Quotes of All Topics . Occasions . Authors
[Winning an Oscar] was a beautiful thing that happened. It is in my house, and every time I look at, I see all the people who are a part of it, all the people who gave me opportunities to work, gave me opportunities to make a living at this thing [acting] that was a dream for me, growing up. And I got to do it, and then again and again and again, and make a living out of being an actress.
It sounds really corny but every film that you do is its own journey, it's its own experience, it's its own thing. Often you think it's going to be one way and then it goes another way - you think you can chart a character and then other things happen. That's the amazing thing about our jobs, it's constantly changing and it's extremely dynamic and you therefore have to be dynamic as well.
There's one thing I do wanna say. It's that every single one of you are just beautiful the way you are, every message that I get from you guys it just hurts me. Beacuse , if there is one person who knows what its like to get bullied, I get bullied a lot but you guys are so beautiful, please don't listen to any of that, ever, ever, ever from your school, from anything. You guys are perfect
Sometimes you feel a need to express yourself, and there is no better way than to go to places where people need everything. It's dramatic, it's tragic. You just can't understand why, in the world of today, there are still things like that. The images you see on TV kill you. Of course when you are there (at these trouble spots) you can't turn off the TV. You are face-to-face with reality.
I've been really happy to be in that conversation with Scott [Derrickson] for a few months now. We started chewing this cud a while ago. He is, as you probably know, an extremely erudite thinker in terms of religious philosophy and just thinking about a modern take on something really, really ancient, about how to imagine living beyond any physical bounds, which we're on the verge of now.
Whenever I wore it there were some questions whether the outfit was just too over the top. I'm like, "Do you know who you're dealing with here, and her eccentricities, her style, her flair?" These little things were sometimes those - I love it. I love having a real-life model. But I also do flush it out with my own personal experiences and my own essence, and hopefully they mesh together.
I have realized that mystery is what keeps people away, and I've grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let's peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
I have tons of stuff that, you know, seems like it's a well-constructed sentence but it is not how people talk, it's how people write. So that's why I think it's sometimes easier for me to write for actors 'cause I know what's frustrating about, you know, sentences that come out just perfect. Well, who talks like that? And who of us don't overlap each other? Except on the radio, hopefully.
I was so lucky because I started working very young. And my father was very wealthy and I didn't need to work. I did my films. I was very well paid for my age, and I could make choices, decide not to do a film for six months and wait until I'd get the right thing. Which made me quite a coward, you know. It's so easy to say no to stuff, and then, after a while, it's very hard to go back in.
I seem to have been cast several several times to do it. I think in this one, Phoenix is not purely evil. She was in the comic books at some point but the way the writers created her or we always talked about her, was that she was torn with her powers taking over and trying to control them at the same time. It was challenging to play which made it interesting for me to play this character.
You always want to be the person who doesn't need to be included, but it feels damn good to be among you people. My first Broadway show was Master Class, and I saw Audra McDonald. The one that sealed the deal was Ragtime, with Marin Mazzie. My first big role was with John Lithgow, and he taught me the ropes. Norm Lewis sang the night I met my husband. It makes me feel like I have a family.
It's going to sound like the easy answer, but I love them both. I do! I really don't prefer one over the other. With movies, you really dive into a character for two to three months, but then it's gone. With a TV series, you have a constant location you're living in, and you're always working on the same character along with people who are like your own family. I'm lucky to have done both.
Fathers are very, very important in building the foundations and self-esteem of children. For me, the way that I was raised, consideration, courtesy and manners are really key and I think the father plays a big role in setting an example to children in how to behave out in the world and how to treat people. It's a little bit different when it comes from the dad rather than the mum somehow.
A lot of people in the movie industry tend to run and hide from it like ostriches. Movie industry people are definitely in denial right now, but you do become desensitized to violence when you see it on the screen so often. Let's face it, violence exists for one reason in movies, and that's to get an effect, create an emotion, sell tickets. - on the link between movies and school violence.
Acting became important. It became an art that belonged to the actor, not to the director or producer, or the man whose money had bought the studio. It was an art that transformed you into somebody else, that increased your life and mind. I had always loved acting and tried hard to learn it. But with Michael Chekhov, acting became more than a profession to me. It became a sort of religion.
Being fearless means busting down those walls of fear and being who you are, not who someone else thinks you are. People like to put others in a box and tell them what they can and cannot do or who they can and cannot be. No one can tell you who you are and what you are made of, only you yourself know what you are made of, and only you yourself can do the work to become who you want to be.
The pictures of me on the Internet were silly, inappropriate shots. I appreciate all the support of my fans, and hope they understand that along the way I am going to make mistakes and I am not perfect. I never intended for any of this to happen, and I am truly sorry if I have disappointed anyone. Most of all, I have let myself down. I will learn from my mistakes and trust my support team.
