Quotes of All Topics . Occasions . Authors
The things I have sold to film, I've sold because I was happy to rent out the right to adapt those works. Some things, I haven't sold to film, because I was less interested in having no control over the adaptation.
Jim Rosato was recently married, to a Greek nurse. Rosato was half Irish and half Italian, and there was a pool on at the 1st as to which of the two would arrive at work wearing the other's skin as a hat within the year.
Santa Monica's only walkable if death is no hurdle. The air's the wrong colour. People put sunglasses on their dogs. It's a hideous place where humans are not welcome and those who stay suffer eight kinds of brain damage.
There's one hole in every revolution, large or small. And it's one word long— PEOPLE. No matter how big the idea they all stand under, people are small and weak and cheap and frightened. It's people that kill every revolution.
When I'm working in finite serials, I always think in terms of the entire book rather than the individual episode because, by far, the vaster sector of the project's lifespan will be in complete book form rather than the singles.
On the evidence I have on hand at home, social media isn't killing our children. It isn't killing families, either, because the constant long bloody phone calls that parents complained to their teenagers about in decades past are gone.
There was a time when I liked a good riot. Put on some heavy old street clothes that could stand a bit of sidewalk-scraping, infect myself with something good and contagious, then go out and stamp on some cops. It was great, being nine years old.
It's always difficult with the superhero stuff because you're working with characters who have been written by 100 to 200 people over the past 20 years, at least, so they never sound the same or act the same. The best approach is to try to draw the best fitting line through all of the interpretations.
Unless you turn out to be a shining and ballistic genius, then, trust me, if you want to do this then you're going to be spending the next few years doing little else. This is a thing you do at a table with a notebook and a keyboard, and there's no getting away from it. Put in the hours. You don't get to turn off 'being a writer.'
He was in blue jeans and a work shirt, which is another weird quirk of Rich Old Men. Just one of the guys here. Blue jeans and a work shirt, salt of the earth, working man like yourself. Like they're somehow uncomfortable about being rich enough to sleep in a bed made of vaginas being pulled around the town at night by a fleet of gold-covered midgets.
Chris Claremont once said of Alan Moore, "if he could plot, we'd all have to get together and kill him." Which utterly misses the most compelling part of Alan's writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded.
So this Zealot comes to my door, all glazed eyes and clean reproductive organs, asking me if I ever think about God. So I tell him I killed God. I tracked God down like a rabid dog, hacked off his legs with a hedge trimmer, raped him with a corncob, and boiled off his corpse in an acid bath. So he pulls an alternating-current taser on me and tells me that only the Official Serbian Church of Tesla can save my polyphase intrinsic electric field, known to non-engineers as "the soul." So I hit him. What would you do?
The book is almost always better than the movie. You could have no better case in point than FROM HELL, Alan Moore's best graphic novel to date, brilliantly illustrated by Eddie Campbell. It's hard to describe just how much better the book is. It's like, "If the movie was an episode of Battlestar Galactica with a guest appearance by the Smurfs and everyone spoke Dutch, the graphic novel is Citizen Kane with added sex scenes and music by your favourite ten bands and everyone in the world you ever hated dies at the end." That's how much better it is.