Quotes of All Topics . Occasions . Authors
Black women have never embraced feminism. They didn't embrace it in the '50s and '60s; they're not embracing it now. That's not new. I think it's a tendency among women in general not to be supportive of each other.
Blue is the male principle, stern and spiritual. Yellow the female principle, gentle, cheerful and sensual. Red is matter, brutal and heavy and always the colour which must be fought and vanquished by the other two.
I have painted portraits that to me are almost photographic. I remember hesitating to show the paintings, they looked so real to me. But they have passed into the world as abstractions - no one seeing what they are.
I like the idea of my art being a covetable object; I like preciousness. A lot of art seems to flaunt its throw-away character... But you have to sail out into the dangerous sea of fine art with these crafted works.
That is how America gets her art: Contracting firms get the contract and the honor. Starving artists do the work. The government pays for sculpturing thousands of dollars, of which the sculptor gets a hundred or so.
I believe and find in my study of art that the real artist is nine-tenths of the time a craftsman, and it is only in that small one-tenth of the time that he rises to the elevated position of a prophet and a master.
If it is practiced by a man of taste, the photograph will have the appearance of art (but) the photographer must...intervene as little as possible, so as not to lose the objective charm which it naturally possesses.
From the time that I was a child, I loved interacting with people. I would go around door-to-door and sell candies and gift-wrapping paper, and it was a great way to interact with people and communicate with people.
I remember having a friend overnight, and lots of giggling after the lights were out. And seemingly long silences followed by “Are you asleep yet?” and, sometimes, some pretty serious discussions about God and Life.
To design is to plan and to organize, to order, to relate and to control. In short it embraces all means of opposing disorder and accident. Therefore it signifies a human need and qualifies man’s thinking and doing.
What I hope 'Mastry' ends up doing is completely undermining or doing away with the notion that artists are a savant: that they do things that can't be articulated, driven by inner turmoil they don't have access to.
Although I use myself in my videos, I really see myself as a character. When I look at myself, when I sit and edit, I never think, "That's me." I think, "This is a character, and how do I edit this to tell a story?"
If I'm confused, I just spend some time looking at the sky and falling into it. It's not a meditation that anyone taught me, it's something I've done my whole life, and liked doing, and it made me feel like nothing.
All of nature talks to me - if I could just figure out what it's saying - trees are swinging in the breeze. They're talking to me. Insects are rubbing their legs together. They're all talking. They're talking to me.
The only time I really feel tired and old is when I look back; I always like to look just in the front of me. I'll always feel like I didn't finish enough, such a short time is left, and there's still so much to do.
My art practice is very detail-, labor- intensive and I think that that's a way of slowing myself down so that I can hear myself think. That quieter voice has sometimes the more interesting idea, if I can get to it.
Well, if you live long enough, you lose a lot. Just as long as you don't throw them away. Whatever you loose, you'll find again, but what you throw away you never get back. -Oibore (Enishi's dad) to Yahiko and Misao
I think an artist has the potential to investigate both form and content within one activity, to show that there can be coherence between form and values in our society, as in thinking about a city and building one.
My practice is focused on bodies and relationships; the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural.
Society will be obeyed; if you refuse obedience, you must take the consequences. Society has only one law, and that is custom. Even religion itself is socially powerful only just so far as it has custom on its side.
I'm ephemeral as much as I can be, so I started to think about the idea of not working. It's really about a change of attitude. It's not so much about stopping, but about re-thinking the meaning of one's production.
I didn't think much about Marsden Hartley until very recently, but Gertrude Stein found him to be the best American painter in Europe at the time she was alive. I consider my tributes to him my most important works.
Painting and art cannot be taught. You can save time if someone tells you to put blue and yellow together to make green, but the essence of painting is a self-disciplined activity that you have to learn by yourself.
Puppets allow a person to express things through this surrogate that wouldn't normally get expressed. You know there's famous techniques of puppet therapists. Put this hand puppet on and tell me what the problem is.
I study what I work with. I studied all these different fields of science that I needed for my work. I studied how to mine a landfill and what to plant in it. It's fascinating because you learn a new field each time.