We have this saying, and it's been very useful when a series, 'The Mindy Project' goes for longer than a hundred episodes, which is Mindy character can never get what she wants when she wants it. We enjoyed it because it felt very real to her character to make a big impulsive move and it seems like she has everything, this instant family, a guy she loves and then there's a moment of panic.
I've always had a really developed sense of justice. As a child, I would rotate my dolls' dresses for fear that they might come alive at midnight and one of them would always have the best dress on. Whatever it was that made me worry about my dolls I suppose has paid off in my career because, really, an actor is all about empathy and imagination. And those are the cornerstones of activism.
‘How do you juggle it all?’ people constantly ask me, with an accusatory look in their eyes. ‘You’re screwing it all up, aren’t you?’ their eyes say. My standard answer is that I have the same struggle as any working parent but with the good fortune to be working at my dream job. Or sometimes I just hand them a juicy red apple I’ve poisoned in my working-mother witch cauldron and fly away.
I always say that, like a scientist or anyone, you always want to be the problem-solver. You feel like, if you solve the greatest mystery or the greatest problem, then that makes you brilliant. It's the same thing with an actress. You want to be able to really tackle a character and make it a fully-dimensional human being who is complicated, funny and all the things that a person could be.
I also tried to leave myself alone enough to be surprised by the news. That's when it had its potency. If I approach everything with joy and hope and love, which is what we all do. Every day we get up we're hoping that today is going to be the day that's going to get you over the hump. I tried to do that as much as I could. So then when all the news happens you see what she is made out of.
Since I went public with my story, I've never experienced such hate. I sometimes want to crawl under my blanket and hide forever and say, "No, that's some other girl who had an opinion." My blood has boiled a few times, but I just have to come back to earth and say people are entitled to their own opinions and I'm entitled to share my story the way I want. And that's exactly what I'm doing.
The reason I stopped modeling was because I wasn't pleased with trying to portray something that is impossible to reach. Even when I do photo shoots now for films, I'm just not interested in trying to look my best all the time anymore. That pursuit of an impossible perfection seems ridiculous to me now. I'd rather show my vulnerabilities or my doubts than try to be something that no one is.
I'm not a real musician. If you give me a bass guitar and you ask me to improvise something, or even be with some musicians and follow them, I wouldn't be able to do it. And I want to change that. I want to be able to be in a group and take my guitar and play with them, without someone showing me, "Okay, you're going to do this and that," because music has always been a big part of my life.
I've never felt like I needed to change. I've always thought, 'If you want somebody different, pick somebody else.' But sure, criticism can sometimes still get to me. Some things are so malicious, they knock the wind out of you. It's like I'm managing to achieve all this success in spite of my affliction... Would you ever put [America's plus-size sweetheart] in the headline for a male star?
I wouldn't recommend it, because art school is a funny business. Yes, if you can find a situation where they'll give you money to live at the school and do whatever you want and pay for all your materials, if you're a painter or maybe a filmmaker, do it. But acting should be the most fun thing in the world; you're surrounded by other people who are as obsessed with Anton Chekhov as you are.
Mindi Scott has a real talent for getting inside her protagonist's head. She sketches out Coley's story in grand swathes, and then paints in all the little details, so that you feel as though you are enmeshed in Coley's brain: thinking her thoughts, feeling her confusion, anger, and, in the end, pain. I just don't think it's possible to read this book and not identify with Coley in some way.
It's sad if people think that's (homemaking) a dull existance, [but] you can't just buy an apartment and furnish it and walk away. It's the flowers you choose, the music you play, the smile you have waiting. I want it to be gay and cheerful, a haven in this troubled world. I don't want my husband and children to come home and find a rattled woman. Our era is already rattled enough, isn't it?
You shouldn't hate another women because she is beautiful and you shouldn't hate yourself because another women is beautiful. Like, that's the trap that women fall into so much and they are like ”She is so beautiful I hate her”. I could never say something like that about another women. I celebrate everyone's beauty. Celebrate their beauty and celebrate your own, find the beauty in yourself.
I've done and said a lot of things when I was younger that I don't know if I even understood what I was doing or why I was doing it. There's a lot of compassion in understanding what people go through and even in trying to understand why a person would act the way they do. I was a very reactive person, and I did things that were just really bizarre; I don't think people understood it at all.
Being fat is the absolute nadir of the misfit. You're a misfit because nothing fits. You don't fit in. You're not fit. You're fat. Fat doesn't have the poetic cachet of alcohol, the whiff of danger in the drug of choice. You're just fat. Being fat is so un-American, so unattractive, unerotic, unfashionable, undisciplined, unthinkable, uncool. It makes you invisible. It makes you conspicuous.
Aging gracefully is one thing, but trying to slow it down is another. Sometimes I use Botox. Compared to most, I use it very sparingly. One time I did too much, though. I feel weird if I can't move my face, and that one time I overdid it, I felt trapped in my own skin. I don't have a problem with any of that stuff; if it makes you feel better about yourself and it's done properly, then fine.
