Quotes of All Topics . Occasions . Authors
I really want my acting to be definitive a lot of times, but I must feel like in any given moment there is a lot of things going on with Rose. I kept telling Denzel [Washington] throughout filming [Fences] that the house is her joy and her tomb.
I guess they say, "Necessity is the mother of invention" because you have two stark choices when you find yourself in a really desperate situation. You can either fold and cave-in to it or you can become really passionate about getting out of it.
As an artist, you've got to see the mess. That's what we do. We get a human being, and it's like putting together a puzzle. And the puzzle has got to be a mixture, a multifaceted mixture of human emotions, and not all of it is going to be pretty.
I do believe that there are African Americans who have thick accents. My mom has a thick accent; my relatives have thick accents. But sometimes you have to adjust when you go into the world of film, TV, theatre, in order to make it accessible to people.
If I have to be at work at five A.M., I will get up at three and work out. I run. I do weights. I'm very toned. I'm like every other woman. I'd love to be 10 pounds or 20 pounds lighter. If I'm not, I'm OK with that, too. I'm good as long as I'm healthy.
I think many women are successful in their professional lives - they are making the money and all that - but in their personal lives are a complete mess, because they haven't paid any attention to it, because they spent all of their time being successful.
There's a big difference in doing a play or doing any project that not a lot of people see and then a project that you know everyone will see. There is more pressure, performance anxiety per se. And then when you do and what you love is really put to test.
I've always just simply seen myself as an actor. And I believe that it serves me well to just think in terms of my craft. If hypothetically, I saw myself only as a sex symbol, or as some other limited stereotype, I think I would feel like a complete failure.
I tell my daughter every morning, 'Now, what are the two most important parts of you?' And she says, 'My head and my heart.' Because that's what I've learned in the foxhole: What gets you through life is strength of character and strength of spirit and love.
I've always felt like I was an actor for hire. And almost apologetic for being a woman of color, trying to stifle that voice. But I don't feel that way in Shondaland. I feel like I am accepted into a world where I'm a part of the narrative - I'm a part of it.
My husband [Julius Tennon] and I started a production company. We've already optioned a book and some scripts to do exactly that, to create more complicated, multi-faceted roles for African-Americans, especially African-American females. I think it's important.
I had several teachers who inspired me, in both the public school system and the Upward Bound program. I needed several, because I lived in such abject poverty and dysfunction. And they're still in my life today, because I consider them to be friends, actually.
Tyler Perry's 'Madea Goes to Jail!' Which, I have to tell you, of everything that I've ever done in my career, that's the only thing that's perked up the ears of my nieces and nephews. That is it, that's done it for them. That made me a bona fide star in their eyes!
He is a regular guy who absolutely is not attracted to his own celebrity. He's a jokester, a little rough around the edges, with great heart and compassion; he loves his family. I feel very comfortable with him. I don't see 'Denzel Washington Star'; I just see Denzel.
I think at the end of the day she [Rose from "Fences"] is a strong woman in the truest sense of the word. I think all of that is in the narrative; it's already there. The hope is there; the playfulness is there; it's there. I wish I could take credit for it, but it's there.
Flashy characters are more entertaining to people because you get it. You don't have to work to get someone who says what they mean and says what they think. They're out there. It's harder to play a quiet character because everything happens in their stream of consciousness.
We know the road of lack of recognition, of people telling us that we can't headline a movie because black women don't translate overseas, that every time we try to break the glass ceiling, people say no, people push back. And it's everything that people don't see out there.
I'm a sitting duck. No, seriously, I mean I wish I could say more, but I'm a sitting duck because I can't get ahead of them [cyber experts]. They're far ahead of me. That's what I learned: how vulnerable we are. It's a big, silent monster out there. That's what it feels like.
I played several maids in my career. I was tired of the maid after 'Far From Heaven.' I said, no more maids. Until I realized how difficult it was to get a role other than a maid, sometimes, in Hollywood, and sometimes you have to choose your battles, for lack of a better term.
