Quotes of All Topics . Occasions . Authors
It's important for a director to provide as much information, especially when we're working with things that we have to conceive out of thin air. You can't just expect an actor to understand: 'Oh, there's a dinosaur coming at you". OK, so I'm going to automatically know how big it is and what it sounds like? I need details. How close does he get to me? How tall is he? What will the impact be of his cry when he's screaming at me or when he's blowing smoke or air in my face?
It's disheartening that animal people criticize societies that enlist the help of actors or organize creative acts like 'I'd rather go naked than wear fur,' to increase public awareness to our cause. These are great/courageous ideas which time has come! Liberation of animals is REVOLUTION - not elegant performance/ intellectual competition. We should do most anything to advance the animal rights cause. All the bickering may make the one step forward... TWO STEPS BACKWARD???
I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
Where you really have your eggs in one basket and that breach happens and you know you should go but you're still in love and you just don't know what to do. It hits you because it's not like -- you're a cheater, and a liar, and I hate you, and you're no good, and I'm leaving. It's not that. It's like, I'm tormented. Even though you've done this and I know it, I still don't know what to do. I know I should go, but I don't want to. And that's why it's such a f***ed-up thing.
What I really learned from Tim Burton is that it's important to have your own person in a role because you can't play a character unless there are elements of human behaviour that you yourself understand. I was really struck by how Tim Burton would like to sit and chat about you... or question things which then you had never thought about. It is a good thing to always step back a bit with things like that. But I try my damned hardest to learn something from everything I do.
The only way out of the Scientology church is rip the Band-Aid off and know that your eternity is not at stake and know that you're doing the right thing and know that you're involved in a damaging, hurtful cult. Just look outside, don't listen to Scientology. They are not saving the world. Don't give up your lives, don't give up your families, don't give up your friends for something that turns its back on you and is ultimately a lie. What's Scientology's selling is a lie.
At 21, you can live life with reckless abandon, as reckless as your abandon is. Then, at 30, there's something there are the supposed to be's. You're like, "I'm supposed to be doing this. I'm supposed to be doing that." You start measuring your life by what you think you're supposed to be doing. Having recently turned 40, it's like, "What the hell?! Why am I worried about what I'm supposed to be doing? What do I want to do?" You become fine with wherever the road takes you.
I think that becoming a parent absolutely changes your entire life and certainly changes your work, and it has changed mine. It just allows you to have access to your emotions, even more than you already did. You're watching this little person grow in front of you, and you realize that you're seeing how precious life is and how quickly it goes. You get to things faster, even emotionally. I'm not as timid about reaching into some areas in myself and bringing that to my work.
Well first of all I was nine weeks pregnant at the time and no one knew it. So it was - it had a whole other meaning for me not just because I had to let the dress out, you know, every few days before the actual day. But, you know, because that was the, you know, more important than anything else that was going on in my life. But in terms of actually winning I think I had been nominated four or five times before then. And every one of my co-stars had won up until that point.
There's an awful lot of misunderstanding here about what being poor actually means. I don't think people understand that being poor means you have to work from dawn until dusk just to survive through the day. I think there's some notion that poor people lie about all day not doing anything. It is remarkable how many misconceptions there are here about life in the developing world and I think that that knowledge gap has done a lot to contribute to the imbalance quite frankly.
For a long time, people assumed I was gay, so when I got married the press were all a bit shocked and made a big deal of it - and ditto when I had children. I felt very much under the microscope with paps outside the house taking pictures of me getting the baby out of the car, it was excruciating. I remember getting her out of the car seat and thinking 'oh God I'm going to drop her and they're going to take a picture'. I was so nervous. Those sorts of things are really hard.
I saw a dead elephant in one of Kenya's natural reserves. Around her were footprints of her baby elephant. This was just so sad, as three days before, perhaps the mother was still taking the baby around to play and to drink water. In her mind, she probably was thinking they had a life of decades to be together. However, the poaching happened so fast and everything collapsed. Without the protection of the mother, the baby elephant is likely to die too. That moment changed me.
I married him [Chris Sarandon] my senior year, and after I graduated, he went to the Long Wharf Theatre in New Haven, and I tagged along and was doing some local modeling and commercials and things like that. A woman named Jane Oliver, who handled Sylvester Stallone, saw Chris at the theater and asked him to come in and audition. We went in and auditioned - he needed someone to read with him. I read with him, and she said, "Well, why don't both of you come back in the fall."
