I don't see one as bring better or more literate than the other and there's a real buzz to not only writing about a character I love like Superman, but also writing something that kids can enjoy.

We're living in a world where everything moves very quickly. We've become a very visual society, so I think it's a very natural thing that people are captivated with the illustrations in a story.

If I'm half as good as everybody said I am, I'm far too good to be wasting time with ordinary people. But I seem to be spending my life with ordinary people, who are the best people in the world.

I like characters with character, not just pretty faces. Anyway, I think people can be both grotesque and beautiful at the same time. Look at Mick Jagger in the seventies. Look at Angelina Jolie.

I think every writer doubts themselves, every day. You procrastinate because you're afraid. You're always afraid it's not going to be as good as you want it to be. But, the key is overcoming fear.

Actually, it's as if [Superman is] more real than we are. We writers come and go, generations of artists leave their interpretations, and yet something persists, something that is always Superman.

All I know is that you won't come back until they're all dead. 'Eternity.' Every last one of them. Every man. Every woman. Every child. Global massacre. I dream about that day. A planet of corpses

When you have characters talking about music in any way, especially about music someone doesn't know, some people presume it's about showing social capital and sneering at those who don't have it.

If I won the lottery tomorrow - which would be a real trick, since I haven't entered - and was independently wealthy for the rest of my life, I'd write comic books, because it's what I like doing.

I think if I were a superhero saving the world, I'd expect at least not to have to pay income taxes. I mean there should be something in it for a hero who risks his life to save mankind every day.

Most people say, "I can't wait to retire so I can play golf," or go yachting or whatever they do. Well, if I was playing golf, I would want that to finish so I could go and dream up a new TV show.

I went to Israel for two months in 1970 and worked on a kibbutz. It affected me on levels that I hadn't anticipated, working on a daily basis with people who were actual survivors of the Holocaust.

THE WICKED + THE DIVINE is unlike True Detective as: it features women who do things. THE WICKED + THE DIVINE is like True Detective as: we shamelessly rip off huge chunks of stuff from Alan Moore.

I think almost everybody enjoyed fairy tales when they were young, tales of witches and ogres and monsters and dragons and so forth. You get a little bit older, you can't read fairy tales any more.

I have a very strong color theory, for instance, where in 'Powers,' green means powerless, and red means power.The story was all there, but I was desperate to make sure that extra level was the case.

I never understood why people take drugs. They're habit forming and they can kill you. I didn't need anything to pep me up or make me feel more creative, and I didn't need them to help me with women.

I do conventions sometimes every other weekend. Whenever I have time, and it's not too far away. I get a lot of invitations (to appear at conventions) in other countries and I have to turn them down.

I AM happy”. They understood what we english people have long forgot. We're not our sadness. We're not our happiness or our pain but our language hypnotizes us and traps us in little labelled boxes ()

People unacquainted with graphic novels, including journalists, tend to think of Watchmen as a book by Alan Moore that happens to have some illustrations. And that does a disservice to the entire form.

It's a real honor to have my stories up on the big silver screen, at a cost of hundreds of millions of dollars. It's great fun flying out to L.A. for premieres and meeting all the actors and directors.

I'm just running through this list of potential nannies and wondered if we should go for a superhero this time. Do you think Wolverine would be interested? He seems to be on every other team right now.

The thing to me that's fun is trying to make the characters seem believable, or realistic. And it's especially challenging when you're doing fantasy stories, when you're doing superhero types of things.

Every significant book at Marvel had its key antagonist. 'The Fantastic Four' had Doctor Doom; 'Spider-Man' had Doc Ock, among others; Thor had Loki, if not Surtur. Without Magneto, the X-Men had nobody.

People unacquainted with graphic novels, including journalists, tend to think of 'Watchmen' as a book by Alan Moore that happens to have some illustrations. And that does a disservice to the entire form.

Theme is great for people who like to approach stories that way, but it's an organizing principle that helps us write a story that has some weight; it's not something that all readers have to care about.

Cookbooks are almost a substitution for a lost sense of culture. People want some other life than the one they're living, so they buy a cookbook with pictures and imagine themselves as part of that life.

