There are certain comics that just seem like they have this perfect balance between dialogue and image that I can't not read. I'll want to save it for later, and the next thing I know, I'm reading it. That's what I'm kind of trying to do with my comics.

We did 'The Simpsons Movie,' which took almost four years; it was the same people that do the TV show, and it just killed us. So that's why there hasn't been a second movie. But I imagine if the show ever does go off the air, they'll start doing movies.

There are times when the art world seems like a religious empire. There are great cathedral galleries and pilgrimage sites where treasured art pieces are displayed like holy relics, and this can certainly be a great pleasure on a rainy Sunday afternoon.

I remember as a child going to an exhibit about the Soviet Union, and every paper had this alien smell. The paper and the ink were all exported. It was like a piece of cheese from that country, you could touch it, feel it, smell it, and it was different.

It keeps me moving when I see people doing stuff that I see as "my" direction. I think, "Oh, it's been tainted. Now I've got to do something new." There's nothing worse than working on your own stuff and thinking that someone else is following you along.

Sweetheart,' 'darling,' 'luv.' I like these words; they fit me like a comfortable old pullover. I remember them from childhood; that's what innocent little boys were called by cheerful aunties back then, to make them feel welcome and secure in the world.

I think, with my cartoons, the parent-like figures are kind of my own archeypes of parents, and they're taken a little bit from my parents and other people's parents, and parents I have read about, and parents I dreamed about, and parents that I made up.

I'm very harsh on real estate agents. I'm not sure why. Maybe it's because of how the call every small house 'charming' and every run-down house a 'great fixer-upper'. Just once, I'd like them to show me a house and declare, 'This one's a piece of crap'.

I could draw Bloom County with my nose and pay my cleaning lady to write it, and I'd bet I wouldn't lose 10% of my papers over the next twenty years. Such is the nature of comic-strips. Once established, their half-life is usually more than nuclear waste.

I enjoyed doing the gag covers better than the story ones because they were usually simpler. A cover based on an incident in the plot took a great deal of staging to tell a little story that was still part of the book. And it had to make sense on its own.

Charlie Brown: "Life is just too much for me... I've been confused right from the day I was born... I think the whole trouble is that we're thrown into life too fast... We're not really prepared..." Linus: "What did you want... A chance to warm up first?"

'What It Is' was based on this class I've been teaching for 10 years - I wanted to write a book about writing that didn't mention stuff like story structure, protagonists, and all those things that we know about only because they already exist in stories.

It's a funny show. The characters are surprisingly likable, given how ugly they are. We've got this huge cast of characters that we can move around. And over the last few seasons, we've explored some of the secondary characters' personal lives a bit more.

Ah, whimsical. It's terrible the way words get attached to you like barnacles. As is what I do is acting on a 'whim'. If only these were gifts from God when I get an idea, but everything I have done that I really love has had a lot of hard work behind it.

These motivational tapes have really inspired me! I'm going to make a million dollars, buy my own company and retire early. Then, I'm going to write a novel and a symphony and give all the profits to charity. Then next month, I'll figure out how to do it.

The basic idea of karma is not punishment. Karma presents the opportunity for development; to make use of opportunities that were not taken advantage of, to fill in gaps of ignorance, to enlarge understanding through experience, to do what should be done.

Charles Schultz is a really interesting case. He wrote that comic strip and drew it himself from beginning to end, and it's a work of genius. It's very simply drawn, but it has some really deep emotions that you don't expect in a silly-looking comic strip.

I am probably not alone in sensing above me the huge corporations and monstrous banks, science, politics and technologies, spy satellites and stock markets, military systems and massive wealth - forces and dynamics I don't understand or can hardly imagine.

I guess The Grudge made over $100 million, but none of them had long legs after they came out but they all opened up and found an audience. If you could make those movies for a price, which is what I want to do with Spawn, then you could have some success.

I always felt myself to be an unlucky person like Donald, who is a victim of so many circumstances. But there isn't a person in the United States who couldn't identify with him. He is everything, he is everybody; he makes the same mistakes that we all make.

As to those who hoard gold and silver and spend it not in God's path, give them, then, the tidings of a painful agony: on a day when these things shall be heated in hell-fire, and their foreheads, and their sides, and their backs shall be branded therewith.

If I was in love with someone, I would get their picture out of the school yearbook and do portraits. If I was curious about sex, I would draw pictures of it. There were no books for me to look at. Then I would go find my father's matches to burn the paper.

We are all born with wonderful gifts. We use these gifts to express ourselves, to amuse, to strengthen, and to communicate. We begin as children to explore and develop our talents, often unaware that we are unique, that not everyone can do what we're doing!

As far as you are concerned the present is your point of action, focus and power, and from that point of volition you form both your future and past. Realizing this, you will understand that you are not at the mercy of a past over which you have no control.

That's what comics journalism does better than anything else: you can get a feeling of what it was like. Like Scott McCloud says, especially with a simple drawing style, you can project yourself into the image, and imagine yourself having those experiences.

