I think about women and their thoughts and ideas, and I suppose when I'm painting them I'm getting to be them, in a sense. That is why I plainly paint women.

Chase used to say, 'When you're looking at your canvas and worrying about it, try to think of your canvas as the reality and the model as the painted thing.'

I guess I just don't like being physically in front of people I don't know very well, because I expect to be "seen through," or, even worse, instantly hated.

I guess I just don't like being physically in front of people I don't know very well, because I expect to be 'seen through,' or, even worse, instantly hated.

Take an exhibit, in the days when we saw the Pop art - Andy Warhol and all that - tomato soup cans, etc., and coming home, you saw everything like A. Warhol.

I treat clothing or a piece of jewelry like it was a piece of art, even though people who collect clothes get a bad rap because they're told it's all vanity.

Beauty is more important in computing than anywhere else in technology because software is so complicated. Beauty is the ultimate defense against complexity.

I always thought about 'Station to Station' as an approach. It was about creating an alternative platform for culture where different mediums could co-exist.

And even this heart of mine has something artificial. The dancers have sewn it into a bag of pink satin, pink satin slightly faded, like their dancing shoes.

What moves those of genius, what inspires their work is not new ideas, but their obsession with the idea that what has already been said is still not enough.

All art becomes history as soon as it is made, so it is inevitably part of a tradition. It doesn't matter a toss if it is in paint or in film; it is all art.

I often lay on that bench looking up into the tree, past the trunk and up into the branches. It was particularly fine at night with the stars above the tree.

When you get so that you can't see, you come to it gradually. And if you didn't come by it gradually, I guess you'd just kill yourself when you couldn't see.

I'm always in love. If it's not with a man, it's something else. I love beauty. I love the sky I see outside the window. There's so much beauty in the world.

In the beginning you must subject yourself to the influence of nature. You must be able to walk firmly on the ground before you start walking on a tightrope.

The pictures I contemplate painting would constitute a halfway state and attempt to point out the direction of the future - without arriving there completely

My mother did not have a toaster oven and would toast bread in the oven, which I thought was stupid. They didn't do cars and electricity, that kind of stuff.

I started out with projected-light works and working indoors, but I'd prepare the walls - by sanding, etcetera - the way you'd prepare a canvas for painting.

One of the strengths of the DC Universe has been the strength of the rogues' gallery. Often times they're as famous - if not more infamous - than our heroes.

So much of comics are dictated by characters talking to one another - or in focused spaces where 'the camera' has to stay in pretty close on what's going on.

On my return to Cornwall I discovered that I was living in a tropical paradise. For now I am content to explore my own home and our nearest neighbour France.

In the beginning, the feminine principle was seen as the fundamental cosmic force. All ancient peoples believed that the world was created by a female Diety.

Because I'm not doing it for the money, I'm doing it because I feel like that story needs to be told or clarified, or something needs to be shown about that.

Humor's always been the problem of my work, hasn't it? When working, I feel satisfied when I surprise myself. And when I surprise myself, I wind up laughing.

I do not want to die... until I have faithfully made the most of my talent and cultivated the seed that was placed in me until the last small twig has grown.

I saw the industrial scene and I was affected by it. I tried to paint it all the time. I tried to paint the industrial scene as best I could. It wasn’t easy.

I might be in the basement. I'll go upstairs and check. We adore chaos because we love to produce order. I don't use drugs; my dreams are frightening enough.

Say you are doing a portrait and the face is perfectly done, but the rest of it is done in brushstrokes. That is sort of like what might happen in the films.

Tohru: Call a doctor, or a vet, or anybody! Oh, Mr. Postman, it's terrible! You see, they're animals! Postman: Uh, yes, they certainly are. Here's your mail.

I graduated. I did History of Art, you know, all those things - American Studies - and then I went to art school, and I did Joseph Alvarez in the art school.

Art can be a kind of therapeutic, or kind of a fantasy life, or wish fulfillment...o r creating this alternate universe. Art gives me the freedom to do that.

An early flourish of confidence is useful. Then there's the small crudities - the slubs and bumps that come with outdoor work - the odd charm of imprecision.

Sometimes the mind relives things very clearly for us...There are roads out of secret places within us along which we all must move as we go to touch others.

You know, as you compose music, you're just off in your own world. You have no idea where reality is, so to have an idea of what people think is pretty hard.

Scientists tracking mirror neurons noticed that a monkey will get excited not just when holding a banana, but also when seeing someone else holding a banana.

We humans have always looked to the sky as a sounding board for asking big questions about ourselves: Who are we? Where did we come from? Where are we going?

The odds of not meeting in this life are so great that every meeting is like a miracle. It's a wonder that we don't make love to every single person we meet.

Modern materialists and religious extremists alike lack the spiritual animistic reverence for non-human beings that every culture once understood as a given.

I come to the point of using steel, and simply cannot. It's like the marriage proposal of a perfectly eligible man who just isn't loveable. It is wood I love.

I'm more straightforward, and I speak up more than I did before. When I was younger, I wouldn't speak up as much, but now that I'm a mom, things have changed.

I would really, really, really like to be a legend like Madonna. Madonna knows what to do next, and when she's performing, the audience is just in awe of her.

With the Ford Foundation grant all of a sudden instead of being an artist that had made a couple of short films, I became a filmmaker who dabbled in the arts.

And I don't have any specific steps to take because I don't start the same way every time. But there is a knowing when it's enough and you can leave it alone.

When I was young, I didn't want to do traditional painting and calligraphy. I deliberately wanted to separate from my father so I could feel I existed myself.

I was one of the first post-studio artists. I used to do my works in the streets. I used to find them in the streets, and I used to leave them in the streets.

I emerged in that incredible moment in the 1980s when all kinds of social questions about subjectivity and objectivity, about who was making, who was looking.

The value of a canvas depends almost entirely on your mental attitude, not on your moral attitude; depends on what kind of a man you are, the way you observe.

Creativity belongs to the artist in each of us. To create means to relate. The root meaning of the word art is 'to fit together' and we all do this every day.

My icons do not raise up the blessed savior in elaborate cathedrals. They are constructed concentrations celebrating barren rooms. They bring a limited light.

Art doesn't begin with a brush and a palette, but with the artist's ability to perceive life. You have to learn how to live before you can learn how to paint.

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