Success for me is to feel happy - 80 percent of the time. That's been my goal in life. I think that comes from my father. He's a very optimistic, happy person. I'm not quite sure if I'll ever feel this, but I want to know how to be happy. I'm happy when I'm at work. I'm happy when I'm with my family or my dog. But there's always that feeling of, I'm not satisfied. I have that thing in my stomach where I just need to keep striving for things. In my mind, I want the fairy tale.
Once I saw Paris Hilton leaving a restaurant in Hollywood and the paparazzi cameras were all over her. It looked so unpleasant. It wasn't because she didn't look sensational - she was that perfect combination of fashionable and slutty - it was because the paparazzi guys were shouting these insanely rude and intrusive questions at her. Like, asking her who she was sleeping with and stuff. I was kind of interested in the answer, so I was glad they asked, but it was still gross.
Having traveled across America and to 24 counties as the first-ever UN Youth Champion, I’m inspired by the desire of young people everywhere to make the world a better place. At GimmeMo’, our goal is to build a global community of enlightened young people — those who wish to be the change they wish to see in the world, to borrow a phrase from Gandhi — and to raise awareness surrounding some of the biggest challenges that Millennials face both in the U.S. and around the world.
I'm sorry, if you've been married for five minutes, you've sacrificed something, you've looked over at your partner and have gone, "Oh my God this is the biggest mistake I've ever made in my life." And then the next moment it's "This is the most beautiful and extraordinary human being, and I'm going to stick with it because I love them more than anyone else." That monologue to me is the universal thing, especially for women because I feel like that's the big thing with women.
No [I'm not a feminist] because I love men, and I think the idea of 'raise women to power, take the men away from the power' is never going to work out because you need balance. With myself, I'm very in touch with my masculine side. And I'm 50 percent feminine and 50 percent masculine, same as I think a lot of us are. And I think that is important to note. And also I think that if men went down and women rose to power, that wouldn't work either. We have to have a fine balance.
I've been realizing lately how horribly vain I am. I do believe that if I'm successful, it's because of my talent and intelligence, but there's pretty privilege in the world - that's a reality. When I was a kid, in middle school, I started going to thrift stores and dressing myself. It was about announcing to the world who I was. That's what fashion was for me, as a kid. You might have an idea of who you think I am, but I'm going to tell you through my fashion choices who I am.
What I have always loved most in men is imperfection. I get moved by the wrinkles on the throat of a man. It makes me love him more. I think it is sad that more women don't take the chance that maybe men will be moved by seeing the chin a little less firm than it used to be, that a man will be more in love with his wife because he remembers who she was and sees who she is and thinks, God, isn't that lovely that this happened to her. And be moved by life telling its story there.
This act of empathy, that women go through from the time we're little girls - we read all of literature, all of history, it's really about boys, most of it. But I can feel more like Peter Pan than Tinker Bell, or like Wendy. I wanted to be Tom Sawyer, not Becky. And we're so used to that act of empathizing with the protagonist of a male-driven plot. I mean, that's what we've done all our lives. You read history, you read great literature, Shakespeare, it's all fellas, you know?
Fifteen years ago I knew I had to settle into being a mom and give them a normal life, which I never had. I was always traveling. I had tours. I wanted my kids to settle down, and we kind of did it together.... It was a bumpy transition. There was no director telling me what to do. No script, but I really enjoyed it. I even became president of the PTA. Doing the laundry was a meditative experience. Now, when I start to get nervous and stressed, I go in and start to fold towels.
In film, it's up to the director to tell the story in whatever way he sees fit, and however you fit into that ultimate vision is where you fit in. So what you did on that stage, on that set, may not be what you ultimately see when you see the final product. And TV works so fast, it works so fast, it's just about product. The average TV show, one episode shoots eight, 10 days. That's it. You get three or four takes for a scene, and then it's over. But people do it for the money.
There are so many shocking things. Is it more shocking that there are children sold into slavery in every city in the world and right under our noses or that there are villages in Nepal where there are no children left because they have all been kidnapped for sex trafficking, or that there are generations of slaves in some countries where indentured slavery passes from generation to generation and that kids grow into adults not knowing that another world - another life - exists?
Obviously, when I learn about something new that I can do in my everyday life that makes a whole lot of sense and can help the environment, I do it. Eventually, it just becomes second nature. If we all begin to learn from one another and share some of the things we do, we just might be able to affect the world for the better through these little rituals. In a curious way, this would be a great wave of awareness: doing the right thing without being told to or having to think why.
