All my drawings always sort of looked funny even if I was trying to do serious stuff and express myself about grim situations. It was always cartoony.

And sometimes the question that you pose or the project that you start yourself turns into something else, you know, but at least it gets you started.

I continue to make paintings of people and their moments in our time because I am of that time. Out of that I hope to make pictures that are timeless.

My uniform is sweatpants, so crusted over with dried paint that they're as hard as a table. I wear T-shirts that are also covered in paint, and Crocs.

When I was a kid, I liked books that just seemed so dense you could lose yourself in them for a whole afternoon. They were like their own whole world.

I found being able to change things on the fly and react to the changes in the artwork makes it stronger. And I feel like I'm not doing the job twice.

The visual arts must communicate to the human spirit, forcing individuals to reflect on themselves and their existence beyond their own self-interest.

The attacks of which I have been the object have broken the spring of life in me... People don't realize what it feels like to be constantly insulted.

There was an Old Person of Bray, Who sang through the whole of the day To his ducks and his pigs, whom he fed upon figs, That valuable Person of Bray.

The owl and the pussycat went to sea, / In a beautiful pea green boat. / They took some honey, and plenty of money, / Wrapped up in a five pound note.

I believe in intuition and approaching things as instant gratification. Just do the things you want to do, make the kind of pictures you want to make.

My pictures are not that interesting, nor the subject matter. They are simply a collection of facts; my book is more like a collection of Ready-mades.

The more an object is polished or brilliant, the less you see its own color and the more it becomes a mirror reflecting the color of its surroundings.

All the animals I've painted always have a relationship with man. I have been told that part of the knowledge of the human anatomy comes from animals.

My photographs are not just about the instant of movement you capture in the camera. It's much more total, about constant movement that became static.

My first memory is of the brightness of light ... light all around. I was sitting among pillows on a quilt on the ground ... very large white pillows.

Art is the fatal net which catches these strange moments on the wing like mysterious butterflies, fleeing the innocence and distraction of common men.

An artist is an explorer. He has to begin by self-discovery and by observation of his own procedure. After that he must not feel under any constraint.

The passage from the state of nature to the civil state produces a very remarkable change in man, by substituting justice for instinct in his conduct.

Maybe I might be repeating the same mistake again... But don't you think it is far better to regret what I have done than what I have not done yet...?

I hated to fight all the time just to enjoy my day. Fighting wasn't the kind of thing that I enjoyed, but I grew to enjoy it because I did it so long.

I've learned that I need to learn how to direct without making the person distracted and keeping them comfortable, and pay more attention to lighting.

When you get older, you're running out of time. You care more about trying to stay on the planet a little longer, so you can learn how to draw better!

It is very different when you age. The things that are significant, or what drives you, or the physical experience of being driven, changes over time.

Humans don't see what they don't want to see. No one wants to be put down. That's why people do nothing even when they do know something is happening.

Painting... in which the inner and the outer man are inseparable, transcends technique, transcends subject and moves into the realm of the inevitable.

We all know that a good person can be a bad artist.But no one will ever be a genuine artist unless he is a great human being and thus also a good one.

I love the idea of making images of the parts of the body that we all have but that no one pays attention to, like the soft area underneath your nose.

Why am I not feminist? Maybe because I come from a country where my mother ruled my life. I never felt in any way that I couldn't achieve what I want.

When I was 18 years old, there was no internet and no gay teen nights. Instead, you went to the clubs and talked to grown men and did grown-up things.

I'm not sure what [my latest works are] about but I'm convinced they're the best things I've done and I'm going to the world's best museums with them.

One secret to my success is that I am faithful to my dreams and don't cheat on my dreams by taking drugs or blaming others when things don't go right.

Fashion is nothing more than the temporary custom of rich and idle people who make it their principal business to study the external elegance of life.

Progress in painting, there's no such thing! ...One day I went and changed the yellow on my palette. Well, the result was, I floundered for ten years!

My goal is to make fine art, and fine art comes from the soul. If you have virtuosity and facility, you can take and create something of significance.

The greatest success is creating whatever you want without conditions. I don't do commissions unless I really want to, because it's like having a job.

And when you see artists like Donald Judd and so forth being referred to as conceptual, what the hell does that mean? It's a totally meaningless term.

I do know, for most of us, the very best of times are when you're in your own space sweating, trying to squeeze quality out of imperfect capabilities.

A simple equation for the production of successful art work is lots of reference material plus lots of art supplies equals lots of painting happiness.

There is nothing more entertaining than to have a frank talk with yourself. Few do it-frankly. Educating yourself is getting acquainted with yourself.

As a female filmmaker it's important to have a voice for and about women. We have a lot of valuable stories to tell and young girls need to hear them.

If I rewind back to that period, I was 8 in 1977 when 'Star Wars' was in theaters. I saved up money, or my parents got me the 'Art of Star Wars' book.

I can't imagine anything more beautiful on this planet than looking up at the stars and seeing a kind of artificial star moving through the night sky.

People like to say that my work is about making the invisible visible, but that's a misunderstanding. It's about showing what invisibility looks like.

What is Africa, anyway? Even I don't know what Africa is, entirely. But I know that it's not some of these simplified sound bites you hear in America.

The organic laws of construction tangled me in my desires, and only with great pain, effort, and struggle did I break through these 'walls around art.

The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with base notes, or dark lake with the treble.

We don't read people's wishes. The wishes are suppose to be direct communication to the Universe. Your interception will weaken the power of the wish.

I choose to work behind the camera. And I kind of want to make the work and then run away. The presentation of myself really feels complicated for me.

When people look at a photograph, they believe it... My photographs crawl along that edge. I document the world, but from my own biased point of view.

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