Quotes of All Topics . Occasions . Authors
I know for a fact, obviously, because my kids grew up watching the show, that there are some things they are introduced to from 'The Simpsons', and then later in life they see the thing we're parodying. My kids had not seen 'Casablanca,' and we'd done parodies of 'Casablanca.'
Whenever I see people with their collars up, I'm tempted to point it out to them like you would for someone who has a food stain on their shirt or food in their teeth, as if to say, 'Your fashion sense is so offensive I'm assuming it's some sort of accident you'll want to fix.
I would say that, in the future, the book will be reserved for things that function best as a book. So, if I need a textbook that's going to be out of date because of new technological inventions, you're better off having it where you can download the supplements or the update.
Maybe it's important to open up I people- people who are right there with you, not some thousand miles away in another universe. Or maybe it's something else. Maybe I should just settle for not knowing. Maybe it's just good to know that you're not the only one who doesn't know.
Canberra was my home for many years, and there's a lot to love about it. It has a small population with a strong sense of community and is top-heavy with interesting, highly educated, socially progressive people - the opposite of the stereotypical image of dull public servants.
For 'Picture This,' I wanted it to be a drawing book that didn't have any instructions about drawing, beyond the real simple stuff you'd find like in a Bazooka bubblegum wrapper, or in 'Highlights' magazine. I just wanted it to be feelings about looking and seeing and pictures.
I went through a phase where people would introduce me at parties as a cartoonist, and everybody felt sorry for me. 'Oh, Matt's a cartoonist.' Then people further feeling sorry for me would ask me to draw Garfield. Because I'm a cartoonist, draw Snoopy or Garfield or something.
What I'm trying to do with Thrizzle is create the experience of a humor magazine, even if it's just one person. So that's involved me trying to simulate different styles and create a feeling of some contrast and variation, which is obviously very different from Snake 'N' Bacon.
Of all the seasons, winter is the most conducive to the great art of dormancy. This art requires an appreciation of semi-consciousness: the beautiful and necessary prelude to sleep - a special pleasure in itself that is all too often neglected, under-valued or looked down upon.
When the heart is cut or cracked or broken Do not clutch it Let the wound lie open Let the wind from the good old sea blow in to bathe the wound with salt and let it sting. Let a stray dog lick it Let a bird fly in the hole and sing a simple song like a tiny bell and let it ring.
If I could have somehow been the kind of artist who could crank out two or three issues a year, that's different. That's sort of what it's all about, to get this thing out so that there's some kind of continuity. But to do a comic book every year or two was just so anti-climactic.
I used to think I was poor. Then they told me I was not poor, I was needy. They told me it was self-defeating to think of myself as needy, I was deprived. Then they told me underprivileged was overused. I was disadvantaged. I still do not have a dime but I have a great vocabulary.
I like characters like Ignatius Reilly in 'A Confederacy of Dunces' and Ricky Gervais's character in 'The Office.' They think one thing about themselves, but the truth is as far from that as it can be. So I began to think about how to put that kind of character in a book for kids.
Comics seldom move me the way I would be moved by a novel or movie. I say this as someone who would rather read comics than watch movies, listen to music, anything. But it's not an operatic medium. I hear other people talk about being moved to tears by comics. I can't imagine that.
I think funny is just the foundation. I don't really think, to some extent, funny is the absolute most important thing. It should also communicate some idea through the medium of cartooning. Just to be funny is... You know what, the things that you laugh hardest at aren't cartoons.
Sadly, semi-consciousness, along with daydreaming, is a capacity that is actively discouraged among children in schools, and our society is much poorer and harsher as a consequence. The value of liminal space and transitional imagination remain personally and culturally undeveloped.
It's a consoling notion that death is a very tiny hole, and you need to make yourself very small to get through it. One obviously needs to lighten off, and a rucksack full of bricks or a mantelpiece full of trophies will certainly have to be abandoned - the sooner the better, I say.
The most I can do is to acquaint you with the authority of your own psyche - to give you a trust in the nature of your being. For, if you trust what you are, you can never go wrong in whatever terms you use. You can fly through belief systems as a butterfly flies through back yards.
If you do not have a loving concern for the environment... it will no longer sustain you - you will not be worthy of it. You will not be destroying the planet, you see. You will not be destroying the birds, or the flowers, or the grain, or the animals... they will be destroying you.
There are self-awareness groups, to help you discover who you really are ... encounter groups, to help you deal with who you really are ... assertiveness training groups to help you stand up for who you really are ... Suddenly, the only way to become an individual is to join a group.
Mercy Corps' partnership with The Hunger Site translates into lifesaving assistance for people in tremendous need around the world. When you visit, click, and shop at this unique site, you're making the future a little brighter for families who need food in the world's poorest places.
The strips about the military do seem to provoke moving and thoughtful responses. It's nice when the strip resonates, but more importantly, I need to know when I'm getting something wrong. The last thing I want to do is contribute to the suffering that wounded warriors already endure.
I didn't have a job. Employers were afraid of losing their reputations. I didn't have a reputation. I had zilch. So, I had the freedom, which unemployment gives you, and that was to behave as badly as I believed I should under the circumstances. And the circumstances were quite awful.
For me, spirit is the impulse towards life, the Eros in a person leaping forward, whereas soul refers to something possibly long.. suffering, where meanings are made, where there is a sense of this gathering of perceptions, that our death is not the most important thing, nor our life.