I think that enjoying the fruits of one's labor is very different than arrogance. And when I was younger, I didn't know the difference. I thought that if you were gracious, that meant that you somehow were getting ahead of yourself. And I felt self-deprecation kept you balanced.
The world is very good at encouraging you to go along with the status quo and at basking in your successes. But when you hit a wall in your personal life, and you screw up, people don't give you a chance to navigate your way through it and tap into what's extraordinary about you.
I just want different narratives for people of color, especially women of color. I just want something that's different. I don't want us to be put in a box. I want it to be kind of a redefinition of who were are. If I can even achieve that in a tiny way, I'll be good. I'll be good.
It would be great to bust through and make history. But what's more important is the opportunity to continue to get roles that are complicated and wonderful, to be a part of the narrative and to get to do what our counterparts are able to do. It doesn't just stop at holding an award.
I did everything to get food. I have stolen for food. I have jumped in huge garbage bins with maggots for food. I have befriended people in the neighborhood who I knew had mothers who cooked three meals a day for food, and I sacrificed a childhood for food and grew up in immense shame.
Sometimes you take a job for the money, sometimes you take it for the location, sometimes you take it for the script; there are just a number of reasons, and ultimately what you see is the whole landscape of it. But I can tell you from behind the scenes - that's what it is, as an actor.
I worked in television; I'm the Failed Pilot Queen, I've done so many television shows, pilots, theater ... when you do it for so long, I'm telling you, you get to the point where it becomes varied because you take what's available for a number of reasons. It's just an occupational hazard.
It's not anything that is just perpetuated by White America or just perpetuated by Black America. It's just a cultural understanding that you're just not a part of the equation when it comes to sexuality and I think that people mistake your lack of opportunity with the level of your talent.
I stumbled onto the best profession to heal my childhood: the only one that lets you release and express whatever is ugly and messy and beautiful about your life. We're in the business of creating human beings. The more we spew, and the more honestly we do it, the better. Try that on Wall Street.
I have to say, doing theater, that's what you're trained to do. Doing film, when I first started doing it, felt like something else entirely. It felt like the difference between, I don't know, waiting tables and painting a great work of art. It's night and day. I didn't feel like it was even acting.
You want to be able to really tackle a character and make it a fully-dimensional human being who is complicated, funny, and all the things that a person could be. If you can achieve that, you feel great. You so rarely get to do that as an actress in general, but as a black actress, it's almost never.
The only picture I have of my childhood is the picture of me in kindergarten. I have this expression on my face - it's not a smile, it's not a frown. I swear to you, that's the girl who wakes up in the morning and who looks around her house and her life saying, 'I cannot believe how God has blessed me.'
[Denzel Washington] was rustling with something and when he came back it was with a word about loving myself and the body that I'm in because I was still going on and on about the weight thing. I just liked that, because what people don't understand is that so much of what blocks us as actors is so personal.
I heard about the book and I said, 'Oh my god, I've got to read this book,' and I didn't know that a white woman wrote it. Nobody said that to me, they just said, 'The Help - Oh my god, you've got to read it.' Everyone failed to mention it was a white woman, I think, because nobody really wants to talk about race.
I feel the same way about Shondaland I feel about Africa and Greece. I feel pretty in both places. Men look at me like I'm a novelty, and women think I'm just cool. I feel absolutely at home immediately. I'm not altering myself to fit in. I'm walking in just as I am. And there are open arms stretched out to greet me.
I think sometimes what people miss about black people is that we're complicated, that we are indeed messy, that we do our best with what we've been given. We come into the world exactly like you. It's just that there are circumstances in the culture that are dictated and put on our lives that we have to fight against.
Even when I go shopping, I don't shop as a woman. The only time I shop is when I need something, and I'm in and out in less than 30 minutes, so I have no energy to look at 50 million gowns and styles and make sketches and think about heels. I'm not girly in that way. I'm relying on the stylist to do 99 percent of the work.
