Within one generation, Los Angeles will be uninhabitable if people don’t do something about it. The world is going to get smaller and be uninhabitable and impossible to live in.

I think that feminists have definitely underestimated the role that women have had historically. I think I would be insecure if I were to be a man; there's so much pressure on you.

I was still interested in the youth rebellion but never-the-less I stopped being a victim. Stopped trying to attack the establishment realizing that it takes too much of your energy.

My clothes have a story. They have an identity. They have a character and a purpose. That's why they become classics. Because they keep on telling a story. They are still telling it.

I always thought we had an environmental problem, but I hadn't realized how urgent it was. James Lovelock writes that by the end of this century there will be one billion people left.

The sexiest people are thinkers. Nobody's interested in somebody who's just vain with a hole in their head, talking about the latest thing - there is no latest thing. It's all rubbish.

Buy less, choose well, make it last. Quality rather than quantity: That is true sustainability. If people only bought beautiful things rather than rubbish, we wouldn't have climate change!

At one time, I was very angry. I even treated fashion like a kind of crusade: you were either with us or against us, that kind of feeling. Now I know we need ideas, not kicking down a door.

The thing that makes my clothes really different is that, number one, they are really great designs; they're not tacky; they are very professional; the design is made from lots of decisions.

Even though it was the 70s, we found old stocks of clothes that had never been worn from the 50s and took them apart. I started to teach myself how to make clothes from that kind of formula.

We moved into the back, made it into a little 50s sitting room and started to sell the records. We had an immediate success. For one thing, these Teddy Boys were thrilled to buy the records.

Everybody should have a fair deal; everybody should have the chance to life in this world. If we were evolved as human beings, we would hopefully be able to alleviate suffering in the world.

We wanted to step off our island and add the color of the third world. We got gold cigarette paper and stuck it around our teeth. We really did look like pirates and dressed to look the part.

But, the thing is, since I always had my own little shop and direct access to the public, I've been able to build up a technique without marketing people ever telling me what the public wants.

I remember reading a book set in the future, it was written in the 1870s projecting to 1920, and this time traveler said you couldn't tell the difference between men and women. He saw what was coming.

The age in which we live, this non-stop distraction, is making it more impossible for the young generation to ever have the curiosity or discipline... because you need to be alone to find out anything.

We have got to change our ethics and our financial system and our whole way of understanding the world. It has to be a world in which people live rather than die; a sustainable world. It could be great.

It's a philosophy of life. A practice. If you do this, something will change, what will change is that you will change, your life will change, and if you can change you, you can perhaps change the world.

Our economic system, run for profit and waste and based primarily on the extractive industries, is the cause of climate change. We have wasted the earth's treasure and we can no longer exploit it cheaply.

A relationship should be based on friendship. I remember somebody telling me that when I was younger and I just thought, you know, stupid people, with that rubbish. But now I see that that is so important.

The whole basis of my work is analysing what I do and building some sort of intellectual framework. The only possible effect one can have on the world is through unpopular ideas. They are the only subversion.

I'm not sure what I think about current fashion, though. A few years ago, I would have said it's really, really bad and you hardly ever see anybody looking good. There must be some very good designers in the world.

There are many war refugees and three times as many climate refugees. All of them are people who can no longer live where they were born. I hope we face reality in time to save ourselves. We will all be migrants soon.

Why do people think that if you don't dress up, others will appreciate your beauty more - that style will somehow emanate from you? It's rubbish. If you dress up it helps your personality to emerge - if you choose well

I've always felt heroic about my life... As a child, I remember little girls in the playground moaning about how boys could do more than they could. I didn't think that was the case at all. My parents didn't treat me as a girl.

There’s this idea that somehow you’ve got to keep changing things, and as often as possible. Maybe if people just decided not to buy anything for a while, they’d get a chance to think about what they wanted; what they really liked.

I have certain signatures, certain cutting principles. It could be a raw-edged seam; it could be leaving the lining of sheepskin exposed so it's not perfectly finished. I invent new ways to do it, but the end goal is always the same.

The main message of Climate Revolution is that climate change is caused by the rotten financial system we've got, designed to create poverty and rip off any profits for a small amount of rich people. Meanwhile, it destroys the earth.

