Normally, architects render a service. They implement what other people want. This is not what I do. I like to develop the use of the building together with the client, in a process, so that as we go along we become more intelligent.

Sustainable development: Meeting present needs without compromising the stock of natural resources remaining for future generations. In terms of buildings, it implies resource efficiency, minimum energy use, flexibility and long life

These three qualities I recommend to you; tenacity, goodness, and intelligence. They are as valuable today as they were in the time of the ancient Greeks, Romans and during the renaissance. They will help make you good professionals.

There are self-made millionaires - their aspiration is first to make money. But the once that goal is achieved, they have to look for something and sometimes they become patrons of art or museums. And that is how the world should go.

Architecture adds dimensions to my life that would be impossible to acquire if I retired. The beautiful thing about architecture is that every project is brand new. I am forced to renew myself with every project. Isn't that wonderful?

Green Giant contained a very strong and clear site and building design concept. Green Giant had strong formal, aesthetic and programmatic concepts, coupled with a good understanding and incorporation of 2030 Palette design strategies.

One shouldn’t despair over the fact that some of the developments one has hoped for were never produced but only became a beginning. Perhaps they will be revived some day in the future if necessary or reasonable, when the time is ripe

The longer I live the more beautiful life becomes. If you foolishly ignore beauty, you will soon find yourself without it. Your life will be impoverished. But if you invest in beauty, it will remain with you all the days of your life.

The sense of space within the reality of any building is a new concept wherever architecture is concerned. But it is essential ancient principle just the same and is not only necessary now but implied by the ideal of democracy itself.

My advice to whoever asks me how to make a home is to not have anything, just a few shelves for books, some pillows to sit on. And then, to take a stand against the ephemeral, against passing trends... and to return to lasting values.

Everything we call a trial, a sorrow or a duty, believe me, that angel's hand is there, the gift is there, and the wonder of an overshadowing presence. Our joys, too, be not content with them as joys. They, too, conceal diviner gifts.

When you are raised, as John Edwards was, in a small town like Robbins, North Carolina, you get to understand poverty and unemployment, or inadequate health care, first-hand by seeing the daily struggles of your friends and neighbors.

We call those works of art concrete that came into being on the basis of their inherent resources and rules - without external borrowing from natural phenomena, without transforming those phenomena, in other words: not by abstraction.

I know I'm old-fashioned, but there's just something about the act of looking at books versus taking in information on a screen, which is so one-dimensional. There's a sense of ownership that you have with books, a physical connection.

The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.

I hope that any expansion of London will learn from the planning examples of some of its most desirable areas such as Chelsea, Notting Hill, Belgravia and Mayfair. All are characterised by high density and a generosity of green spaces.

Whether humanity is to comprehensively prosper...depends entirely on the integrity of the human individuals and not on the political and economic systems. The cosmic question has been asked: are humans worthwhile to universe invention?

When most objects are truly functional, this technological age, which is just beginning, will be truly civilised. When all objects in this country are truly functional, Australia will be as beautiful in its own way as classical Greece.

Society has not been set up in a way that allows women to go back to work after taking time off. Many women now have to work as well as do everything at home and no one can do everything. Society needs to find a way of relieving women.

I try to understand place on a deeper level than just the physical or environmental aspects. It includes cultural and intellectual forces, too. Its an inclusive approach that brings in many disciplines and sees place as a dynamic thing.

Once you understand this way, you will be able to make your room alive; you will be able to design a house together with your family; a garden for your children; places where you can work; beautiful terraces where you can sit and dream.

Some cultures tried to stop people from expressing themselves. In Mao's China, for example, the Communists tried to stop individual expression. For them the payoff was a society of equality. The problem of course is that it didn't work.

Many cities end up putting off things because they want to understand everything. They don't understand that innovating is about starting. Taking care of a city is a process that you start, and then give the population space to respond.

Technology is far more than a method, it is a world in itself. As a method, it is superior in almost every respect. But only where it is left to itself, as in gigantic structures of engineering, there technology reveals its true nature.

The day I went to see my father to say I wanted to become an architect, he was a bit surprised, because for him being a builder is much more than being just an architect. He was very angry, and I never thought I could do something else.

I try to understand place on a deeper level than just the physical or environmental aspects. It includes cultural and intellectual forces, too. It's an inclusive approach that brings in many disciplines and sees place as a dynamic thing.

