Quotes of All Topics . Occasions . Authors
I went to the flea market in the morning and charged tourists money to take pictures of me. I looked pretty wild, with hair down to my waist, Indian robes, a floor-length fur coat. There must be lots of photos of me out there.
Your parents will die before you do, so you'd better make your own life decisions. Your own choices are always good if you know yourself - especially in art, because whenever you do something new, everyone will be against you.
I made the flames lick the surface of the painting in such a way that is recorded the spontaneous traces of the fire. But what is it that provokes in me this pursuit of the impression of fire? Why must I search for its traces?
When you see the face of God, or when you have an overwhelming, ecstatic, blissful, visionary experience; there is no doubt about it. It isn't like, 'Did it happen?' It's unforgettable. And you are a changed person in some way.
At 6 p.m. I stood in the doorway of my studio facing the Venice boardwalk. A few spectators watched as I pushed two live electric wires into my chest. The wires crossed and exploded, burning me but saving me from electrocution.
Science, Government, Education, Art, the cultural monolith may be said to exist primarily to exercise a paternal influence, decorously if possible, aggressively if necessary, to enforce certain accepted images upon individuals.
The bourgeoisie and the petty bourgeoisie have armed themselves against the rising proletariat with, among other things, culture. It's an old ploy of the bourgeoisie. They keep a standing art to defend their collapsing culture.
One works because I suppose it is the most interesting thing one knows to do. The days one works are the best days. On the other days one is hurrying through the other things one imagines one has to do to keep one's life going.
First of all there was a guy named Charles Nicholas, who used to do all of the inking that Jack and Simon didn't do. Simon used to do splashes and covers, but Charles Nicholas, after a while, did the inside of all of the stuff.
We are attacked by radio and television and visual communication at such speed and with such force that painting seems very old fashioned ...why shouldn't it be done with that power and gusto [of advertising], with that impact.
The only thing the Pop Artists had in common is that we all had been commercial artists in some manner. Lichtenstein was a draftsman; I was a billboard painter, but we didn't work together. I didn't meet Andy Warhol until 1964.
My works are about light in the sense that light is present and there; the work is made of light. It's not about light or a record of it, but it is light. Light is not so much something that reveals, as it is itself revelation.
The art of British Columbia's native Indians played a big role in inspiring my creativity... the simplicity of the images, the graciousness of the lines and curves, and the emotional impact of the bright simple primary colours.
When there's a painting in the room, my eye goes right to it. It's like if you go into a bar and there's a television on, you can't take your eyes off the television. Paintings have that effect on me. It's where my eye settles.
They want more production and they want it cheaper. But no matter what happens, the creative idea will be perpetuated by somebody who comes up with a vision. I don't care if there are three CEOs - it takes one guy with an idea.
For me the Koenigsberg longshoremen had beauty; the Polish jimkes on their grain ships had beauty; the broad freedom of movement in the gestures of the common people had beauty. Middle-class people held no appeal for me at all.
Humans like to look. I think that voyeurism and exploitation are often used in the same sentence. But, in my opinion, voyeurism is a beautiful and delightful thing. There is nothing more intimate than really looking at someone.
Throughout my life, cigars have played different roles for me. They fit easily and well in the various stages and experiences Ive had -- like a companion, almost. If youve smoked a long time, as I have, they become part of you.
You know when I decided to become professional - that means to expose yourself naked to the world with the other creative minds - I said, 'I'm going into areas I don't know. I might just fall right down to hell and kill myself.
You need everyone to get together and just believe in it, and lead by example that it is possible to be outside the system, and that's really super-f - king hard, and I'm sure there's some geniuses out there who can achieve it.
I've always been inspired by small details that make me wander. My mother would ask me, 'What are you looking at so intensely?' I would answer, 'Everything and nothing.' She really supported my wanderings, called me Marco Polo.
There is no doubt when one comes from the West to China one understands pop art as having originally developed as part of Western tradition. There is a historical development, in which things find resonance in different places.
[I] don't want people to see it [paintings] as a specific intention on my part. If somebody has that interest in these objects, of course they can see that, but from my own point of view, I'd rather stay as neutral as possible.
I am a great artist and I know it. It's because of what I am that I have endured so much suffering, so as to pursue my vocation, otherwise I would consider myself a rogue - which is what many people think I am, for that matter.
A hint - don't paint too much direct from nature. Art is an abstraction! study nature then brood on it and treasure the creation which will result, which is the only way to ascend towards God - to create like our Divine Master.