I'm different from any other designer, businesswise, in that I've built this company up and I own it. I never had business hype behind me to promote my image... My image is real... I have never had marketing people telling me what to do.

Fashion is here to help make people look very important. If they have good taste and choose what suits them, I give them options on how they can do that. It's always sexy, and it's always with the same result: making women look fantastic.

Economists treat economics as if it is a pure science divorced from the facts of life. The result of this false accountancy is a willful confusion under cover of which industry wreaks its havoc scot-free and ignores the environmental cost.

In the 18th century, if women wanted to travel and they dressed as a man, people would not look twice. Your clothes said everything. Also there were masters and servants swapping clothes. You could be anything, your clothes told everything!

You've got to invest in the world, you've got to read, you've got to go to art galleries, you've got to find out the names of plants. You've got to start to love the world and know about the whole genius of the human race. We're amazing people.

Well, I'm very much a literary person. And my fashion always tells a story somehow. I never look at fashion magazines. I find them incredibly boring. To me, reading a fashion magazine is the last thing I need to do. I've got books I need to read.

I was so upset with what was going on in the world. I just couldn't stand the idea of being people tortured and that we even had such a thing as war. I hated the older generation, who had not done anything about it. Punk was a call-to-arms for me.

The best night of my life was watching the Japanese Noh theater. I've only seen it once, but even saying it now, I think, 'How can I ever have this experience again?' It was so mesmerizing, so complicated and so primordial; I could not believe it.

I try to concentrate on quality clothing and accessories that are worth having, and to get my people to take fewer trips by air and stay longer each time they travel. It’s more human, especially if they take time to visit an art gallery while there.

I really don't like women who try to be men. All these politicians, I think they're horrendous. We could have a brilliant future, but we have this terrible male vision of destroying everything. They'd better sort themselves out and become more womanly.

I have too much product, and I'm trying to rein it in and sell more of my main collection. I wish you didn't have to design so often; it would be good if you could keep on selling the same things for a few years and not have to do new things all the time.

I don't feel very comfortable defending my fashion except to say that people don't have to buy it. You do have to consume. You have to live. If you've got the money to be able to afford it, then it's really good to buy something from me, but don't buy too much.

There is a real connection between culture and climate change. We all have a part to play and if you engage with life, you will get a new set of values, get off the consumer treadmill, and start to think, and it is these great thinkers who will rescue the planet.

I've got a real sense of three-dimensional geometry. I can look at a flat piece of fabric and know that if I put a slit in it and make some fabric travel around a square, then when you lift it up it will drape in a certain way, and I can feel how that will happen.

I own my own company, so I've never had businessmen telling me what to do or getting worried if something doesn't sell. I've always had my own access to the public, because I started off making my clothes for a little shop and so I've always had people buying them.

I'm always attracted to people who interest me. They've got to be people who are really true to themselves somehow, and who are always trying to do something that makes their life more interesting, or better, or something for somebody else. They're interested in people.

I talk to fashion designers and say I want some money to save the rainforest, and they say, 'Oh, I agree with you completely Vivienne. Yes, climate change, it's definitely happening,' but they don't feel that they can do anything about it; they don't even think 'Well let's stop it!'

The reason why I am proud of my part in the punk movement is that I think it really did implant a message that was already there. The hippies told it to me, but punk made it something cool for people to stand up for, which is that we do not believe government, that we are against government.

I have a company, and I've got to think about that. I'm trying to do my best there, and that's a much harder task. We recycle as much as possible, and we conserve. But I've always been one to save everything - I even walk up stairs on the very inside or the very outside to not wear out the tread.

I've always had my own access to the public, because I started off making my clothes for a little shop, and so I've always had people buying them. I could always sell a few, even if I couldn't sell a lot, and somehow my business grew because people happened to like it. I'm in a fortunate position.

I didn't consider myself a fashion designer at all at the time of punk. I was just using fashion as a way to express my resistance and to be rebellious. I came from the country, and by the time I got to London, I considered myself to be very stupid. It was my ambition to understand the world I live in.

My children came out as individuals in their own right. They were not my products. They had their own characters and were very strong-minded. I gave them a lot of freedom when they were still very young. The one thing they got from me is morals. They would never betray anyone. They are really good people.

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