Quotes of All Topics . Occasions . Authors
Ballet pumps are the dream shoes because they are so comfortable. They look great both with jeans and summer dresses; and you can even wear the right pair with an evening gown.
I think everyone should sing - it's so good for you, as it makes you breathe deeply, and it's good for you emotionally, too. It's a brilliant release way of lifting the spirits.
My elder sister used to get the fashion magazines, and I would go through them and find things I liked and buy fabric and copy them. But I hated what I looked like. I mean, I was sooo skinny.
Life is about making choices: you can either spend three quid on a glossy magazine or you can spend it clearing three square metres of minefield and help give people their lives back. As simple as that.
Even if your bosoms are your best asset, deep round-neck or scoop-neck Ts can be too revealing. Offset this flash of gorgeousness by covering up your arms with a little cardi that has sleeves to the elbow.
Want to continue to try and break the barrier between male and female. If you want to do that, that's fine. At our shows, it's like a Halloween party, which isn't a bad thing. I'd like to see more of it actually.
If I want to calm down, I'll buy some fabric, get a pattern, shut myself in a room and stay there for days, really happy. And at the end of it, you get a bedspread or some curtains or something to wear - it's lovely.
I've never really had a waist. Even when I was at my slimmest, my silhouette was very straight up, straight down. But I have learnt how to give myself a bit of waist by optical illusion. For this, bring on the belts.
Belts distract the eye from a bloated tummy, a heavy-set upper body and all manner of sins. They can be a superb way to update your wardrobe without breaking the bank, and there's no reason to stop wearing them, ever!
I can't live without my cup of tea. When I was a judge on 'America's Next Top Model,' they had to put me in a hotel where I had my own kitchen, because they can't make tea in America. I was happy then because I could make my own.
Sleep is one of the great pleasures of life. Designing my bed linen line seemed like a natural progression for me. Everyone loves getting into a bed made up with beautiful linen. I love sewing, I love fabrics, and I love sleeping.
Wearing a bold print gets harder as you get older. Its safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.
Sometimes I can't believe I'm going to be 60. I always say there's no point moaning about getting older, when there's nothing you can do about it. But still, I do find it quite funny. I look at that number, 60, and I think, really? Me?
Wearing a bold print gets harder as you get older. It's safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.
I have an iPod, but I do still love CDs. There's something nice and tangible about a CD. I'm a mixture of old and new - I love my sewing machine, but I've also embraced new technology. The iPad is what did it for me - it's extraordinary.
Sometimes I can't believe I'm going to be 60. I always say there's no point moaning about getting older, when there's nothing you can do about it. But still, I do find it quite funny. I look at that number, 60, and I think, 'Really? Me?'
I've had albums out since the 1970s. I was in a musical, 'The Boy Friend,' directed by Ken Russell, and I was on Broadway in 'My One And Only' with Tommy Tune, so I've always been a singer, but I suppose people think of my modelling more.
Knitwear can play a vital part in layering. The simplicity of a lightweight cardigan makes it one of the best ways to layer outfits. I love granddad cardis for winter, worn over a vintage lace shirt, waistcoat and full skirt with slouchy boots.
We want to raise the children the parents aren't raising. I think we want to press individuality on people, though that doesn't necessarily mean being like us. But, it doesn't mean that if you come dressed like us that you aren't being yourself.
I used to do my own make-up. I used to have this doll that had those big eyelashes on the top and bottom, and I think I copied her when I was doing my eyes, putting false eyelashes on the bottom as well as the top. So I came up with that look myself.
What you wear for work should be comfortable and empowering. If you're working in business, your outfit should mean business. If I go to meet somebody about an acting job, or something creative, then I'll be in my jeans. For me, overdressing is my biggest fear.
Christianity, like most religions, works with fear. Sins can be confessed and you are 'Clean again' and can start to sin again without thinking about your old sins. We believe that people should ask themselves why they sinned. They should show some responsibility.
If you've got the body and the chutzpah, a pencil skirt is so sexy on older women. Look for ones that fall just below the knee. Think 1940s, cinched-in jackets - imagine you are Lauren Bacall on a date with Humphrey Bogart and you just absolutely have to wear very high heels.
Being young isn't about age, it's about being a free spirit. You can meet someone of 20 who's boring and old, or you can meet someone of 70 who's youthful and exciting. I met Fred Astaire when he was 72 and I was 21, and I fell in love with him. He certainly was a free spirit.
I don't like talking about which bits I like or don't like about my body. Everybody has something they're not happy with, and my only advice would be, 'Do something about it - exercise or eat less, but don't do nothing!' Find ways to enhance the good bits and camouflage the bad bits.
From as far back as I can remember, I was always insecure about my looks, whether it was my flat chest, my skinny legs, or how to cope with my body as it changed. With hindsight, I can see I was different. I was given a body that worked for photographic modelling and a photogenic face.
Even before I was discovered in 1966, I used to make my own clothes. I learned how to sew early on, and it's still my passion now. I constantly have ideas in my head about clothes so jumped at the chance to do my own collection and am very hands-on. Everything I design, I wear and I love.
I think I had a fur coat that someone bought me from Portobello Market back in the 1960s, but I think as soon as you think about it, what it is you're wearing, make that connection, then you realise it's just not right. I don't lecture people about it, but it's not something I'd ever wear.
The way I looked when I started modelling - I was a skinny schoolgirl, stuffing tissues into my little 32A bra. I wasn't trying to be that thin; I was perfectly healthy, but still - that look is a total impossibility for women over the age of 20. Fashion has a lot to answer for, doesn't it?
I was always telling girls who said that they wanted to be the 'next' Kate Moss or the 'next' Gisele that it wasn't possible, because the 'next' girl wasn't going to look like anybody else; she would be somebody unique. If you look at all the great models... they all have an individual look.
What happened to me in the Sixties was so major and so worldwide and so huge, there's no way I can repeat it. But in a way, I had nothing to do with it, it just took me over. It was bizarre, it was weird, and I had no control over it. I don't think anyone could have planned what happened to me.
For me, getting older doesnt mean throwing away a favourite-coloured lipstick or a fabulous pair of boots; instead, its about harnessing all the great things I have learnt over the years about what does and doesnt suit me, and enjoying the way in which cleverly selected outfits can enhance the nice bits.
For me, getting older doesn't mean throwing away a favourite-coloured lipstick or a fabulous pair of boots; instead, it's about harnessing all the great things I have learnt over the years about what does and doesn't suit me, and enjoying the way in which cleverly selected outfits can enhance the nice bits.
I prefer 100 per cent cotton Ts. They are kinder to lumps and bumps than figure-hugging stretchy Lycra ones and feel nicer against the skin. Extra-long-sleeved T-shirts are a lifesaver for me. I wear them either underneath a shirt with the sleeve pulled out of the cuff, or underneath gypsy tops, tunic tops and waistcoats.
They go on about banning size zero, but I think Hollywood stars are the worst perpetrators. Most models are naturally long and gangly, while a lot of these young girls in Hollywood have gone on extreme diets. Their concave chests and bony arms are terrifying. It's scary to think that normal teenagers are tempted to copy them.
The 40s onwards are when we can really begin to enjoy ourselves. For many women, this is when everything comes together, and they look better than ever. The great thing about getting older is you don't have to do/wear/say anything you don't want to. It wasn't until my very late 30s that I stopped worrying about what other people thought.