Quotes of All Topics . Occasions . Authors
But I shall let the little I have learnt go forth into the day in order that someone better than I may guess the truth, and in his work may prove and rebuke my error. At this I shall rejoice that I was yet a means whereby this truth has come to light.
Brandalism Any advertisement in public space that gives you no choice whether you see it or not is yours. It belongs to you. It's yours to take, rearrange and re-use. Asking for permission is like asking to keep a rock someone just threw at your head.
When someone drew a picture of Pope John wearing an Avis 'We try harder' button, those words no longer meant which car rental to patronize, and yet some of the overtones from its original meaning are there and make a contribution to the new situation.
I have been a stalwart advocate for the legacy of Charles White. I have said it so often, it could go without saying. I have always believed that his work should be seen wherever great pictures are collected and made available to art-loving audiences.
I have very little interest in endlessly telling people about my artistic process. It sounds like throwing yourself against a wall and crying. It's not interesting to most people. It's interesting to yourself. But it's your problem, not anyone else's.
I think when something becomes a comfortable genre, it's against what street art stood for in the beginning - breaking out of genres and taking art out of galleries. Now street art is in the gallery, and it's all made up into a nice, packaged concept.
The dignity of the artist lies in his duty of keeping awake the sense of wonder in the world. In this long vigil he often has to vary his methods of stimulation; but in this long vigil he is also himself striving against a continual tendency to sleep.
The most authentic Russian Impressionism leaves one perplexed if one compares it with Monet and Pissarro. Here, in the Louvre, before the canvases of Manet, Millet and others, I understood why my alliance with Russia and Russian art did not take root.
The body has an enormous power of healing, if you really believe you are going to be healed, you're going to be healed. If you really believe you're going to die, you're going to die. If you apply this kind of method to everything, then there is hope.
Things that influence me are my kids, their happiness, colorfulness, and vitality. My husband - he comes up with some great quotes and ideas. God - He is the Ultimate artist. And what I see around me - flowers, leaves, trees, birds, fruit, vegetables.
It is now an accepted fact that the expression of emotion through painting... is a source of deep psychological satisfaction... It is a system which can also in some measure, even compensate for the lack of emotional fulfilment in human relationships.
I was poorer than anyone I'd ever met. But it was a great time to be a young artist - I remember it as a period of exceptional creative freedom and adventure, when one was regularly presented with works of art unlike anything one had ever seen before.
Momiji Sohma: Are you sure? Shigure said it hurt really bad. Hatori Sohma: Yes, well, I did that on purpose. Shigure Sohma: Oh, Ha'ri, you're killing me! Why would you be so cruel? Hatori Sohma: It seemed to be the only way to shut you up at the time.
Life is short. Life goes fast. And what I really want to do in my life is to bring something new, something beautiful and something filled with light into the world. I try to think of that every day so that I can remember why I am coming to my studio.
I don't think that my art isn't serious. I think the subjects are not serious, or my treatments of the subjects are not serious. But then, I'm also putting down subject, because like the abstract expressionists, I don't think the subject is important.
Photography's ability to blur truth and fiction is one of its most compelling qualities. But when misused... this ambiguity can have severe, even lethal consequences.... Photography's ambiguity, beautiful in one context, can be devastating in another.
I never had the sense of myself as an accomplished artist, and I always had to work three times as hard as anyone else to make mypieces as good as they could be. I am never completely satisfied. There always seems to be something just beyond my reach.
When you're 20 or 30, looking ahead, you see these benchmarks for relationships, career, ambition, sexuality, and they went off into infinity. When you get to 50, you look at what's ahead of you, and there's an end. It goes into a nothingness, a void.
What started happening really quickly after 9/11 and the construction of this 'War on Terror' business is that I saw all kinds of parallels between the way that was being constructed and the way that prisons had been constructed since the early 1980s.
The childlike, gum-chewing naivete, the glamour rooted in despair, the self-admiring carelessness, the perfected otherness, the wispiness, the shadowy, voyeuristic, vaguely sinister aura, the pale, soft-spoken magical presence, the skin and bones . . .
All art is based on nonconformity ... Without nonconformity we would have had no Bill of Rights or Magna Carta, no public education system, no nation upon this continent, no continent, no science at all, no philosophy, and considerably fewer religions.
It's such a weird self-confidence that an artist has - to conceive of this thing that serves no function and say, 'I'm going to really work hard for it and give it and it's just going to matter to people.' You really have to believe it all on your own.
I believe that an artist working for and representing the Kingdom of God should do the best of their ability to show and prove the depth, life, newness, creativity, truth and excitement of their Heavenly Father through the work that is set before them.
I love art that haunts me, that stays with me, that is left embedded in my mind. I don't really think there is any use for owning or collecting art; it is more about remembering and preserving it in the minds eye and allowing it into your cultural DNA.
I always thought that people who live in the desert are a little crazy. It could be that the desert attracts that kind of person, or that after living there, you become that. It doesn't make much difference. But now I've done my 40 years in the desert.