I do know that people enjoy reading a comic book and saving it and collecting the comics. And sharing them and trading them with friends. That may be something you can't do as easily with digital comics.

I want to get that same feeling that everybody logging on to our website is sharing a little bit of an inside joke, and the rest of the world is oblivious to it although I want to have most of the world.

There's a famous tension between Green Lantern and Green Arrow in the comic books. Those guys have always been friends. They started off as not on the same page, and then they quickly became best friends.

My sister was the inspiration for the character, the good qualities instilled in the character. The initial inspiration was there, but Stargirl has taken on a life of her own. She's her own character now.

Comic artists have always been part of my social circle. I just like hanging out with artists, and I always see them at conventions or a store signing or something. "Hey, we should do something together."

I don't sound disloyal, but I've never had a pair of Marvel pyjamas or underwear. I do have a lot of Marvel figurines at home in a cabinet. Every time they make a new Marvel figure I put it in my cabinet.

I think it's good that we're not embarrassed that we're comic book creators anymore. It's good that people are able to make a good living at doing it, and not doing the traditional sort of mainstream fare.

I never tried to write for other people. I liked people who had problems I might have, because we all have insecurities, regrets. I like heroes who were not 100-percent perfect, who things to take care of.

I generally like very visually striking films. I love a lot of Stanley Kubrick's films. I would have to say 'Dr. Strangelove', which of course has got resonance in 'Watchmen'. It's a favorite movie of mine.

The important information you need at the beginning of an issue. Like way they did the old Frank Miller Daredevil issues in the first five pages he always had to state his origins and how he got his powers.

I am always a sucker for the underdogs. I love Batman and Superman, but when it comes to the guys who don't stand in the front of the line, Aquaman is one of the key guys for me. He's so much fun to work on.

I'm very lucky that I have this other career that runs alongside my comic career, which is a film career, and I've been given this really lovely setup where they seem to make the movies very quickly as well.

I like Spider-Man because he's become the most famous. He's the one who's most like me - nothing ever turns out 100 percent OK; he's got a lot of problems, and he does things wrong, and I can relate to that.

One of the seminal moments I remember as a young punk is, when Roy Thomas was doing an editorial read-through of a book before it went to press, and being so gob-smacked by it, he just canceled it right there.

As long as Green Lantern is still dealing with fear, it's going to be relevant. 'Rebirth' really grew out of 9/11. 9/11 happened, and then two years later, I was writing about fear. It was obviously connected.

I've been influenced by so many different writers along the way - from Charles Dickens, Roger Zelazny, Michael Moorcock, John D. McDonald, and so many others - that it would take a page or two to list them all.

We ordinary people might lack your great speed or your X-Ray vision, Superman, but never underestimate the power of the human mind. We carry the most dangerous weapon on Earth inside these thick skulls of ours.

Everything has changed and we're all living in one city now. What happens somewhere affects things everywhere, so I have to be careful and whatever stories I work on, I want them to have redeeming moral values.

I used to a play a role-playing game called Dungeons and Dragons, and that was about levels of experience; as you gained experience, you were able to deal with much greater and far more kind of global creatures.

From my personal taste, it needed more of a visual style. It's so hard when you're adapting something that's so visually scrumptious like Mike Oeming's drawings. They're so unique to comics, but they're a voice.

The ocean is 90% unexplored. It's a great canvas to paint Aquaman stories across, just like Green Lantern has space. It's more organic, which makes it different and interesting. It's alien, but it's terrestrial.

It has taken some time, but I know I've put my trust in the right team, and I'm excited to collaborate with Universal Cable Productions and Benderspink to bring 'Dreadstar''s unique brand of chaos to television.

I always thought I was going to be an artist. All I ever did was draw. I only ever turned to writing because I couldn't find somebody to write the kind of stuff I wanted to do. That just spiraled out of control.

I created lots of characters in high school and college, and the first character I created in pro comics was Liana, Green Lantern of M'Elu, for a backup story in 'Green Lantern #162,' my first professional sale.

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