Seeing architecture differently from the way you see the rest of life is a bit weird. I believe one should be consistent in all that one does, from the books you read to the way you bring up your children. Everything you do is connected.

There's a drive in us to express ourselves in some way or form. We pick up whatever material is available. It's primitive. Kids see sand on the beach, build something and show their parents: "Look what I did, Mama." It's necessary to us.

A well-designed home has to be very comfortable. I can't stand the aesthetes, the minimal thing. I can't live that way. My home has to be filled with stuff - mostly paintings, sculpture, my fish lamps, cardboard furniture, lots of books.

I'm from North Carolina, and I stand here humbled, honored, and proud to place in nomination for the office of vice-president of the United States of America, my friend and my senator from the great state of North Carolina: John Edwards.

It is now highly feasible to take care of everybody on Earth at a 'higher standard of living than any have ever known.' It no longer has to be you or me. Selfishness is unnecessary and henceforth unrationalizable as mandated by survival.

Architects, if they are really to be comprehensive, must assume the enormous task of thinking in terms always disciplined to the scale of the total world pattern of needs, its resource flows, its recirculatory and regenerative processes.

Cases of sickness made up a very small percentage which in my opinion was normal. However, propaganda pamphlets dropped from aircraft were telling the workers to feign illness, and detailed instructions were given to them on how to do it.

The prime communities of the Southwest are survival communities. Their sustenance is governed by rainfall and wind direction. You can study little enclaves of plant materials, how they huddle together for protection. Some are nurse crops.

Nowadays, the process of growth and development almost never seems to manage to create this subtle balance between the importance of the individual parts, and the coherence of the environment as a whole. One or the other always dominates.

The thing about architecture is that it's an art [you] simply learn more by doing more. It's one of those things that is really not an art about thinking, but doing. So in a way, what it has done is greatly intensify the way that I build.

Growing up in the suburbs, the worst part was definitely being black. The best part was maybe also being black. Just having that perspective, being on the outside while also being on the inside. That's kind of how I've felt my whole life.

Humphry Repton, the leading garden theorist of the nineteenth century, defined a garden as 'a piece of ground fenced off from cattle, and appropriated to the use and pleasure or man: it is, or ought to be, cultivated and enriched by art'.

Just as it takes time for a speck of fish spawn to develop into a fully grown fish, so, too, we need time for everything that develops and crystallizes in the world of ideas. Architecture demands more of this time than other creative work.

Every design is a rigorous attempt to capture a concrete moment of a transitory image in all its nuances. The extent to which this transitory quality is captured, is reflected in the designs: the more precise they are, the more vulnerable.

When you have all these traces of trash moving around, you can ask yourself how can we make the system more efficient. Then we can make better decisions. And perhaps we will not throw away the plastic bottles that go every day to the dump.

When I start my class I ask the students to write their signatures on pieces of paper and put them on a table. I have them look at them, and I point out, "They're all different, aren't they? That's you, that's you, that's you, that's you."

I make a model of the site. There are some obvious things: where the entrance should be, where the cars have to go in. You start to get the scale of it. You understand the client's needs, and what the client is hoping for and yearning for.

The truthfulness of materials of constructions, concrete, bricks and stone, shall be maintained in all buildings constructed or to be constructed. The seed of Chandigarh is well sown. It is for the citizens to see that the tree flourishes.

In addition to the wishes of the client, the position, orientation, and size of the plot also play an important role in determining the final plan of the house. The 'where' and 'how' of the exterior then follows naturally from all of that.

I have architects write to me and ask me: How do you - and what do you do to - design the magic thing? I answer that very carefully. It's not necessarily about what you do, but the clients you do it for. You should write to Target, not me.

When I opened Chanel in London, they were happy. People would go, 'Oh, I just came in to see it. It's so beautiful.' And you leave with a positive attitude toward the brand. Now, you don't really get that online. You don't go, like, 'Wow.'

May I say, finally, that I have no illusions of grandeur; quite to the contrary, I am very humble in my knowledge that through forty years of my life my life has been an open book of service to my fellow architects and for the public good.

Him & Her are born directly from the ideas behind the Panton Chair. An evolution of the hermaphroditic original, declined into the harmony of the two sexes. They assume sculpted forms like naked models of seduction...but they feel no shame.

We now think it hilarious that medieval streets were used as open sewers. Equally, our descendants will say: 'You won't believe this, but people were once allowed to hurl a couple of tons of dangerous metal around smashing into each other.'

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