Every time I write something down I check it to see if it has that telltale glow, the glow that tells me there's something there. If it glows, it stays. Everything is either on or off.

I'm presently incarcerated. Convicted of a crime I didn't even commit. Hah! "Attempted murder"? Now honestly, what is that? Do they give a Nobel prize for attempted chemistry? Do they?

Humans are nervous, touchy creatures and can be easily offended. Many are deeply insecure. They become focused and energized by taking offence; it makes them feel meaningful and alive.

Two's company and three's a crowd, but seven can be an uprising. And the seven can become 70 or 700 or 7000 very quickly if the sense of being wronged is felt broadly and truly enough.

A society that's provided for by television is a society that says it doesn't need too many parks or natural situations for children to play in because television will look after them.

They can buy talent. You can't buy it for yourself, but you can buy other people's talent to serve your purposes. And once an artist does that, he becomes like a plaything of the rich.

My impression was, he's walking as though he's made of glass, and if you should touch him he would just shatter apart. I don't know if it was an act or what, but it sure was effective.

My dad was an engineer and so I had this picture of science and technology and pursuits of the mind as being more impressive than artistic pursuits, which I saw a as kind of frivolous.

We have been brainwashed by school, indoctrinated by industrial propaganda, and mesmerized by the popular media into believing that compliance is not only safe but right and necessary.

I feel like im in this river just getting swept along... And if I hold on to anyone, if I'm holding on for dear life, I'm not getting anywhere. I'm stuck. ...I never wanted to get stuck

Sometimes I lie awake at night, and wonder if my life would be different if I had to do it over... Then a voice comes to me out of the dark that says, "boy, there's an original thought!

I've felt that in the past, where I just felt like I had to keep drawing in the same way to maintain this sameness and rhythm throughout an entire book, and it was not really necessary.

Smiley Bone: You can't feel safe unless there's something to be safe against! Phoney Bone: Exactly! People like to be victims! There's a certain unassailable moral superiority about it.

I'm 40 years old, and I still love watching Bugs Bunny slap the bull on the nose. I still watch those cartoons, and yet I also enjoy reading books about science, or the current fiction.

Prisoners learn how to make do with less, and many of them want to take this ingenuity that they've learned to the outside ... but there's no training, nothing to prepare them for that.

Sure, I've had some bad times, but everybody does. But people don't get to talk about them like I do, unless they do to a therapist. People don't get to put them in the paper like I do.

I'm not at all a linear thinker. I know the feeling I want to convey, but the form is what I struggle to find. I'm sure I'd fail if I tried to write a grant proposal or a book proposal.

We must be talented, powerful and resilient creatures indeed given how much we manage to produce despite the constant undercutting, ridicule and needless censorship we aim at ourselves.

I even knew some of the dialogue but it was definitely cool to look at. We always argue that the movies should be loyal but in this case I could argue that it might have been too loyal.

Well, I know about loneliness. I won't talk about it, but I was very lonely after the war. I know what it feels like to spend a whole weekend all by yourself and no one wants you at all.

I was a very fearful little kid, and I would always see the worst in everything. The glass was half-empty. I would see people kissing, and I would think one was trying to bite the other.

I know what you're going to say! 'They are men, and men should be free.' A free man is dangerous to himself and everyone else. Freedom should be left to those who can put it to good use.

I started sharpening pencils at the census and how that was a difficult time in my life because my marriage was ending and I had quit cartooning and I didn't know what to do with myself.

It was a most rewarding experience! I learned and saw how with a few simple ideas and concepts the same presentation can go from being standard and ordinary to interesting and involving.

Cartoonists create so many cartoons on any given topic that we can follow the life cycle of a comic idea and how it evolves over time more quickly than we can with a form like the novel.

I came to the big city and I started to get involved in the punk scene and stuff, and I wanted to sort of brand myself. I made a pretty conscious effort to be a different type of person.

To me, I was always just standing on the sidelines because up until issue 50, we were just doing Spawn. I wasn't recruiting anybody because I didn't have any books for people to work on.

Sometimes I make things that people have very strong responses to. Whether that's art, I don't know. That's one of those words that doesn't mean anything. It's why I don't just use words.

My grandfather has been very depressed lately. He just doesn't know what to do. He says it's late in the game, and he's afraid that life has him beaten." "Tell him to take out the goalie.

The trouble is the kind of guy I want to go out with doesn't even exist... Like a rugged, chain-smoking, intellectual, adventurer guy who's really serious, but also really funny and mean.

I can look at my early work and see what a pained struggle it was to draw what I was drawing. I was trying so hard to get this specific look that was in my head, and always falling short.

I don't want to sound disingenuous here - controversy is obviously good for business, especially if your business is satire. And it does amplify the discussion - in my view, a good thing.

Cutting the space budget really restores my faith in humanity. It eliminates dreams, goals, and ideals and lets us get straight to the business of hate, debauchery, and self-annihilation.

I think people who work in comedy and humor are hesitant to analyze it too much, because you feel like if you take it apart, you'll break it and not be able to put it back together again.

In later life, we don't easily talk of fears, but instead we discuss our 'concerns.' Fear seems too primal and hysterical, but concern is polite and intellectual and nicely under control.

What I used to do with a passion, foolishly and vainly imagining I would change the world for the better, I no longer tolerate in myself or anyone else. But draw, always draw - and WRITE.

I would call myself a Gnostic. Which means, I'm interested in pursuing and understanding the spiritual nature of things. A Gnostic is somebody seeking knowledge of that aspect of reality.

I'm making fun of myself and I think I'm making fun of all men in our desperate, desperate attempt to understand the people we're with and hopefully through humor have them understand us.

Mostly it was Mad magazine. And I did read a lot of - I had a subscription when I was little, but I also had access to some old collections, the little paperbacks of the really good stuff.

Theme-park approach to nature. We judge plants and animals by whether they're entertaining to us. We gravitate toward animals and plants that are big, dramatic, beautiful and at eye-level.

With my own cartoon, it was just me being goofy by myself, but when it comes to an animated film, you're working with 45 animators and assistant animators. It's a whole different ballgame.

I gave away 'Life in Hell' when it was a little 'zine, and sold it at record stores for $1, and I knew from the time that I first did it that I would continue to do it, because it was fun.

Socialised humanity represses nature and degrades human nature; it takes life and waters it down - probably to control it - diluting existence with water that is lukewarm, sweet and murky.

I have 40 years of unpublished material, the ones they don't pick, and the reason I don't redraw them or use them again is that I like to use my brain every day and come up with new jokes.

I always have been and will remain someone who loves real, 3D, substantial books. And I don't believe that it's a wistful, nostalgic interest like vinyl collectors. It's not the same thing.

Cartooning is preaching. And I think we have a right to do some preaching. I hate shallow humor. I hate shallow religious humor, I hate shallow sports humor, I hate shallowness of any kind.

The things we laugh at are awful while they are going on, but get funny when we look back. And other people laugh because they've been through it too. The closest thing to humor is tragedy.

I have less to do with 'The Simpsons' every season, but I stick my nose in here and there. Basically, it's just trying to keep the characters consistent and making sure the show has a soul.

Twitter is just a great joke laboratory. You go in there and there are so many witty people that I know any joke I make is going to have a response with at least 10 great jokes coming back.

If you're trying to work the art game, if you're like Andy Warhol or something, then you're in with cake-eaters of society. You want to get in with them and please them and get their money.

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