I would love to do a political drama. I'm a 'West Wing' fanatic.

I played more performances of 'Chris' in 'Miss Saigon' than anyone else.

'Miss Saigon' taught me what it means to help carry a big show, and it had some of the most gorgeous songs wrote.

I loved being on stage with heroes of mine, like Gregg Edelman and Jimmy Walton, and the lovely Chita Rivera and Stephanie J. Block.

'Story of My Life' was essentially a two-man musical play. In hindsight, I don't know if there was room for a two-man musical on Broadway.

Being exposed to the diversity of music I was as a kid made me the actor I am today. As an actor, you have to adapt and do so many different things.

I don't read reviews until after I'm done with a production, but when I do finally get to them, I'm always sort of floored by what the bad ones say.

The thing I like about 'Nashville,' it just happens to be about musicians, and all the music is practical, meaning it's performed at a concert or during a rehearsal.

Look at Greg Jbara! I've watched him work for years, always switching. He's literally a different human being when he's onstage in 'Billy Elliot.' That's the fun of what we do.

Flops are always disappointing, but 'High Fidelity' was devastating. Not that I thought it was going to make me a big star, but I did think it was going to run longer than a week and a half.

Over the years, I've had to learn to play. For example, when 'Lennon' was on Broadway, I learned my way around the guitar chords because originally we were all going to play the instruments without a band.

It might be odd for people to hear this, but honestly, you know, when you're on stage, I don't think people realize how grueling eight shows a week is. And as far as jobs go, being a Broadway actor, it's hard. It's fun, but it's hard.

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