Quotes of All Topics . Occasions . Authors
I really didn`t have to work, shall we say, with "Star Trek." It was a natural. When I opened my mouth, there was Scotty. It`s like I tell people what you see in Scotty is 99% James Doohan and 1% accent.
You invent this massive lagoon of information without any pressure to do anything apart from create this person, a person that might fit the bill that is the character that is emerging from the research.
I feel a horror for exaggerated love or friendship. It's just too well demonstrated to me that when the moment comes that one asks something, or has need of something, the responce is not worth a biscuit.
Betty White's Sue Ann Nivens was classic... She had done so much with that man-crazy character! Betty made every moment count. She still does. I've declared her an American treasure, because she is just that.
We went out for six weeks a year. We first started in Mexico and we did that for so many years that we finally said we've got to explore and start going globally. And then we started going all over the world.
I went to UC Berkeley. I graduated in 1976, immediately moved to L.A. with a degree in English - which did no more for you then than it does for you now - then sold real estate and did theater for nine years.
I just love the hours of the theatre, I love the way it operates. I always say that when you're doing a play it's like getting a shot of B12, and when you do television for a long series you need a shot of B12.
I have nothing bad to say about Hulk Hogan. In fact, compared to what I have seen in the press and all the high jinks of his life, I didn't see any of that coming, man. He was just a businessman who worked out.
Life is like a blanket too short. You pull it up and your toes rebel, you yank it down and shivers meander about your shoulder; but cheerful folks manage to draw their knees up and pass a very comfortable night.
I am not a member of the chamber of commerce for show business, believe me, but there are some really good people in the business, and [Tom] Hanks has this everyman decency onscreen, but he actually is that guy.
I was a bouncer when I was in DePaul in Chicago at the theater school. I threw drunks out of bars - unless I had a play running that weekend. But I only had two actual fights. Some were like out of old Westerns.
And it was so special, and to tell you the truth that's how I feel about the whole thing, I mean when I meet someone that has watched the show, and it has brought such joy to them, it just makes you feel so good.
We were making new ones the second year. We were in syndication the second year. So we were on Saturday nights, prime time, every morning, and then they put it on Sunday evenings too. So it was all over the place.
I've played heavies for years and years and years. I was bald. I came to Hollywood. I did a play about junk. I was a pusher, so I played pushers for years and years and years. I did war movies and things like that.
If 'Married With Children' hadn't come out when it did, would we really be looking at 'Roseanne,' 'The Middle,' and 'Raising Hope' and being, like, 'Look at how stereotypical they are to lower-income white people!'
I was selling real estate at the time, in Pacific Palisades, California, so imagine that: getting a note and a bottle of champagne from Jack Nicholson when I'd barely made a dime as an actor. It really kept me going.
This is a group playing together and that's the only way, I feel, this play can be successful and moving. I am so lucky to have the people that are in it. When I came here I didn't know who was going to be in the play.
We sat down and read it for the first time and I thanked God under my breath, because they were all so good. And my leading ladies are both exceptional. I mean, everybody in the play. I could just go on all night about them.
When you're doing a film, your agent and manager spend hours - days - talking about contractual obligations. If you turn up for work and ask for a peeled grape on top of foie gras but you don't get it, you can't get annoyed.
When my family did shy away from Indian food, we'd eat a lot of Chinese. We'd use the wok a lot. I never had a problem with Brussels sprouts or broccoli growing up. I always grew up with the mentality of finishing your plate.
I'm kind of fascinated by Paula Deen. I've been to her restaurant, The Lady and Sons, in Savannah. My friend was studying in the area, and we ate at her restaurant, and it was right at the cusp where Paula Deen became Paula Deen.
Love is illegal - but not hate. That you can do anywhere, anytime, to anybody. But if you want a little warmth, a little tenderness, a shoulder to cry on, a smile to cuddle up with, you have to hide in dark corners, like a criminal.
We had to be very careful on our best behaviour when we went to these other countries. And then I made a living, I had a chance to support my wife and my kids. It was a wonderful, wonderful, wonderful program from that point of view.
My first western was 'Death Hunt' with Charles Bronson and Lee Marvin; that was where I learned to ride. The movie was based on a true story about a guy that eluded the Mounties in Canada. We were in Canada for six weeks riding horses.
When real actors are approaching their work, we could be on a little stage somewhere, doing community theater. It's all the same. They're just trying to make the scene work. They're just trying to do the best they can and figure it out.
Probably my favorite job that I've ever had and probably will have - although I'm reserving judgment on 'Manhattan Love Story,' Tuesday nights at 8:30 on ABC, because it's pretty fun so far - is 'Psych,' which I did for four or five years.
Grief is a terrible, painful place. You can't grind away on grief in a solid way and say, 'I'm going to work on this until it's over' because it will be with you for the rest of your life, whatever you do. So, you deal with it and move on.