Almost every cartoonist, when he's sitting down to draw a funny face, if you watch him closely, his mouth is gonna curl to the expression that he's drawing. But when I would write a story - I know it's going to sound almost ridiculous and infantile - I would, in a way, start living it.
Sometimes I lie awake at night thinking about all the dumb things I do every day... If I live to be eighty and I do ten dumb things each day... That would be about two hundred and ninety thousand dumb things... When you add up all the dumb things you do, it's best to use round figures.
The point of the daily diary exercise is not to record what you already know about what happened to you in the last 24 hours. Instead, it’s an invitation to the back of your mind to come forward and reveal to you the perishable images about the day you didn’t notice you noticed at all.
Fans think they want to see more than the 10 to 20 seconds of Itchy and Scratchy that we put on the show, but my feeling is less is more. Once you've skinned and flayed a cat, ripped his head off, made him drink acid and tied his tongue to the moon, there really isn't that much to say.
I have to say that The Simpsons comes from a huge number of great writers headed by Al Jean, the show-runner, and the work that they do is really fantastic. It's a blast just to sit around with them in the writers' room and listen to all the filthy jokes that will never get on the air.
How to Tell If Shoes Fit: Walking around the shoe store is not going to tell you any more than test-driving a car around a showroom. And those little mirrors? That's so you can tell how your cat is going to like your shoes. The real way to tell how shoes fit is how badly you want them.
I knew how to draw all of the different smokestacks on the old trains and all that stuff, and then I realized that if I can draw trains, which is the thing I was probably the least interested in in the world at the time, I can do anything and find a way into it that will be interesting.
I think politics has an influence on my work now, perhaps more so than when I was a childless young man, but I hope never to deal with these kinds of issues in anything more than a covert manner. I'm more interested in figuring out what I think than in pronouncing my views to the world.
When I started formulating the first Frank comic, I knew I wanted it to be something that was beyond time and specific place. I felt that having the characters speak would tie it to 20th-century America, because that would be the idiom of the language they would use, the language I use.
I may be biting off more than I can chew, but with 'The Simpsons' and with 'Futurama,' what I'm trying to do in the guise of light entertainment, if this is possible - is nudge people, jostle them a little, wake them up to some of the ways in which we're being manipulated and exploited.
I'm into old-time music; I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like. So there's some connection between visual images and music.
As I see it, mainstream comics now speak only to the hardcore few who stayed; conversing in a weird, garbled, visual pig latin only they can understand - rendering the term 'mainstream' a hollow joke - while the true mainstream, the other 99.9% of the populace, find enjoyment elsewhere.
I don't have anything against organized religions, except when they engender hatred for other religions. A lot of that we see today, where the Muslims are against the Christians and the Christians are against Jews and the Jews are against Arabs - I mean, it just it goes on and on and on.
My father was a really sharp cartoonist and filmmaker. He used to tape-record the family surreptitiously, either while we were driving around or at dinner, and in 1963 he and I made up a story about a brother and a sister, Lisa and Matt, having an adventure out in the woods with animals.
Like normal people, leftists now have to get up in the morning and earn a living, seeing as the fascists have come down so hard on social welfare fraud, and this is the cruel reality. The good old days are gone, and increasingly, leftists are to be found working in ordinary, proper jobs.
Though her husband often went on business trips, she hated to be left alone. "I've solved your problem," he said. "I've bought you a St. Bernard. Its name is Great Reluctance. Now, when I go away, you shall know that I am leaving you with Great Reluctance!" She hit him with a waffle iron.
Charters give public school teachers the flexibility to design programs to the individual student needs. They no longer have to go to a distant bureaucracy to ask for permission. By being allowed to make their own decisions the teachers are able to create strong partnerships with parents.
Consensus reality seemed like a dull, dead-end street compared to the intense, mutable reality of visions or whatever they were - neurological misfires. I expected life to be full of sudden, inexplicable surprises. When these things didn't happen for a while, life seemed dull and painful.
something can only become an illusion after disillusionment. before that, it is something real. what caused the disillusionment? no one told me the print on the wall was just ink and paper and had no life of its own. at some point the cat stopped blinking, and i stopped thinking it could.
The thing that really struck me when I went to junior high was class. I grew up on a pretty poor street, but the school district I was in included some fine neighborhoods - so I got to know a couple of the kids from those places and went to their houses and experienced such culture shock.
The nice thing about 'Futurama' for me personally was that it was a way to honor some of the traditional ideas in literary science fiction, not so much movie or television science fiction - although we have that too, obviously. Our situation, a workplace comedy, led to all sorts of stuff.
If the nose has become a deeply disillusioned and grief-stricken organ in the modern world, then what of the ear? The poor little ear - such an innocent, intelligent and sensitive creature; in these times of such flagrant sonic brutality, the sense within the ear has much to contend with.
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
The phrase 'I just turn on my monkey and it makes me feel good' sounds very dirty, but I can't explain why. It's great to try to use expressions like that on the comics page. People want to complain but they can't, because they can't figure out quite what they should be complaining about.
When I had independence, it was a constant battle within me to figure out when am I on my own. And also the insecurity that my life engendered, especially as a freelance cartoonist, kept me in a constant state of anxiety as to whether I am going to be able to meet my financial obligations.
The evidence that I see around me in society indicates that not only is thinking very much out of favor, but I'm not sure that the last couple of generations - Generation X and Generation Next, or whatever you want to call them - even know what a thought is, having been raised to be women.