Florida is an awesome place to find sweaters. People buy a really nice sweater for their trips up north, then they just keep it in the closet forever, so you're finding super nice sweaters down here at the Salvation Army. It's hard to say no sometimes.
When I was growing up, all the women in my house were using needles. I've always had a fascination with the needle, the magic power of the needle. The needle is used to repair damage. It's a claim to forgiveness. It is never aggressive, it's not a pin.
P.I.L. has been a favorite of mine since high school especially there metal box album. The guitarist Keith Levine gets some of the best sounds ever to come out of a guitar. The songs are really free form and experimental and have a heavy dub influence.
I made a tape recording of a bridge collapsing and I wanted to play it suddenly and very loudly when people were walking over a big bridge in Belgrade. The council forbid it. Their imagination is tiny; mine is big. I want always to shake everything up.
You have to act and this is something that happened in abstract expressionism too, it was a discovery particularly in De Kooning's paintings, great paintings. There's a lot of speed in his work and the speed produces things that only speed can produce.
And yet my life seemed to be just one big mass of people. I would never ask some people in for tea to fill up time. I just never would do it. Whenever I seemed to have a quiet hole, I would paint. That was what I would choose to do to fill up the time.
I'm a classically trained painter, and I was an illustrator in New York working with Fortune 500s companies as well as the NBA and the Olympics. I first got into sculpting when I created a sculpture based on a painting I had done for the 1984 Olympics.
Our human landscape is overburdened with competitions and contests. Art need not be a contest. Art is a personal quest for quality. Quality is the forerunner of acceptance. Character is the forerunner of quality. Be your own discriminating connoisseur.
I had no idea LOVE would catch on the way it did. Oddly enough, I wasn't thinking at all about anticipating the Love generation and hippies. It was a spiritual concept. It isn't a sculpture of love any longer. It's become the very theme of love itself.
Those damned Abstract Expressionists. They were a major problem. Because the critics adored them to such an extent, reams and reams, pages and pages of articles about Abstract Expressionists, when we came along, we were just not taken seriously at all.
There is an old and a new consciousness of the age. The old one is directed towards the individual. The new one is directed towards the universal. The struggle of the individual against the universal may be seen both in the world war and in modern art.
I have some sort of performing gene that's just there and I cannot explain it but I want to connect with people through a camera or on a stage. I just can do it. I just have an intuitive sense of it. So I love doing that, I love going into that trance.
Sometimes I've drawn on autobiographical material, maybe situations that I've felt trapped by, and turned them into something else, but in a very superficial way. When you find yourself thinking and worrying about certain things they become ridiculous.
Although you might have to creep about at night and lie to your mum it’s actually one of the more honest art forms available. There is no elitism or hype, it exhibits on the best walls a town has to offer and nobody is put off by the price of admission.
I order everything in. I won't save anything until later. I won't have anything to eat today that I might eat tomorrow because I don't trust myself with it at night. I'd be sleepwalking. I could never leave a pint of Haagen Dazs ice cream in the fridge.
Even though Chinese society was really closed, there were two windows for me to explore the world. One was from my mother and grandmother, the unseen and invisible world. Another window was brought from my father's side, those classic and Western books.
I love the city. I love the energy of New York and what happens here. But I'm very happy I don't live in the city on a daily basis, because I really do spend a great deal of my time, when I'm not on the road, in my studio - everyday, everyday, everyday.
Being Bob Marley's son has done many things for me, in terms of having a career in music. I'm very proud of my music, and I'm very proud of where I'm from. People hear that I'm Bob Marley's son, and they turn on my music to listen just out of curiosity.
I long ago came to the conclusion that even if I could put down accurately the thing I saw and enjoyed, it would not give the observer the kind of feeling it gave me. I had to create an equivalent for what I felt about what I was looking at-not copy it.
With Gnaw I was thinking about traditional sculpture, about carving. I was also interested in figurative sculpture. I put those two ideas together and decided that rather than describing the body, I would use the body, my body, as a tool for making art.
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither. At every point in nature there is something to see. My work contains similar possibilities for the changing focus of the eye.
At twenty-seven years old, I was diagnosed HIV. Three years later I decide to dedicate the remainder of my life to art. Leaving work and refusing the assistance of Unemployment Insurance or Welfare, I challenged myself to live completely through my art.
I give myself different roles. I think in different ways on different days. Sometimes I think of it as cooking - different flavors and different ingredients. Sometimes I think of it like orchestrating a piece of music with all the different instruments.
Artwork operates on two different levels: On one level there's artwork as a mode of expressivity, and then there's the other side, where the image is a construction that is meant to engage in a discursive field in order to preform a particular function.
There is a wonderful place where flowers grow in colors beyond the words of poets... trees sing with the songs of butterflies. And mythical tigresses look at you with fiery golden eyes... open your heart and feel the colors of magic blooming inside you.