Every book that anyone sets out on is a voyage of discovery that may discover nothing. Any voyager may be lost at sea, like John Cabot. Nobody can teach the geography of the undiscovered. All he can do is encourge the will to explore, plus impress upon the inexperienced a few of the dos and don'ts of voyaging.

How much wilderness do the wilderness-lovers want? ask those who would mine and dig and cut and dam in such sanctuary spots as these. The answer is easy: Enough so that there will be in the years ahead a little relief, a little quiet, a little relaxation, for any of our increasing millions who need and want it.

Is that the basis of friendship? Is it as reactive as that? Do we respond only to people who seem to find us interesting?... Do we all buzz or ring or light up when people press our vanity buttons, and only then? Can I think of anyone in my whole life whom I have liked without his first showing signs of liking me?

[T]hat old September feeling, left over from school days, of summer passing, vacation nearly done, obligations gathering, books and football in the air ... Another fall, another turned page: there was something of jubilee in that annual autumnal beginning, as if last year's mistakes had been wiped clean by summer.

To try to save for everyone, for the hostile and independent as well as the committed, some of the health that flows down across the green ridges from the skyline, and some of the beauty and spirit that are still available to any resident of the valley who has a moment and the wit to lift up his eyes unto the hills.

One cannot be pessimistic about the West. This is the native home of hope. When it fully learns that cooperation, not rugged individualism, is the quality that most characterizes and preserves it, then it will have achieved itself and outlived its origins. Then it has a chance to create a society to match its scenery.

Young writers should be encouraged to write, and discouraged from thinking they are writers. If they arrive at college with literary ambitions, they should be told that everything they have done since their first childhood poems, printed in the school paper, has been preparation for entering a long, long apprenticeship.

Something will have gone out of us as a people if we ever let the remaining wilderness be destroyed ... so that never again can we have the chance to see ourselves single, separate, vertical and individual in the world, part of the environment of trees and rocks and soil, part of the natural world and competent to belong in it.

Every time. You know why? I want to fail. I work like a dog for twenty years so I'll have the supreme pleasure of failing. Never knew anybody like that, did you? I'm very cunning. I plan it in advance. I fool myself right up to the last minute, and then the time comes and I know how cunningly I've been planning it all the time. I've been a failure all my life.

There must be some other possibility than death or lifelong penance, said the Ellen Ward of my dream, that woman I hate and fear. I am sure she meant some meeting, some intersection of lines; and some cowardly, hopeful geometer in my brain tells me it is the angle at which two lines prop each other up, the leaning together from the vertical which produces the false arch.

I am terribly glad to be alive; and when I have wit enough to think about it, terribly proud to be a man and an American, with all the rights and privileges that those words connote; and most of all I am humble before the responsibilities that are also mine. For no right comes without a responsibility, and being born luckier than most of the world's millions, I am also born more obligated.

I wonder if ever again Americans can have that experience of returning to a home place so intimately known, profoundly felt, deeply loved, and absolutely submitted to? It is not quite true that you can't go home again. I have done it, coming back here. But it gets less likely. We have had too many divorces, we have consumed too much transportation, we have lived too shallowly in too many places.

A western buckaroo, I share his scorn for people who go camping by the book, relying on the authority of some half-assed assistant scoutmaster whose total experience outdoors probably consists of two overnight hikes and a weekend in the Catskills. But we have just had that confrontation. The one who goes by Pritchard's book is Sid's wife, and I am wary. It is not my expedition. I am a guest here.

But however you might rebel, there was no shedding them. They were your responsibility and there was no one to relieve you of them. They called you Sis. All your life people called you Sis, because that was what you were, or what you became - big sister, helpful sister, the one upon whom everyone depended, the one they all came to for everything from help with homework to a sliver under the fingernail.

Something will have gone out of us as a people if we ever let the remaining wilderness be destroyed; if we permit the last virgin forests to be turned into comic books and plastic cigarette cases; if we drive the few remaining members of the wild species into zoos or to extinction; if we pollute the last clear air and dirty the last clean streams and push our paved roads through the last of the silence . . .

You can plan all you want to. You can lie in your morning bed and fill whole notebooks with schemes and intentions. But within a single afternoon, within hours or minutes, everything you plan and everything you have fought to make yourself can be undone as a slug is undone when salt is poured on him. And right up to the moment when you find yourself dissolving into foam you can still believe you are doing fine.