I have always said the success of the show has stemmed from our audience being able to relate to the characters on different levels - being based on the universally loved Arthurian legend is only a tiny part of its success - it's a story about acceptance and growing up. The breathtaking finale of this series leaves you with no doubt that characters have been on their journeys and had their stories told - it's completely the right time to draw our telling of the story to a close.
Our hearts grow tender with childhood memories and love of kindred, and we are better throughout the year for having, in spirit, become a child again at Our many different cultures notwithstanding, there's something about the holidays that makes the planet communal. Even nations that do not celebrate Christmas can't help but be caught up in the collective spirit of their neighbors, as twinkling lights dot the landscape and carols fill the air. It's an inspiring time of the year.
I loved working with Malcolm [McDowell]. He's been such an important person in my life. I mean, not just as someone I was married to, which is huge, and the father of my children, which is even bigger, but also as a friend and an inspiration and somebody who probably helped to fuel something that all my reading as a child had already started, which was a love of England and the world of the theater over there, which I became involved with through him and probably because of him.
I can relate to girls with self esteem issues because growing up in this industry there is the side of you that is obsessed with perfection. You want to please everyone because if you don't, you won't get the job. There is always someone prettier, smarter, or a better actor that you. You start to nit-pick everything. That perfectionism kicks in and it can take over your life if you let it. You have to get comfortable with yourself. Then, if you get the job, it is an added bonus.
My struggle now is with these red carpets. It is still really hard to get people to design for me. It's frustrating because you feel like you're the minority. You feel this pull of what it means to be "sample size" and you're not that and most designers don't have anything that fits. It's so important to continuously put billboards where people see curvy women and know that we are here and we deserve to be designed for. We deserve to spend our money on expensive stuff if we want.
I would say any film can be called feminist that has female characters who have agency in their life, that are in charge of their fate or do important things or take up half the space. I would consider a film feminist, I don't care what it's about, but if the cast was gender balanced, where it would be just as likely that the boss or the best friend or whoever was female. It's really as simple as showing women being in charge of their destiny and giving female characters a voice.
The theater is a baffling business, and a shockingly wasteful one when you consider that people who have proven their worth, who have appeared in or been responsible for successful plays, who have given outstanding performances, can still, in the full tide of their energy, be forced, through lack of opportunity, to sit idle season after season, their enthusiasm, their morale, their very talent dwindling to slow gray death. Of finances we will not even speak; it is too sad a tale.
After Titanic it would have been completely foolish for me to go and try and top that. I'm an English girl, I've always loved England, I've never felt the desire to leave it for any particular reason. And whilst I'm ambitious and care very much about what I do, I'm not competitive. I also don't want to act every day of my life. () So it was important to me after Titanic to just remind myself of why it was that I was acting in the first place, which is of course because I love it.
I got knockback after knockback at auditions. Just before ‘Mulholland Dr.’ my agent told me I was so intense I was freaking people out. She told me I was a brilliant actor but the feedback was that I made people feel uncomfortable because I was so nervous and intense. I just sat there and blubbed. My mum was staying in LA at the time and I went to her and said: ‘I just can’t do this. I’m not cut out for it.’ She just said: ‘Don’t believe a word people say about you. Forget them.’
I was a little hippie on a world backpacking adventure, and suddenly I became a vampire princess. I still find it hard to believe that it is real. I feel ludicrously lucky to have been chosen to play such a compassionate, complex character for my first film, and I am so grateful to all the beautiful people who made it possible for me. It was a dream come true. I felt like Cinderella every day, going to work with this amazing team on this dream script. If Cinderella were a vampire.
I tell young actresses today who are looking to get into films, "First of all, you are marginalized by the color of your skin." I tell actresses, "If you're too tall, if you're too fat, you're not going to work. I don't care how talented you are." It's a business, and sex sells. Sex, action, special effects, and violence sell. Yes, you can have art films about the triumph of the human spirit and all of that, but you'll have it done with a big-budget icon with a $20 million salary.
I think that's true of all cinema, that's why cinema is the great humanistic art form. Whatever the film is, it doesn't matter what the film is about, or even whether it's a narrative or figurative film at all, it's an invitation to step into somebody else's shoes. Even if it's the filmmaker's shoes filming a landscape, you go into somebody else's shoes and you look out of their lens, you look out of their eyes and their imagination. That's what going to the pictures is all about.
I pay a lot attention to what I eat, but I don't have any specific slimming method. I eat organic food, a lot of fish, no meat, and I force myself to limit sugar, even if I like it a lot. It takes a lot of effort! I have to practice sport a lot because I love cakes. I've danced for a long time. I learned the discipline, how to like doing efforts, endurance. Today, I practice a physical activity at least once a day. I run or I take a hike. Sport is for me as much physical as mental.