When I was six years old, I fell in love with magic. For Christmas, I got a magic box and a very old book on card manipulation. Somehow, I was more interested in pure manipulation than in all the silly little tricks in the box.
As I'm studying magic, juggling is mentioned repeatedly as a great way to acquire dexterity and coordination. Now, I had long admired how fast and fluidly jugglers make objects fly. So that's it. I'm 14; I'm becoming a juggler.
The main thing is that we are part of the reality in ourselves to perfect one's power of discovery and that leads to the discovery of our organic ourselves without fear of immersing ourselves in the earth, the sea, fire or air.
My investigations resembled the pursuit of the solution to a problem for which I had three data: the object, the thing connected with it in the shadow of my consciousness, and the light wherein that thing would become apparent.
I am very generous with my dealers in terms of the art that they have of mine. They all have a very good selection of work that they can work with. And it is up to them to find the dealers. I don't interfere with their selling.
All intervening steps, scribbles, sketches, drawings, failed work models, studies thoughts, conversations, are of interest. Those that show the thought process of the artist are sometimes more interesting than the final product
Theres different kinds of love, and Id never experienced that kind of totally platonic love. All the love Ive experienced has always been a kind of deal, and now, as I get older, I realise that theres this other love out there.
Engineers working in the 'black world' of classified military projects are often referred to in military circles as 'black hats.' There are a lot of jokes about the difference between 'white hats' and their spooky counterparts.
I don't want dead paint, so I test many of my works by studying them in a dark room at twilight or even after dark to check the luminosity. If the darker forms still have resonance and luminosity, I know the painting's working.
Strive for simplicity! Don't have the face a checkerboard of tints! Use such colors as nature uses, but not try to keep them distinct! Your work may be called monotonous, but one tone is better than many which do not harmonize.
Not being appreciated for 40 years or something ... It feels like I was accused of something that I didn't do, which was breaking up the Beatles. That was like being somebody who is in prison without having done anything wrong.
Society likes to file you away, put you in this or that category. And I never fit any category. Maybe that's why I was left out of a lot of things, or why my work was not really understood, because there was no precedent for it.
I did an art show for Donald Trump at his house in Palm Beach, Florida. It was a bunch of pop art and stuff like that, so I wasn't doing any graffiti at that time, so I'd say from about 2000 to 2006, I wasn't doing any graffiti.
Before I was shot, I always thought that I was more half-there than all-there - I always suspected that I was watching TV instead of living life. Right when I was being shot and ever since, I knew that I was watching television.
Some people criticize me for using sources that are a bit low brow (this quote is from 'Gladiator') but you know what? 'I'm just going to use that hostility to make me stronger, not weaker' as Kelly Rowland said on the X Factor.
Most people draw from the mind, not the eye. They draw the idea of a table or a face, not what's in front of them. We don't actually see the line of the jaw as a line and we don't see an eye as a perfectly outlined almond shape.
If you begin with the assumption of freedom, the preoccupation is always how to keep freedom in check, how to bind; But if you begin with the assumption of bondage, the preoccupation is always how to set out the word that frees.
I do spend money. I like to spend money, on houses - on furnishing houses. And I love to give presents to people. It's just in my nature to be that way. I always spent money I had. And I always spent what I made. I'm not stingy.
A strange thing is memory, and hope; one looks backward, and the other forward; one is of today, the other of tomorrow. Memory is history recorded in our brain, memory is a painter, it paints pictures of the past and of the day.
Colours have their own distinctive beauty that you have to preserve, just as in music you try to preserve sounds. It is a question of organization, of finding the arrangement that will keep the beauty and freshness of the colour
We're made for the light of a cave and for twilight. Twilight is the time we see best. When we dim the light down, and the pupil opens, feeling comes out of the eye like touch. Then you really can feel colour, and experience it.
I colour for a living. When I am a good artist, the only difference between me and a child is that I am more wrinkled. When I am not being a good artist, the only difference between me and a child is every difference imaginable.
Back in the '30s, '40s and '50s, you had clear-cut heroes, clear-cut supervillains. Today, you have more of a blend, more of a gray area between the two. You have the rise of the sympathetic villain and the rise of the antihero.
The erasure itself became the action. It seemed to suggest a moment in terms of how sad or pessimistic you can feel in a political environment or a historical situation. But it felt like a really hopeful gesture in the painting.
Call me a flaming radical burning for attention, but my real intention is to spark a discussion of how we can peacefully transform our world. America, I offer myself to you as an alarm against Armageddon and a torch for liberty.