said he could make a really good dal, but I never saw him cook during the whole time we lived together.
Some of the more intensive scrutiny when I was first starting out definitely used to be tough to handle; I was only a teenager, yet was being analysed in newspapers world over, often by people who already had a strong opinion about my privilege before hearing me play.
Stravinskys music, hard, cold, unsentimental, enormously brilliant and virtuous, was now the favorite of my postadolescence. In a different way it achieved the hard, cold, postwar flawlessness which I myself wanted to attain-but in an entirely different style, medium.