The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is classic white canvas expanded into three-dimensional space.

It's necessary to start most work alone. But I'm tickled to death when I can pull somebody in or join someone, whether it's borrowing poetry or traveling with an associate.

Gene Colan was like no other artist of his generation. His ability to create dramatic, multi-valued tonal illustrations using straight India ink and board was unparalleled.

From 'The Sandman' and 'Black Orchid' to 'Whatever Happened to the Caped Crusader?,' Neil Gaiman has provided some of the most memorable stories of the comic book industry.

The most amazing thing to me about the sea is the tide. A harbour like St. Ives is totally transformed in a very short space of time by the arrival or departure of the sea.

I still take photographs for my own use, personal studies. I do not feel that I can fully express my views through the medium and this is why I have moved towards painting.

Every human being is an artist, a freedom being, called to participate in transforming and reshaping the conditions, thinking and structures that shape and inform our lives

In 1995, when I was backpacking through Europe solo, I would head to the train station, look up at the big board, and decide right there and then where I would go that day.

I am performing this role of the artist and this role of the 'negress' coming into a white-box institution. It's kind of a self-appointed role: the self-designated negress.

I don't believe in hope. I believe in action, if I'm an apostle of anything: There are always going to be complications, but to a large degree, everything is in your hands.

I am not going to be dictated to by the size of the camera. I use everything from an 8 x 10 to a 35-mm. But I don't use these modern cameras which break down all the time !

Life is too short to waste time changing the sheets every week. Especially when you have small children who tend to wait until you change the sheets to then wet the sheets.

Jackass: The Movie is great. I think it's in the tradition of physical comedy, which I'm really interested in. Its relationship to gravity, and how gravity acts on the body

If you are searching to figure out what is true and what is not, you will have a sad life. It means you have too much time, and you should do a hobby - like collecting art.

One thing about Guantánamo, beyond anything else, is the commitment against all odds to allow Americans to view themselves as the good guy, no matter what the situation is.

We always use resin instead of polyurethane, even though it takes more work and is in places where it can't be seen, because resin tends to be more UV stable than urethane.

In art, there are only two types of people: revolutionaries and plagiarists. And in the end, doesn't the revolutionary's work become official, once the State takes it over?

Certainly, in the story of my life, the walk between the Twin Towers was one of the grandest, one of the most memorable, but not solely the grandest and the most memorable.

If I had been born in the circus, my parents would have pushed me on that little high wire at four years old. That's when the body is most limber to learn those acrobatics.

This moment where we think we rest, when the brain is floating, you know, in sleep, is actually a moment where I could be very creative in a very strange, uncontrolled way.

I strive to express the spiritual nature of the Universe. Painting for me is a dynamic balance and wholeness of life; it is mysterious and transcending, yet solid and real.

Creativity is dynamic, it asserts life, frees the human spirit, conquers mental lassitude and illness, and makes real the outrageous potential of the universal imagination.

Regarding ego force, we don't always like people who have it. If you have it, and need to be liked, you ought to consider letting most of it come out the end of your brush.

I have always found it a testament to the importance of painting that the first thing many people do when their home is on fire is to grab their paintings and then run out.

I want to bring back the human encounter into places where material things have a prime status. In a museum, you're supposed to look at things and not talk to other people.

For me, it's always very beautiful that you can do something today in the 21st century which is not an imitation but which has a connection to art which is 4,000 years old.

I'm a politician. Politics is just a convenience for our life and we just have to create a beautiful world together that would be very convenient for us and just enjoyable.

To me, the concept of distance is not important. Distance doesn't exist, in fact, and neither does time. Vibrations from love or music can be felt everywhere, at all times.

What I did for my last act as a painter, if you call me a painter, was to photograph the weave of the canvas, and enlarge it and enlarge it until it became like a landscape.

What I regret most after becoming a cartoonist is having used my real name. At first, I figured there was no way I'd sell anyhow, so I didn't even consider using a pen name.

I felt that working at an office from the early morning was impossible for me. Anyway, I wanted to be free from that lifestyle as soon as possible. I wanted to take it easy.

I would often draw in my sleep. That alone made for twice the work... I couldn't use the weird stuff I drew while dozing off, so I'd end up having to draw it all over again.

The lobbies are always the best-looking place in the hotel-you wish you could bring out a cot and sleep in them. Compared to the lobby, your room always looks like a closet.

It's funny when people don't know you and they meet you for the first time and think you're so great. When fans know you for more than three or four times the magic is gone.

When, at the end of the 1960s, I became interested in the Nazi era, it was a taboo subject in Germany. No one spoke about it anymore, no more in my house than anywhere else.

The sculptor must search with passionate intensity for the underlying principle of the organisation of mass and tension - the meaning of gesture and the structure of rhythm.

The time when I had desire to go to the United States I didn't have a penny. It was in the middle of the depression, you know. I couldn't get as far as Hoboken at that time.

Justin Timberlake is everything, and what more could you want in a person? He's funny. He's cute. He's great. He just understands. I get him and he gets me, and that's cool.

I'm so happy to be able to give kids the opportunity to learn about amazing world of dance and music that I've have been lucky enough to make such a big part of my own life.

When I was in New York it was like a maze, a rat maze, going from one little box to another little box and passing through passageways to get from one safe haven to another.

I have always been aware that you have to get people listening before you can change their minds. Any artist's big fear is being ignored, so if you get debate, that's great.

Because it's visual art, a lot of it comes from childhood experience but then a lot comes from the visual language - in advertising and stuff like that - which is around us.

I'm really a believer in being in situations that feel new and awkward and different. And I love that feeling of being in motion - that sense you find when you're traveling.

It takes a long time to make a painter - even with a good artist's education - but without one it tries the patience of Job; it is a great thing if one does not go backward.

while it's true in tennis, love is zero. but zero is also where everything starts. nothing would ever be born if we didn't depart from there. nothing would be ever achieved.

In painting, you have to destroy in order to gain... you have got to sacrifice something you are quite pleased with in order to get something better. Of course, it's a risk.

I'll get an inspiration and start painting; then I'll forget everything, everything except how things used to be and how to paint it so people will know how we used to live.

I feel like an independent man, and I am. This is the kind of feeling I always wanted. You can rarely get that... Well, I could rarely get that in the early part of my life.

I tell young people that the greatest paintings in museums are made with minerals mixed in oil smeared on cloth with the hair from the back of a pig's ear. It's that simple.

I believe that art has been a vehicle for me that's been about enlightenment and expanding my own parameters, to give me courage to exercise the freedom that I have in life.

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