When an attractive but ALOOF ("cool") man comes along, there are some of us who offer to shine his shoes with our underpants. There are thousands of scientific concepts as to why this is so, and yes, yes, it's very sick but none of this helps.

All parents believe their children can do the impossible. They thought it the minute we were born, and no matter how hard we've tried to prove them wrong, they all think it about us now. And the really annoying thing is, they're probably right.

As a child, I heard many warnings from teachers about the perils of talking with strangers. Yet now, fairly late in my life, I can think of not many things better than to talk with strangers. The idea of being a stranger is also very appealing.

Professional humorists and cartoonists have to go through a stage in which they have to kill their own internal editor just so they can get stuff out. So whether they believe it or not, they need me on the other end to do that editing for them.

If you'd rather be a chooser, enter a market or a transaction where you have something to trade, something of value, something to offer that's difficult to get everywhere else. If all you have is the desire to get picked, that's not sufficient.

Here in the US, we've built this insane infrastructure of oppression. When it's not run by a Barack Obama - who, by the way, I don't think is a perfect president - but by someone who is off-kilter, like a Carly Fiorina, that could be dangerous.

When I was in high school at Northeast Catholic in Philadelphia in the late '30s, I found that drawing caricatures of the teachers and satirizing the events in the school, then having them published in our school magazine, got me some notoriety.

Do you ever feel like running away?" "Of course... Sometimes I feel like I want to run away from everything." "I remember having that feeling once when I was at the Daisy Hill Puppy Farm... I climbed over the fence, but I was still in the world!

There were a couple of instances where what I'm thinking during sex was relevant, so I might as well show myself having sex. I could have gone from a shot of the bed to just showing the ceiling and my thought bubble. Or maybe just show the feet.

With Charlie Brown, it was about loneliness and isolation. I always thought that the thing about Charlie Brown and those characters was the absence of the parents. Half the strip was about who wasn't there. The parents were never in the picture.

The 'economy' became a god such as never before, and a happy, successful society was one that could please this god - sometimes by sacrificing beautiful things - to keep the deity from getting angry and harming the people by withdrawing favours.

As I get older and I see all my friends starting to have children, I see them have different reactions to the material that was probably not of great interest to them when they were younger, because they're re-experiencing it through their kids.

Feminists are in an untenable position, defending something they no longer believe in, and which history will force them to recognize was destructive of most of the central pillars of civilization. I'm just the first one to point it out publicly.

I was just worried that someone was gonna think that I had been commissioned by Jamba Juice to make cartoons about Jamba Juice. And the big thing for me was - if I'm not getting paid to sell out, I don't want people to think that I'm selling out.

The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.

Readers have told me that their children have learned to read after years of struggle after starting to read Garfield's comic strip and many people who have moved to the United States have said that they, too, learned English by reading Garfield.

I loved my computer; it's a tool. A tool increases your mechanical advantages. It allows you to use your strengths and talents to greater advantage, and that's what tools do, and that's what my computer does for me. It's not my toy, it's my tool.

What a magical thing is the bed, and what a vulnerable, innocent creature is the sleeping human - the human who never looks more truthful or pitiful or benign; the curled-up, childlike dreaming soul who has for a few hours become an angel adrift.

Practically every technology that is ever invented is touted as being the new savior, the thing that will bring peace and goodwill to the earth, but immediately it falls into other hands who see it as the opportunity to promote the very opposite.

It's very dangerous to pretend to be open-minded when you're the exact opposite. I think feminists are only making it worse by blocking out all other viewpoints but their own, only reading their own propaganda and only associating with each other.

I mean when I was working shall we say with Disney, you know they sent me the script for the film Hercules and I had to imagine what all the characters looked like. And to develop those characters, so nothing exists visually when I get the script.

God bless this tiny little boat, And me who travels in it. It stays afloat for years and years, And sinks within a minute. And so the soul in which we sail, Unknown by years of thinking, Is deeply felt and understood, The minute that it’s sinking.

There I was limited to what happened the same way I am with Riel. It doesn't feel like a great burden to have your story, to some degree, set. I am enjoying figuring out what I think is the most dramatic way of telling this set of historical facts.

I think there was a point that I realized I could do what I wanted to do in terms of the drawing. I used to run around a lot of things. I would shy away from certain things that I realized would be horrible for me to draw, and just wouldn't be fun.

I wanted to be a pariah, because all my heroes were cult artists, people who devoted their lives to poking into very narrow, very deep corners - Erik Satie, Alfred Jarry, Malcolm Lowry - people who suffered in order to express their vision of life.

Nihilism in American comedy came along way before 'The Simpsons.' There was a fairly nihilistic point of view to 'Saturday Night Live,' for instance, back in the beginning, and a lot of really dark comedy had a really anti-sentimental take on life.