I was like, 'What is this?' Until I found out it was stress related. That's how I internalized it. I don't do that anymore. My favorite saying in the world is, 'The privilege of a lifetime is being who you are.' I am telling you, I have spent so much of my life not feeling comfortable in my skin. I am just so not there anymore.
You can't be perceived as 'the black actress who doesn't get the same kind of roles as the white actress.' You gotta run the same race. You gotta give the same quality of performances. You gotta have the same standard of excellence, even though people know that you're coming to the race in a deficit. That's just what life is about.
I already optioned a book called The Personal History of Rachel DuPree. I also like The Book of Negroes by Lawrence Hill. And I love all of Octavia Butler's books. She's created some very complicated black heroines with a variety of belief systems. There are many great books out there, but those are a few of the ones that stand out.
But along with all of that it was, "Oh, isn't he a great storyteller? Oh, it's that why I married him? Isn't he handsome? Oh, what am I going to make for dinner today?" I put all of that as a part of [Roses's from "Fences"] inner everyday monologue so, by the time he tells he that news and all of that I feel that it's there already.
We have to stop thinking about diversity and start thinking about inclusion. That's what you can take from August Wilson. That there are whole cultures out there living experiences exactly like yours, and their stories can be just as dynamic, sold in the foreign market, put as many butts in the seats as any Caucasian movie out there.
But the biggest beauty advice I've given my daughter is every morning I say, "Genesis, what are the two best parts of you?" And she says "my brain and my heart." And I say, "You've gotta remember that, Genesis. You've gotta remember that you're not what you look like," you know? I think that's the best beauty advice I could give her.
It became motivation as opposed to something else - the thing about poverty is that it starts affecting your mind and your spirit because people don't see you. I chose from a very young age that I didn't want that for my life. And it very much has helped me appreciate and value the things that are in my life now because I never had it.
August [Wilson] elevates in us is the average man in a way that is heroic and real and human. What you do is you sit with our pathology, you invest in our humanity. We're not walking around like walking symbols like we mean something larger. We're just moving throughout our lives and that's the power of the piece. That's revolutionary.
I didn't see myself any different from my white counterparts in school. I just didn't! I thought I could do what they did. And what I didn't do well, I thought people were going to give me the opportunity to do well, because maybe they saw my talent, so they would give me a chance. I had no idea that they would see me completely different.
[Meryl Streep] just sent me an email, and I was like, "That's perfect." She was like, "Yes, Viola, now that you've just had your vow renewal...this is the best part of your life now. There's not anything that you don't know anymore in terms of what's good and bad out there, so now you can just fly." She's always imparting wisdom like that.
I don't know how I got a great husband. I mean, God just blessed me with that one. Because - trust me - before him, I was not making good choices. So I was just absolutely blessed. I just prayed for that man He's my secret weapon because he's so gregarious, and he's so filled with joy. Me? I can sometimes be more cynical, and I'm very shy.
I always talk to all the crew. I always make it pleasant. I always nurture a relationship that makes people feel like they're important, like they're a part of the collaboration. I feel that way about the young actors on set. I don't talk to them like I'm the mentor; I talk to them like they're my peers. And I learned that from Meryl Streep.
There's not one woman in America who does not care about her hair, but we give it way too much value. We deprive ourselves of things, we use it to destroy each other, we'll look at a child and judge a mother and her sense of motherhood by the way the child's hair looks. I am not going to traumatize my child about her hair. I want her to love her hair.
I’m a black woman who is from Central Falls, Rhode Island. I’m dark skinned. I’m quirky. I’m shy. I’m strong. I’m guarded. I’m weak at times. I’m sensual. I’m not overtly sexual. I am so many things in so many ways and I will never see myself on screen. And the reason I will never see myself up on screen is because that does not translate with being black.