China is building cities for a 20 to 40 percent increase in population. India is quickly growing. The carbon footprints of that and other development around the world are overwhelming.

The scientist has marched in and taken the place of the poet. But one day somebody will find the solution to the problems of the world and remember, it will be a poet, not a scientist.

After working in cities for nearly 40 years, I am telling you that every city can improve its quality of life in less than three years, no matter the scale or the financial conditions.

Modernist architecture and town planning is inimical to human beings... based on the Darwinian concept that evolution is open ended, that there must always be something new and better.

I want my buildings to take root and look as if they've always been there. It isn't about pastiche or adapting what's already there. It's about trying to blend the future and the past.

The assumption is that the inevitability of a solution's realization is inherent in the interaction of human intellect and the constantly transformative evolution of physical universe.

Doing the right things for the wrong reasons is typical of humanity. Precession - not conscious planning - provides a productive outcome for misguided political and military campaigns.

A piazza is not a plaza. The plaza is the theme park of the piazza; the plaza is the commercial version. A piazza is an empty space with no function. This is what Europeans understand.

The computer offers another kind of creativity. You cannot ignore the creativity that computer technology can bring. But you need to be able to move between those two different worlds.

Our guiding principle was that design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society.

Argentina is a marvelous place. Argentines are great bankers of information. They import information; if someone sneezes in Milan or in New York, they clean their faces very fast there.

Modernist architecture and town planning is inimical to human beings ... based on the Darwinian concept that evolution is open ended, that there must always be something new and better.

The creation of art is not the fulfillment of a need but the creation of a need. The world never needed Beethoven's Fifth Symphony until he created it. Now we could not live without it.

Every time a student walks past a really urgent, expressive piece of architecture that belongs to his college, it can help reassure him that he does have that mind, does have that soul.

Never talk to a client about architecture. Talk to him about his children. That is simply good politics. he will not understand what you have to say about architecture most of the time.

A painter, a sculptor, a writer, they can express freely. They don't affect society as a whole. We build buildings that have a purpose, that stay there for hundreds of years or decades.

Architects are pretty much high-class whores. We can turn down projects the way they can turn down some clients, but we've both got to say yes to someone if we want to stay in business.

If man chooses oblivion, he can go right on leaving his fate to his political leaders. If he chooses Utopia, he must initiate an enormous education program - immediately, if not sooner.

My passion and great enjoyment for architecture, and the reason the older I get the more I enjoy it, is because I believe we - architects - can effect the quality of life of the people.

I think we did a pretty good role, linking, being a sounding board really and a driving force, especially from the bottom up. I think that part of this is bottom up as well as top down.

Overwhelmed by the miraculous potentialities of the machine, our human greed has interfered with the biological cycle of human companionship which keeps the life of a community healthy.

Today's developer is a poor substitute for the committed entrepreneur of the last century for whom the work of architecture represented a chance to celebrate the worth of his enterprise.

I mean, making simulations of what you're going to build is tremendously useful if you can get feedback from them that will tell you where you've gone wrong and what you can do about it.

Technology is rooted in the past. It dominates the present and tends into the future. It is a real historical movement - one of the great movements which shape and represent their epoch.

All architecture, which does not express serenity, fails in its spiritual mission. Thus, it has been a mistake to abandon the shelter of walls for the inclemency of large areas of glass.

But few have spoken of the actual pleasure derived from giving to someone, from creating something, from finishing a task, form offering unexpected help almost invisibly and anonymously.

Our beds are empty two-thirds of the time. Our living rooms are empty seven-eighths of the time. Our office buildings are empty one-half of the time. It's time we gave this some thought.

Any architectural project we do takes at least four or five years, so increasingly there is a discrepancy between the acceleration of culture and the continuing slowness of architecture.

Knowing how to do things not just with the head, but with the hands as well: this might seem a programmatic and ideological goal. It is not. It is a way of safeguarding creative freedom.

My studio cube is an experiment in solar heating and design. The south wall is covered with glass planks that collect and distribute heat naturally to my work studio on the second level.

Our fresh technical resources have furthered the disintegration of solid masses of masonry into slender piers, with consequent far-reaching economies in bulk, space, weight, and haulage.

If you think about making a city that is much more porous, many accessible spaces, that is a political position, because you don't fortify, you open it up so that many people can use it.

Don't look at the superficial success, at the short-term success. Look at the deep spiritual questions that architecture has to answer. Who do you build for? Where? What should you build?

Architecture has always been a very idealistic profession. It's about making the world a better place and it works over the generations because people go on vacation and they look for it.

Architecture and war are not incompatible. Architecture is war. War is architecture. I am at war with my time, with history, with all authority that resides in fixed and frightened forms.

We are not going to be able to operate our Spaceship Earth successfully nor for much longer unless we see it as a whole spaceship and our fate as common. It has to be everybody or nobody.

I set about fifty-five years ago (1927) to see what a penniless, unknown human individual with a dependent wife and newborn child might be able to do effectively on behalf of all humanity

One in ten thousand of us can make a technological breakthrough capable of supporting all the rest. The youth of today are absolutely right in recognizing this nonsense of earning a wage.

A bridge is born of necessity, but it must establish its own identity. It should harmonize with its surroundings, and the design must transcend the purely local and transform the setting.

Architecture has always been a very idealistic profession. It's about making the world a better place, and it works over the generations because people go on vacation and they look for it.

Each flitch, each board, each plank can have only one ideal use. The woodworker, applying a thousand skills, must find that ideal use and then shape the wood to realize its true potential.

You cannot just quote from history and above all you cannot take it out of context, in however humorous a fashion . On the contrary history has a natural continuity which must be respected

Working is actually a pleasure. It's just very time-consuming. It's a way of life. I find that I can work when I travel and work when I run. There is nothing like, on a rainy day, to work.

Cheese was the staple. Bread you brought from home. The Schnaps came later. At the end of the week when people got paid, that's when you got your Schnaps, lots of it, five Pfennige a shot.

We use blue on the handle of the Alessi kettle. Blue is cool, so you're supposed to think that it's not hot. And the bird is red: you're supposed to think to be careful to remove the bird.

Maybe, just maybe, we shall at last come to care for the most important, most challenging, surely the most satisfying of all architectural creations: building cities for people to live in.

Manhattan has generated a shameless architecture that has been loved in direct proportion to its defiant lack of self-hatred, has been respected exactly to the degree that it went too far.

I didnt know what architecture was except that I lived in a house. I dont even think that I knew the word for a long time. My dad funneled me into engineering because it was his background.

Botany, the science of the vegetable kingdom, is one of the most attractive, most useful, and most extensive departments of human knowledge. It is, above every other, the science of beauty.

The tendency of our time is wholly oriented toward the secular. The efforts of the mystics will remain episodes. Despite a deepening of our conceptions of life, we will build no cathedrals.

Share This Page