An education system suits some more than others. It can lead you out into life or lead you on a wild goose chase. It can help to make you miserable, or dull and nasty and insipid, or profoundly stupid in the special way that 'brainy' people can be.

I'm fortunate enough to get to make books for a living, so I spend my entire workday alone in my studio quietly doing my favorite thing in the world. When I need a break from that, it's usually because I'm desperate to see other human beings again!

It's much more liberating as a artist to feel like you can approach each page and each panel with the way that inspires you the most. I think the thing that bogs down a lot of artists is that you're kind of stuck drawing in a style you've developed.

Whatever New York loses, if you go to other cities around the world, or around the country, New York still has a kind of energy level you find nowhere else. Paris doesn't have it, London doesn't have it, San Francisco, a great city, doesn't have it.

When I'm drawing a bottle or a town or a market, I transport myself there. So I start drawing everything that I'm looking at while I'm there. Here's a guy selling the meat, and he will have a hook, and you start adding things, and it's a lot of fun.

If your motives aren't clean, money itself becomes evil. But When we don't have money enough evil, the world tells us we're losers. So what determines our place in society is not how much kindness is in our hearts but how much evil is in our wallet.

Any 'transmitting' device or applied technical method, which gets in the way of the 'transmission'/message/story, etc., is a negative element, garbling that which ought to be clear and instantly understood, and ought to be simply-stated with economy!

The greatest moment of my life was, somebody sent me a cable-access show from Chicago that had Joey Ramone on it showing the video we made together. And he was talking about, like, "This guy Dan Clowes postponed his wedding for us. He's a great guy."

I got to draw shapes. I really like to draw funky, geometric shapes. And I got to use just different fonts and make a joke of how feminine it was, but it didn't even have people in it. To me, it was so exciting and interesting to do that for a while.

A good memory is surely a compost heap that converts experience to wisdom, creativity, or dottiness; not that these things are of much earthly value, but at least they may keep you amused when the world is keeping you locked away or shutting you out.

On the other hand technology brings within your reach the great therapy of music; this activates the inner living cells of your body, stimulates the energy of the inner self and helps to unite the conscious mind with the other portions of your being.

Rather than simply interrupting a television show with a commercial or barging into the consumer’s life with an unannounced phone call or letter, tomorrow’s marketer will first try to gain the consumer’s consent to participate in the selling process.

I get a lot of mail from men who really identify with Stuart, you know, Sparrow's boyfriend. I love that. Even though I used to say I wanted men to read the strip even though there weren't any men in it, so they'd be forced to identify with the women.

The animals that depend on instinct have an inherent knowledge of the laws of economics and of how to apply them; Man, with his powers of reason, has reduced economics to the level of a farce which is at once funnier and more tragic than Tobacco Road.

With 'Futurama,' I was just worried that somebody would beat us to it; it seemed so obvious that there should be an animated science fiction show set in the future. And one of the reasons why it's not, I learned, is that it's really, really difficult.

You don’t have journalists over there anymore, what they have is public relations people. That’s what they have over in America now. Two-hundred and fifty thousand people in public relations. And a dwindling number of actual reporters and journalists.

Some of the wealthy collectors have paid lots of money for artwork that I already did, but I didn't do it with the intention of catering to them. I think part of the reason my work is attractive to people like that is because it doesn't cater to them.

Sometimes I lie awake at night and think about that little red-haired girl... I don't ever want to forget her face, but if I don't forget her face, I'll go crazy... How can I remember the face I can't forget? Suddenly I'm writing country western music!

Alan Moore does have a sheen of class. He's a smart guy, and I'm sure there was a metaphoric level, I'm not denying that, but let's face it. the main reason he was doing a super-hero comic was because he was working for a super-hero comic book company.

And having suffered for part of the war when I was a child. I was too young to really understand what was going on but one of my favorite pieces of animation now is that Goodbye Blue Sky in The Wall because that deals directly with that period in time.

It was actually an Israeli cartoonist, Nurit Karlin, who made me think that I could draw for 'The New Yorker.' I saw her work published in the magazine in the early 1970s - she was the only woman working as a cartoonist at 'The New Yorker' at the time.

My parents were into 40s big band stuff, and my father was a great dancer to that kind of thing. But rock 'n' roll? No. I wanted a guitar, but my mother didn't really want me to have one. At some point I played a violin, but I didn't last long at that.

Where do I get my information from? Well, I get it from the radio, and I get it from the newspaper, and then I get it from my conversations, and I get it from the paddocks around the bush. I get it; it turns up. You'd be most surprised how it turns up.

I have sometimes done cartoons that are hurtful to people - immature, spiteful stuff. Some are so self-indulgent, and some have just failed. I look back and sometimes cringe. But one regret as I get older is that I haven't been radical and wild enough.

Share This Page