I always feel the cynicism is reality with maybe an alternate spelling or something because I feel that I have real perspective on this particular issue of punishment in society.

When I'm writing something, if there's a part that's good for me, then I'll play it. Otherwise, I don't. And I notice that there are less and less parts for me in my own writing.

I do feel it's important to have some kind of faith in something, but [it is] impossible for many of us. I personally don't have any faith in anything, but it's great if you can.

Magic has always been of a great interest of mine. I was an amateur magician when I was young. I used to practice and read up on it a lot. I'm well-aware of the history of magic.

Should I marry W? Not if she won't tell me the other letters in her name. And what about her career? How can I ask a woman of her beauty to give up the Roller Derby? Decisions...

I can't imagine any director directing a screenplay of mine, because the great directors all have very personal styles, and the ones that don't are not very interesting directors.

I wish I was writing something much more heavy each time I did a film, and that the comedies just occasionally come out. But unfortunately you're stuck with what you're born with.

The process of making films is so technically demanding that it's a distraction. You don't spend your time thinking about the philosophical content, which is often very depressing.

I learned a few things on my own since, and modified some of the things he taught me, but everything, unequivocally, that I learned about comedy writing I learned from Danny Simon.

To me there’s no real difference between a fortune teller or a fortune cookie and any of the organized religions. They’re all equally valid or invalid, really. And equally helpful.

Sometimes the critics will like a film, and the public doesn't come. Sometimes the critics won't like the film, and the public will come. It's completely spontaneous. It's a hazard.

I feel humor is important for those two reasons: that it is a little bit of refreshment like music, and that women have told me over the years that it is very, very important to them.

I'm really impotent against the overwhelming bleakness of the universe and the only thing I can do is my little gift [filmmaking] and do it the best I can, [...] which is cold comfort.

If God is everywhere, I had concluded, then He is in food. Therefore, the more I ate the godlier I would become. Impelled by this new religious fervor, I glutted myself like a fanatic.

I've been lucky because my films have consistently made a profit, almost all of them have made a profit. Never a huge profit, but nobody gets hurt. And therefore I get a lot of freedom.

Film is more of novelty, because I've done so much theater over many years. I'm in love with making movies. Also, I find it easier to remember three minutes of dialogue than three hours.

Maugham then offers the greatest advice anyone could give to a young author: "At the end of an interrogation sentence, place a question mark. You'd be surprised how effective it can be."

I always write the same way. I always write with a yellow pad and a ballpoint pen on my bed. And then I go and type it up afterwards. I've always done that. Those things become habitual.

The artist can't give you an answer that's satisfying to the dreadful reality of your existence. So the best you can do is maybe entertain people and refresh them for an hour-and-a-half.

The comedies are not a million laughs on the set. Its business and the dramas are business as well, really. When I'm writing it I struggle more with drama because I started out in comedy.

You make films whether they're dramas or comedies about neurotic people. Flawed people. Interesting personality traits. To make them about calm, stable untroubled people isn't interesting.

It's important to control yourself because life gets too complicated if you don't, but the impulse is often there for people. Some say society should be more open. That doesn't work either.

I don't own a computer. I've never seen anything online at all - nothing. I don't own a word processor. I have none of that stuff. It's not an act of rebellion. I'm just not a gadget person.

People ask me whether I think that one day I might wake up one morning and run dry, but I've had the opposite feeling - that I would die before I had time to write all the ideas in my drawer.

When I was a young man, my friends and I and all of us in New York were very influenced by French cinema. French cinema played an enormous influence on those of us who wanted to be filmmakers.

I don't want to achieve immortality through my work; I want to achieve immortality through not dying. I don't want to live on in the hearts of my countrymen; I want to live on in my apartment.

Once the movie's over, there's not much point. When the thing is edited, mixed, and color-corrected, and you've finished it... In my case, I never read anything about it, I never think about it.

Some of the best memories of my childhood that I have are the times that I played hooky from school so I could spend my days in the public library reading all the wonderful books at my disposal.

Every success is built on the ability to do better than good enough. As you climb the ladder of success, be sure it's leaning against the right building. Eighty percent of success is showing up.

I don't like to meet the actor and have a lot of conferences and talk about their sub-life and their off-screen life and their back stories and all that nonsense, because it never means anything.

Let's say there was a burning building and you could rush in and you could save only one thing: either the last known copy of Shakespeare's plays or some anonymous human being. What would you do?

I was in analysis. I was suicidal. As a matter of fact, I would have killed myself, but I was in analysis with a strict Freudian and if you kill yourself they make you pay for the sessions you miss.

More than any other time in history, mankind faces a crossroads. One path leads to despair and utter hopelessness. The other, to total extinction. Let us pray we have the wisdom to choose correctly.

The whole concept of awards is silly. I cannot abide by the judgment of other people, because if you accept it when they say you deserve an award, then you have to accept it when they say you don't.

New York is my home and I have a particular fondness for it. I think it's a place where you can generate any kind of story wonderfully. But I also would be very happy to make a film in Paris or Rome.

You're still in love' 'No I'm not, I'm not She'll always be a part of me, and she's an important person in my life but for the two of us something wasn't working.' 'What element?' 'We never found out

I have no regard for that kind of ceremony. I just don't think they know what they're doing. When you see who wins those things-or who doesn't win them-you can see how meaningless this Oscar thing is.

It has become harder and harder in the United States to make films unhampered by outside influences. I've always been able to steer clear of that and keep the business people out of my hair completely.

Drama, it would be as if you wrote some poetry. You'd run the risk of being embarrassed if people read it, because you're pouring your heart out and you're not mitigating it with any humor or anything.

That's the way I feel about the world: there are certain problems that can only be dealt with that way - going out and doing them. As ugly a truth as that is, I do think it's the truth about the world.

Gauguin flew into a frenzy! He held my head under the X-ray machine for ten straight minutes and for several hours after I could not blink my eyes in unison." — "If The Impressionists Had Been Dentists

I asked the girl if she could bring a sister for me. She did. Sister Maria Teresa. It was a very slow evening. We discussed the New Testament. We agreed that He was very well adjusted for an only child.

I keep getting more and more ambitious. Over the years, to some degree, in some areas, I feel I've grown. In some areas, I made a fool of myself. In some areas, I think I can still do some funny things.

Everyone wants to get out of living where they're living now, because life is a pretty tough proposition and not much fun. But when you think back to earlier times, you only extrapolate the nice things.

I've been escaping my whole life. Since I was a little child, I escaped into the movies on the other side as an audience member. I escaped by going into the movies and sitting in the movies all day long.

Culturally speaking, I was raised in a Jewish household. In addition to the religious side of it, I was taught respect for books and learning and the higher professions like medicine and law and teaching.

[...] I've come to the conclusion that the artist can not justify life or come up with a cogent reason as to why life is meaningful, but the artist can provide you with a cold glass of water on a hot day.

Last year I had difficulty with my income tax. I tried to take my analyst off as a business deduction. The Government said it was entertainment. We compromised finally and made it a religious contribution.

I, interestingly, had dated a woman in the Eisenhower Administration briefly, and it was ironic to me 'cause I was trying to do toher what Eisenhower has been doing to the country for the last eight years.

I've always been lucky in casting. The trick in casting is to hire great people, and let them do what they do, don't interfere with them too much. And then when they're great, take credit for it in the end.

Share This Page