We couldn't be making as much money, if we had to deal with stranger behaviour. And right now, anybody who slows down our economic productivity, off they go. We have a place for them, the psychiatric institution. That's the main thing, they slow things down.

When I was a kid, I used to see apparitions and have hallucinations, and my entire perception of the world was badly disoriented. And I had kind of a chaotic childhood because of that. I've really hung onto it, though. Because I actually like those feelings.

A woman knows all about her children. She knows about dentist appointments, soccer games, romances, best friends, location of friend's houses, favorite foods, secret fears and hopes and dreams. A man is vaguely aware of some short people living in the house.

Organize your reality according to your strength; organize your reality according to your playfulness; according to your dreams; according to your joy; according to your hopes - and then you can help those who organize their reality according to their fears.

If you're going to visit and re-visit a book, it has more reason to be a real book, because of that ability to concentrate and that relationship that you build up with it, as opposed to the relationship that you build up with your screen, rewards replacement.

There's something exciting about weekly strips in that you're following the way the story reveals itself to the writer week by week. All the possible directions it could have taken are there; it's a kind of participatory reading that I think books discourage.

Cathy was the first widely syndicated humor strip created by a woman. The strip was pretty revolutionary at the time not only because it starred a female, but also because it was so emotionally honest about all the conflicting feelings many women had in 1976.

My future plans are hazy, and I've yet to experience how much cartooning is in my blood and therefore how much I'll miss it. But I have some other interests, especially in music, and I will probably take the opportunity to delve into those things more deeply.

At sixteen I was stupid, confused and indecisive. At twenty-five I was wise, self-confident, prepossessing and assertive. At forty-five I am stupid, confused, insecure and indecisive. Who would have supposed that maturity is only a short break in adolescence?

I do covers for CDs and LPs of music that I like, reissues of old-time music, and then I'm inspired to make some kind of drawing based on this love of the music. I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.

Saddam Hussein, influenced by fascism, ordered the deaths of tens of thousands of people, fought two disastrous wars, turned his nation into an international pariah and ruined his country’s economy. In other words, his record is identical to George W. Bush’s.

I look for people that are emitting a nice energy about them. Like, they're dancing to the house music or they have a robot puppet aura. But it's hard. People you think are going to be good end up getting really drunk and then who knows what's going to happen.

I think people should have the legal right to hurt themselves without fearing that they're going to get locked up for doing so. But on a personal level, if someone I loved was hurting himself or herself in front of me, I would, of course, try to restrain them.

I think the more rational explanation is that the excision of a five-to-six-foot leech from the surface of a human body means that that body is going to have more of its own blood in its own veins. Unless the leech finds another body, it is going to go hungry.

The daily calendar seemed, to me, like a kind of cartoon black hole, and you didn't have to be a rocket scientist to know that that couldn't be sustained indefinitely. That's why I pulled the plug on that one after the '02 edition. Kind of a preemptive strike.

I've always admired sharks because they have a dimension of intelligence that is somewhat unique to that animal, and especially a great white. A great white has this organ called an ampullae of Lorenzini, and it can actually sense electromagnetic disturbances.

Life seems sadly mishandled by humans, as if it's all too much for them - they spend so much time and energy hurting each other, making things worse, and fouling their own nest, all because they imagine things aren't good enough and should be made much better.

Three Scotsmen of the clan McKay were looking for a fourth member to fight four members of the Irish clan Magee ... 'I'm not one of you,' my father pointed out. 'You see, I'm one of the clan M-c-C-A-Y.' And that is how I got both my name and my sense of humor.

My outlook on warfare is best illustrated by a cartoon I did some thirty-odd years ago of a soldier in an Italian foxhole reading about the Normandy invasion and observing to his buddy that: "The hell this ain't the most important hole in the world . I'm in it.

That's the thing. in medicine, you're used to saying there's a problem within the person, and saying there's a problem within the culture, that's not a medical answer. Medicine has to look in one direction, so there's only one type of answer that they can find.

The emphasis in doing any in-depth photography is on building relationships, quality relationships. It's what I call thirty-cups-of-coffee-a-frame photography. You need to enter into the community - not just photographically, but intellectually and emotionally.

I've never quite worked out how to do holidays. I've got a house in France which I suppose is a kind of holiday house. But it's really only so I can go on drawing when I get there. I'm never far away from the feeling that I want to be getting on with something.

It certainly seems too simple to say what I am going to say, yet it is almost as if you would be better off turning the entire rational approach upside down, taking it for granted that all of its assumptions were false, for they are indeed more false than true.

I think obviously there's a core of who you are, and as you get older, you become more aware of what behavior is immutable. For a long time, I felt there was a deep separation between the person I was as a teenager and the person I was in my 20s and early 30s .

I'm so hungry, comrade! It has been days since we ate those two raccoons!' 'I know comrade. I'm even beginning to wish we had some of your homemade quiche!' 'Oh comrade! Do you mean it?' 'Hey--Hey! None of that! If you ever tell anyone I said that, I'll deny it!

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