Fashion is everywhere and about everything. It is folly, vanity and the fun of it all. It is disguise, innuendo, and cunning. It is mean, gorgeous and ambitious, and definitely the last word for the next few seconds.
You know, God, the power that makes life, whatever it is, had just to make two things, masculine and feminine, for all this mischief. And made them so there is this entirely different point of view about love and sex
Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
Each one of us is Divine. We've come from a great Divine source. We are each of us a spark of the Divine. That spark could not demonstrate itself at the dense, physical level, so it reflects itself at the soul level.
I'm very, very blessed. But my safety, my privacy, and my respect are three things that I feel like are trying to be taken away from me right now. As a mother I have to speak up and say something. I have to speak up.
Recently I started to appreciate my body a bit more from before I had kids. But it completely changed, and I have had to work hard at getting it back to where it used to be.... I used to be obsessed with working out.
Here's one from me: 'You have to be aware that everyone else is thinking far too hard about themselves to be thinking about you, whoever you are.' If you want it, you can have it. Once you know that, you can be free.
Object-oriented programming as it emerged in Simula 67 allows software structure to be based on real-world structures, and gives programmers a powerful way to simplify the design and construction of complex programs.
There's so much happenstance, so many accidents - stumbling into something and finding it interesting and living with it over time and building on it. It's okay to work from doubt. You need to be willing to not know.
Truly, I'm not joking when I thank my lucky stars for the awful operation I had, since it has made me young again and philosophical which means that I don't want to fritter away the new lease on life I've been given.
Many of the artists who have represented Negro life have seen only the comic, the ludicrous side of it, and have lacked sympathy with and appreciation for the warm, big heart that dwells within such a rough exterior.
There are people that I didn't like, but I saw them suffer and it changed me. I promised myself that I would never tell a lie, never hurt another human being, and I would try to make the world as positive as I could.
I took a great joy with inventing new kinds of mechanisms. I invented new kinds of machines. I've been a student of science fiction for a long, long time, and I'm very well-versed in science fact and science fiction.
BY YOUR RESPONSE TO DANGER IT IS EASY TO TELL HOW YOU HAVE LIVED AND WHAT HAS BEEN DONE TO YOU. YOU SHOW WHETHER YOU WANT TO STAY ALIVE, WHETHER YOU THINK YOU DESERVE TO, AND WHETHER YOU BELIEVE IT'S ANY GOOD TO ACT.
I tend not to look at my work after I've done it. In fact, the only time I typically get to review it is when the fans bring up comics at shows, and I kind of flip through it and be like, 'Oh, I remember doing this!'
Actually, no, but I am close to the people who are working on Chicken Little, and I'm very close to the people over at Pixar. I mean, as far as stories are concerned, almost everything we have could be told that way.
As though there were a tie And obligation to posterity. We get them, bear them, breed, and nurse: What has posterity done for us. That we, lest they their rights should lose, Should trust our necks to gripe of noose?
As basic rules of a language must be practiced continually, and therefore are never fixed, so exercises toward distinct color effects never are done or over. New and different cases will be discovered time and again.
I went to the Academy and studied with Stuck who was then a big man. But didn't interest me. I didn't know that before me there was Kandinsky and Klee who had also studied with Stuck. He had a good name at that time.
The most important thing is to just do it. If I work at a higher level I have responsibility to do better than what I've done before. Sometimes the best happens - beyond possibility. Just do it. Can't worry about it.
The complicated engines manufactured by men demand, if one really wants to use them, much calm. Ever since our love for machines replaced the love we used to have for our fellow man, catastrophes proceed to increase.
Women if you want to realise yourselves - you are on the eve of a devastating psychological upheaval - all your pet illusions must be unmasked - the lies of centuries have got to go - are you prepared for the Wrench?
An idea or an insight doesn't come from a single happening, it requires a meeting to alter a perspective. Often it takes a while for the events to collide, but when they do it is inevitable that a change will follow.
Why can't we all just acknowledge that 'nature' - that is, 'sex' or 'erotic' images, which are really just 'attracters' are everywhere. Of course a flower looks like what it looks like - that's what it is - to a bee.
This world has been connected...tied to the darkness...soon to be completely eclipsed...there is very much to learn...you understand so little...a meaningless effort...one who knows nothing cannot understand nothing.