All I could think of was we were about to start filming for the last final weeks of the TV show and here I am in the hospital, so I missed the final weeks, and a couple days later, sore stomach and all I got on the horse we started filming.
It all depended on the cut. Some of them were really on the ship. Some were really on the set. Like if they had the stars for a week, the stars coming off, that was usually on the set, except if we were on location for that particular show.
I was afraid of Korean food when I moved to L.A., let alone sushi. I remember thinking either sink or swim. Living here in Studio City, Ventura Blvd. is the Mecca of sushi restaurants. What you thought was so exotic is just run of the mill.
I've been kinda fascinated by misfits, outcasts, and downtrodden people. I've identified with them. 'Blade Runner' probably got me more work than any. It convinced some producers that I could play something other than a rural crazy, I guess.
What character actors want to do is investigate new types of people and present them in all their idiosyncrasies, psychological complexities, and contradictory stupidities. That has been one of the great delights over our seven collaborations.
The older I get, the less I know. By that I mean the less I am sure of. I view people with strong opinions on the big stuff with distrust. I don't think we should have certain certainties on faith and politics; I think we should be open-minded.
I much prefer playing the bad guys. I think they are always the most interesting characters. I liken it to painting: if you're playing the good guy, you get three colors: red, white and blue. But if you're the bad guy, you get the whole palette.
I found out a long time ago that if I didn't have a good story for a song, I could just make one up! Now it seems over half the stories in my show are made up. The funny thing is, those seem to be the ones that resonate the most with the audiences.
When I was born, my dad was a scaffolder, and my mum worked in a chip shop. Then my mum taught herself how to be a hairdresser and ended up with her own salon; my dad became a postman and then a counter clerk. Our first house didn't have a bathroom.
I don't play the lottery, as I feel I have been really lucky in what I have been able to do in my life, but if I did win, it would be the usual things - helping out the people I love. I'd probably squander a few quid on all sorts of unnecessary crap!
I'm just there to do interviews and stuff, because we have about 40 media people there, so it's a very, very busy week. But that's the only time. I did marry, I think on one show, about 25 couples in Acapulco Bay once, but that was all just for kicks.
In Montana, when we did 'Return to Lonesome Dove', we rode on the side of a hill at night in the dark; I was afraid my horse would step on one of the actors playing dead. The director said to leave it to the stunt doubles since they got paid for that.
I'm an old guy. I don't hustle and I don't bustle. So sometimes you're behind, but that's okay. Your peace of mind is more important. I have seen the people who hustle and bustle, and they are already gone, at a young age. They could have enjoyed life.
I was in college, I thought I was going to be a lawyer, I met this girl named Laura who was the most beautiful girl I had ever known, and she was taking an acting class, so I decided to take the same acting class. And I was a terrible actor in college.
I always think that I love doing what I'm doing at the moment. The past is over. I can't go play one of those characters again. But I can play this and I can continue to grow in what I'm doing at the moment and that's really what I'm thinking about now.
That's one of the reasons I wanted to be an actor, to be like them. And there they were at my table, all talking about how nervous they were, about the lines, and so forth. No matter how big you get, you still have the same kinds of anxieties and so forth.
... people in the newspaper industry saw the web as a newspaper. People in TV saw the web as TV, and people in book publishing saw it as a weird kind of potential book. But the web is not just some kind of magic all-absorbing meta-medium. It's its own thing.
The last thing in the world I should have done was go into the theater because was inordinately shy as a young man. I couldnt open my mouth. At a party, I was the one stuck up against the wall. I was embarrassed about talking. I felt that I couldnt talk well.
It's dangerous for one actor to advise another one, especially when you're not in charge. On the set, I'm never gonna tell another person, "Here's what I think you should do." That's a discussion they should only have with the writers, producers, and directors.
The last thing in the world I should have done was go into the theater because was inordinately shy as a young man. I couldn't open my mouth. At a party, I was the one stuck up against the wall. I was embarrassed about talking. I felt that I couldn't talk well.
Sure, I do wish I sometimes got to play more heroes, but hey, I can't beat the fact that I am working constantly. Anyway, look at me. I'm six-four, three feet wide, have a really deep voice, and this face; I'm not precisely the romantic comedy stereotype, right?
Being creative and playing with your content during the holidays is a great idea. But straying too far from your fundamental brand (from address, logo, etc.) can be a dangerous game. Your recipients need to be able to recognize you during this busy time of year.
One night I saw Jerry Lee, Johnny Cash, Carl Perkins, and Elvis for a dollar, if you believe that, in an open-air concert. Presley, I got to meet and go into his house and so forth. My wife says I should quit tellin' that story, 'cause they'll know how old I am.