A muddy little stream, a village grown unfamiliar with time and trees. I turn around and retrace my way up Main Street and park and have a Coke in the confectionery store. It is run by a Greek, as it used to be, but whether the same Greek or another I would not know. He does not recognize me, nor I him. Only the smell of his place is familiar, syrupy with old delights, as if the ghost of my first banana split had come close to breathe on me.

Touch. It is touch that is the deadliest enemy of chastity, loyalty, monogamy, gentility with its codes and conventions and restraints. By touch we are betrayed and betray others ... an accidental brushing of shoulders or touching of hands ... hands laid on shoulders in a gesture of comfort that lies like a thief, that takes, not gives, that wants, not offers, that awakes, not pacifies. When one flesh is waiting, there is electricity in the merest contact.

I imagine you will always be pinched for money, for time, for a place to work. But I think you will do it. And believe me, it is not a new problem. You are in good company...Your touch is the uncommon touch; you will speak only to the thoughtful reader. And more times than once you will ask yourself whether such readers really exist at all and why you should go on projecting your words into silence like an old crazy actor playing the part of himself to an empty theater.

Something will have gone out of us as a people if we ever let the remaining wilderness be destroyed We need wilderness preserved — as much of it as is still left, and as many kinds — because it was the challenge against which our character as a people was formed We simply need that wild country available to us, even if we never do more than drive to its edge and look in. For it can be a means of reassuring ourselves of our sanity as creatures, a part of the geography of hope.

Pleasant things to hear, though hearing them from him embarrasses me. I soak up the praise but feel obliged to disparage the gift. I believe that most people have some degree of talent for something--forms, colors, words, sounds. Talent lies around in us like kindling waiting for a match, but some people, just as gifted as others, are less lucky. Fate never drops a match on them. The times are wrong, or their health is poor, or their energy low, or their obligations too many. Something.

The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.

Civilizations grow by agreements and accomodations and accretions, not by repudiations. The rebels and the revolutionaries are only eddies, they keep the stream from getting stagnant but they get swept down and absorbed, they're a side issue. Quiet desperation is another name for the human condition. If revolutionaries would learn that they can't remodel society by day after tomorrow -- haven't the wisdom to and shouldn't be permitted to -- I'd have more respect for them ... Civilizations grow and change and decline -- they aren't remade.

If there is such a thing as being conditioned by climate and geography, and I think there is, it is the West that has conditioned me. It has the forms and lights and colors that I respond to in nature and in art. If there is a western speech, I speak it; if there is a western character or personality, I am some variant of it; if there is a western culture in the small-c , anthropological sense, I have not escaped it. It has to have shaped me. I may even have contributed to it in minor ways, for culture is a pyramid to which each of us brings a stone.

What is such a resource worth? Anything it costs. If we never hike it or step into its shade, if we only drive by occasionally and see the textures of green mountainside change under wind and sun, or the fog move soft feathers down the gulches, or the last sunset on the continent redden the sky beyond the ridge, we have our money's worth. We have been too efficient at destruction; we have left our souls too little space to breathe in. Every green natural place we save saves a fragment of our sanity and gives us a little more hope that we have a future.

... I was reminded of a remark of Willa Cather's, that you can't paint sunlight, you can only paint what it does with shadows on a wall. If you examine a life, as Socrates has been so tediously advising us to do for so many centuries, do you really examine a life, or do you examine the shadows it casts on other lives? Entity or relationships? Objective reality or the vanishing point of a multiple perspective exercise? Prism or the rainbows it refracts? And what if you're the wall? What if you never cast a shadow or rainbow of your own, but have only caught those cast by others?

Homesickness is a great teacher. It taught me, during an endless rainy fall, that I came from the arid lands, and like where I came from. I was used to dry clarity and sharpness in the air. I was used to horizons that either lifted into jagged ranges or rimmed the geometrical circle of the flat world. I was used to seeing a long way. I was used to earth colors--tan, rusty red, toned white--and the endless green of Iowa offended me. I was used to a sun that came up over mountains and went down behind other mountains. I missed the color and smell of sagebrush, and the sight of bare ground.

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