I think Aquaman feels - and deservedly so - like an A-list, premier DC hero. I hope that carries on; it certainly will carry over to Justice League.

Your character that you create in your writing not only represents who you are, but also represents a number of people who you've met along the way.

Kieron Gillen and Jamie McKelvie's The Wicked + The Divine is a warp into the middle of a wildly imaginative mythology and I'm itching to read more.

When you work with people whom you like and you admire because they're so good at what they do, it doesn't feel like work. It's like you're playing.

I always figure I'm not unique, and something that would please me hopefully would please a lot of other people that have the same tastes that I do.

Every writer with half a brain knows to surround himself or herself with editors who are smarter, far more articulate, and infinitely better looking.

I think that superhero comics in particular are really useful for talking about big emotions and feelings, and personifying and concretizing symbols.

When I started out as a novelist, I thought I was going to be a private-eye writer. That was my intent, and that's what I studied, I mean, scholarly.

I wanted them to be diverse. The whole underlying principle of the X-Men was to try to be an anti-bigotry story to show there's good in every person.

Why am I in Hell? It hurts. It hurts all the time. Why am I in Hell? I just want to go home and lie on the bed the way I used to. Please take me home.

Like nightclubs and sporting events, entry into an amusement park is a permission to become someone else. We come for the experience and to relish it.

You kind of worry for the characters in a way that you don't normally in sci-fi, because sci-fi tends to be about the ideas, and this is about people.

Between 'Avengers,' 'JLA/Avengers,' and 'Trinity,' I've gotten down and dirty in the big universes and had a hell of a time playing in those sandboxes.

I have things planned for every character like what they're doing down the road and coming to different realizations but I don't have how they overlap.

I enjoyed reading Batman, and Superman, and all the super ones, but I never wished I created them. I've got to let there be some work for other people!

We have enough to do just trying to make our company what we want it to be. As far as whether I would like to own Marvel, sure, I'd like to own Marvel.

I am always nostalgic being in New York. Every neighborhood represents something to me. I lived here until I was 60 years old or so. So it was my life.

If you're miserable and someone flies by looking like they have everything in the whole world and it's never going to be you, that's tough to deal with.

If you think the X-Men are going to be push-overs, think again! Far better men than you have pledged their destruction ... yet the X-Men are still here.

Metaphor is one of a group of problem-solving medicines known as figures of speech which are normally used to treat literal thinking and other diseases.

Wanted has gone into second, third and fourth printings of the individual issues and the north American printings of Wanted #1 are now close to 100,000.

The big challenge for me is that my nature is more towards comedy, so I understand when a comedy thing is working; I know when I'm not bored in a comedy.

I've always been attracted to the characters that I didn't know anything about. If you do anything in life with passion and love, then it's worth trying.

I think that Batman loses his efficacy and mythology if he's got too many people around him. That's what the Justice League is for, you know what I mean?

That's the way it happens - some characters you set out to use, some are happy accidents. As long as it works, it doesn't really matter how you got them.

My mother was an English teacher before she became a full-time mom, and a huge proponent of reading, so she made sure I was an early and vigorous reader.

I want to spend my time exploring the characters we've already got here. I want to give them more time to shine before the team gets to have 400 members.

If you're writing about a character, if he's a powerful character, unless you give him vulnerability I don't think he'll be as interesting to the reader.

What the hell could you do? I've never been arrested, I haven't taken drugs, I've had the same wife for 54 years; where's anything of interest to people?

There is a sequence in my 'Detective Comics' run where you can't find consecutive issues by the same artist. That's intentional. That was done on purpose.

We're always exploring new ideas in the writers room, and those kinds of ideas snowball from season to season and drive the show in a different direction.

I don't ignore continuity, and try my best to stick as closely to the current status quo as possible, but it's not my primary concern when I start a story.

Their argument, and I think it's a correct one, is that they'll make more money from the trades and the hardcovers if nobody messes with the creative team.

You kill -- You die." That was probably the most naive thing I've ever said. The fact is -- in most cases, NOW, the way things are -- you kill -- you LIVE.

Tech Jacket shares the same tone as Invincible, but the subject matter is very different. Where Invincible is about perfection, Tech Jacket is about flaws.

Unlike novel characters, comic book characters last an eternity. When a character is changed beyond recognition, there's no longer the merchandising aspect.

When we're 16, we have lots of heavy thoughts. And these are the heavy thoughts, where, when we're in our 30s, we look at 16-year olds and sort of scorn it.

So I'm happiest when I'm working with artists and writers, and involved in stories, whether we're talking about animation or movies or comics or television.

Like 'Uncanny X-Men,' 'New Excalibur' is the story of people thrown together by fate and wild circumstance who find their way to true and lasting friendship.

Kieron Gillen and Jamie McKelvie's The Wicked + The Divine is better than Young Avengers. Better than Phonogram. Better than Watchmen. Better than The Bible.

I'm just working with ideas in my head and with drawings that the artists did. And suddenly to see these things come to life in movies - it's just wonderful.

I always wrote for myself. I figured I'm not that different from other people. If there's a story I like a lot, there's got to be others with similar tastes.

If our shallow, self-critical culture sometimes seems to lack a sense of the numinous or spiritual it's only in the same way a fish lacks a sense of the ocean.

I'm used to doing comic books, where every month there's a new comic book! I find that the movie business is not quite the same. It doesn't move quite as fast.

We figured the audience would want good stories, great art, wonderful characters, people you could fall in love with that we would immediately put through hell.

Aquamen is unique in the sense that he does it without ego. He doesn't always have to be right. He's made a lot of mistakes, and he really takes those to heart.

I think most people know the concept of difficult family situations. So I try to just ground a very big concept in something we can all relate to on some level.

I had at some point the epiphany that if I wanted to be a writer, maybe I should stop thinking about writing, or stop writing about writing, and actually write.

I think Walking Dead is one of the friendliest new reader type books in that every time a new trade is shipped out, a new issue is shipped out at the same time.

The pleasure of reading a story and wondering what will come next for the hero is a pleasure that has lasted for centuries and, I think, will always be with us.

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