Sadness, joy, wonder - all feelings come from a place of grounded strength that comes from trust in yourself. We spend so much time trying to control our feelings out of fear that something may happen, that somebody may not love us, or walk away or die. It's only when you stop living in that fear of what other people might do to you or how they will react, only then are you free to be alive.
Think of anger as a muscle. The way you express anger isn't the way that I do, or you. If you have a good director, you will find that he's getting you to use an entirely different muscle that you never even knew you had - it's real hard and sore, then after a while it becomes normal. And you discover all these new muscles when you enter a new character - that's what a director does for you.
Once I'm obsessed with somebody, I'm terrified of them instantly. I'm not scared of them - I'm scared of me and how I will react. Like, for instance, one time someone was introducing me to Bill Maher, and I saw Meryl Streep walk into the room, and I literally put my hand right in Bill Maher's face and said, "Not now, Bill!", and I just stared at Meryl Streep... I just creepily stared at her.
What can I say? I hate Bush; I despise him and his entire administration, everything he represents and everything he has tried to do, not only internationally, which is horrific, but domestically as well. In my country the atmosphere is poisoned. Unbreathable for those of us who are not on the right. So thank you for inviting me to this festival and allowing me to leave there for a few days.
Sometimes I get really shy when people recognize me, but when it was from Arrested, I'd be like, "So what do you like about it? You watch it? Will you try to watch it when it's on, and not just TiVo it? Because if you don't want it to be taken off the air...." It was really sad when it got taken off the air. But it's really cool. It was nice to have a small part in something with a big life.
It's really interesting - I wanted to become an actress when I was young because I wanted to do romantic comedy. And I did a lot of comedies very early on, but then my career took kind of a left turn with Joss Whedon, and I discovered that doing genre work is actually more interesting as an actor, because the given circumstances are more extreme. And it really is creatively more challenging.
I found out that detectives are really good dressers. I'm not even exaggerating. The woman I interviewed had these fantastic fuschia suede heels on that I coveted. And that they're invested in their jobs the same way you and I might be. We think of them as doing these jobs that we could never imagine doing, but their relationship to what they do is the same as our relationship to what we do.
It might be a kind of relief to be finished. You have to start all over again. But I believe you’re always as good as your potential. I now live in my work and in a few relationships with the few people I can really count on. Fame will go by, and, so long, I’ve had you fame. If it goes by, I’ve always known it was fickle. So at least it’s something I experienced, but that’s not where I live.
We just assume all the great actors are in New York first and then L.A. second, and it's so not true. There's such amazing talent everywhere. It's exciting that now that there are these sort of new Hollywoods or new filmmaking communities that really benefit from these great faces and character actors and leading actors that just are fresh and exciting and bring an authenticity to the piece.
We do share with my mother what I would refer to as an anxiety gene. And I think it is genetic, that I worry about everything. Not every day, I don't want to say it like that, but I do worry a lot about - what was the line I heard the other day, when I was saying to a girlfriend of mine that I worry? She says, "Yes, I spent my whole life worrying - and some of the things actually came true."
To me, acting is very therapeutic. I get out a lot of anger and frustration. It's maybe hard to believe, but as a kid I really had a lot of self-doubts. My father was very ill - he was an alcoholic - so there were a lot of things that built up for me. And because I was going to a Catholic school in a small German town, a lot of it was suppressed. I was angry and didn't know how to get it out.
Whenever I talk about being a feminist or speaking out for equality, it's also about the idea that men are treated with respect. It's not just about treating women like people and not abusing them. You also can't abuse men and you can't say things like, 'Oh, he was just a man. He didn't know any better.' Or 'He's a man, what did you expect?' That's just as abusive and damaging to men, I feel.
I met the former president of Iceland [Jóhanna Sigurðardóttir] once. I think she was president for, like, 16 years or something. She said she used to get letters from little boys saying, "Madam President, do you think it will ever be possible for a boy to be president?" Just like we assume that girls can't be politicians, they were assuming boys can't. That's what they thought. It's so crazy.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
People are drawn to watching things that are dramatic. And the tighter a relationship is, the more dramatic it can be. That's something family lends itself to. Everybody has family, somewhere, somehow. Those relationships are always very complex. This takes it to almost Greek-tragedy-level heights. That's fun to watch, although it's very uncomfortable. It explores the darkest sense of family.
I have a two-year-old who just turned three, and my four-year-old just turned five. I have the same irrational feelings taking them to pre-school. It's this charged combination of stress and joy and anxiety and excitement. When they're away, you've got a sudden loss of purpose and this ever-present fear about the kid's welfare. The departure of our children from our nest is not an easy thing.
When I'm acting, I have zero control, and it's the scariest thing anyone can do in that field because, you know, your face is always the one that's out there in front of the camera, and any number of things can happen to you once you've done your work. It can be edited badly, it can be distributed badly, or it can not be distributed at all. And I've certainly experienced that; every actor has.