When I talk about feminism and what I think the women's movement needs more of, it's not to detract from anything going on - I think everything going on is fantastic - but there's this missing element. I think we could learn from our detractors a little bit because I feel like they have a plan, a better understanding of things than we necessarily do. You can't change things if you don't understand the other people involved. And if you don't understand yourself, you'll never change.
Get yourself out. Be brave. Don't leave before you're ready, because you should know that you tried everything. So there's a conviction and a confidence when you step away from something that may or may not be conducive to your life. I think if you run away too quickly, you're going to have that "Oh God, did I try everything?" feeling. Try everything. Make it work. Do everything you can. If it's not working, then know when the signal is and move on. Change. Try something different.
I felt so proud to be having a baby and so excited. And I felt closer to other women - to my sisters, to my mom. I felt empowered, like, 'I've given birth. I did it! There's nothing I can't handle.' I've really enjoyed this time that I have taken to be with Suri, as well as the challenges of the first couple of months: feeding and pumping, learning to decipher what each cry means - is she hungry? Is she tired? Does she need a fresh diaper? - and figuring out how to really help her.
The biggest piece of advice I would give to other women and girls is that it's really hard, and I feel like we're promised in like these phrases like, "Never give up," and stuff like that, it's going to be easier if you just listen to them. In my experience, and I think the experience of my friends and other women around me, it's a lot - you have to do a lot for yourself because the world isn't as friendly to women and girls as it should be, and it's not as helpful as it should be.
Claims have been made that I've been on a strict workout routine regulated by co-stars, whipped into shape by trainers I've never met, eating sprouted grains I can't pronounce and ultimately losing 14 pounds off my 5'3" frame. Losing 14 pounds out of necessity in order to live a healthier life is a huge victory. I'm a petite person to begin with, so the idea of my losing this amount of weight is utter lunacy. If I were to lose 14 pounds, I'd have to part with both arms. And a foot.
I'm always interested in hearing how other people read and react to my songs. I hadn't thought of it in just that way. One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs. But I also feel like it's the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don't see.
I never wanted to be the person who said, "I woulda, coulda, shoulda." Life is way too short, and you may not last that long. I dropped out of Yale after two years to pursue one of the most uncertain careers - modeling. That seemed like a crazy decision, especially coming from where I came from and given what Yale is. Most people I knew told me so. But I was following what my heart was telling me I needed to do. I took the risk. It could easily have not worked out, but it did. Phew!
If there is one thing I will never have, it is an eating disorder. I won't have girls - even if it is just one or two who care - thinking that. Because it is a serious sickness, not something to plaster on the cover of a magazine. And I am the opposite. I want girls to love themselves. I want them to feel good about who they areThe thing is, I'm lucky because I was loved. But I have seen so many young women who can't feel good about themselves because they just don't have that love.
More and more, and especially over the last two decades, we've found out how many conspiracies there actually are. We really don't know the exact truth about a lot of things. We know there are big things going on involving huge companies and industries, whether it's money involved or oil or things in their own country, but there are personal interests at play and it's a very well woven network that's hard to break down. Sometimes it is hard, for us, to know who is telling the truth.
This film [Doctor Strange] kind of takes that everyday boring reality and really bursts it wide. So we talked a lot about that. In many ways there's something very practical about this world, the Kamar-Taj. It's - You know, we all look like samurai warriors, but actually there are iPads everywhere and there's a feeling that it's a practical possibility for this modern world that the Doctor Strange universe is functioning, and that we know it and it's around the corner for all of us.
As soon as I moved to New York, I experienced Hurricane Irene and then Hurricane Sandy hit me in quite a big way. I had 12 days without any electricity or any water. The thing that I realized the most from it was that we've become so dependent on technology. There's so much accessibility to information that suddenly when everything is cut off, you're completely lost, and you start asking deeper and more profound questions - how short life is, and how grateful we should be for things.
All of a sudden I was Joan [Mad Man] and they're going, "Oh, so she plays a badass in this." And I'm like, "Oh my god, I get to play badasses." Firefly was a little bit of that, but she started out as a mouse and then she turned into a dragon. But I never really had that opportunity. So all of a sudden people were like, "Oh, do you feel like you're being typecast?" I would say, "No, this is just opening the doors." No one thought I could do it and someone finally trusted me to do it.