Quotes of All Topics . Occasions . Authors
I don't believe in playing around much with suit cuts. I like a fairly classic shape that gives a man strong shoulders, a fitted waist, and long legs. Classic simplicity always works.
I want to make beautiful clothes for women and men who appreciate detail and quality. The product must be the best but this is almost secondary to the service the customer will receive.
One of my favorite teams of all time is Fran and Barry. I just thought Fran and Barry last season were just incredible and they just sort of went against all odds and were very successful.
I am great at delegating when someone is doing great work. The problem - and this sounds terrible - is that there are very few people who are strong enough for you to be able to delegate to.
Second-guess [myself]? Yes, I do. I question everything I do every step of the way. Once I make the decision I'm almost blinded by believing in it, and then I usually hate everything I've done.
I'm very aware that when my friends and I sit around over dinner these days, the conversation invariably turns to how crass the world has become. Tweeting? It's one of the silliest things ever.
Just because one is spiritual doesn't mean that one doesn't like crocodile, cashmere. We live in a material world. We still experience these things. It doesn't mean to completely disregard them.
My grandmother was probably the first person who I thought was beautiful. She was incredibly stylish, she had big hair, big cars. I was probably 3 years old, but she was like a cartoon character.
I am totally fearless! Well, of course, I'm not totally fearless. I worry constantly and obsess over things, but I just don't let fear stand in the way of doing something that I really want to do.
We have to have genius creative thoughts precisely four times a year and on exact dates. I actually write them on my calendar. I write, 'Friday, Nov. 8. Three o'clock. Have a genius creative idea.'
Fashion is everything. Art, music, furniture design, graphic design, hair, makeup, architecture, the way cars look - all those things go together to make a moment in time, and that's what excites me.
When you write a character and their dialogue, you can't help imagining how you would be acting if you were them. You kind of have to relate to all of them. It's the most personal thing I've ever done.
A lot of the things I did - it's not going to sound anything but egotistical - if I'm lucky and I did the right thing, they will be at Zara way before I can get them in the store, and I don't like that.
Hips are absolutely key to every shape I do, because whatever you do at the top or bottom, you want to keep it slim and narrow on the hips. One thing is for certain: No one, man or woman, wants big hips.
Style for me is some one who figures out who they are. What works on them. What they feel good in and develops that. Develops their character. And the outer expression of their character is what is style.
In another life I would love to be a cosmetic surgeon because it’s architectural. You know, you are trying to figure out where the seams go. Can I do it in one piece like Halston? Can you formaldehyde DNA?
If I'm sending emails, and I get all wound up and stressed and don't know what to do with myself for 20 minutes, I just go soak in hot water and lie there, thinking, 'What should I do?' So it's meditative.
I don't think fashion has to change every five minutes. I'd like these to be clothes you can wear for a long time - ten, 20 years; pass on to your daughter. Why buy vintage when you can open your own closet!
Moving fashion used to be one of my chief goals. It's not necessarily any more. Fashion needs to change when life changes. You only need to move fashion forward when there's a reason to move fashion forward.
I think loneliness comes with being creative, because you are obsessed with creation. And it is so satisfying that sometimes, I have noticed, I completely neglect my friends and my family, and they fall away.
What is important is that we stop and realize, "Okay. This is fine. I can enjoy that. But what is really important, what I'm really going to take away with me from this life, is my connection with other people.
When I was a kid, I thought I was going to be an actor. I actually studied acting when I was at NYU, and I made a lot of television commercials - that's actually how I put myself through NYU and through college.
What is important is that we stop and realize, 'Okay. This is fine. I can enjoy that.' But what is really important, what I'm really going to take away with me from this life, is my connection with other people.
I think what's important for myself and anyone else who wants to create a film, or art, is [to] make sure that they have something to say, that they want to share something important, express something important.
A good trick as you get older is to get a thick pair of glasses that have a dark frame. Everything else can droop and slide but that pair of dark glasses stays sharp and crisp. Look at Cary Grant. Look at Vidal Sassoon.
I do struggle because I’m attracted to beautiful things, yet at the same time I am actually very aware, in some sense, their lack of value and that the most important things in life are your connections to other people.
If I was ever going to become a good designer, I had to leave America. My own culture was inhibiting me. Too much style in America is tacky. It's looked down upon to be too stylish. Europeans, however, appreciate style.
I think people who are compelled to achieve never really think they've achieved... I think the moment you get to a place when you think 'Oh I'm a fashion legend' then that's when you're no longer competitive in your field.
I'm a fashion designer. What I do is artistic, but I'm not an artist because everything I do is destined to be sold. That's not to say that you can't be an artist and a fashion designer. I think some designers are artists.
It's like everything in your life is wonderful, but you have so much wonderful - this is all going to sound horrible - but when you have so much wonderful, it isn't wonderful because you don't actually have time to enjoy it.
People always ask me how I start a collection, and I tell them that I just look around. What am I tired of? What am I in the mood for? Real fashion change comes from real changes in real life. Everything else is just decoration.
Anyone with a long-term partner, anyone with a long-term lover, if that lover dies, you could easily see yourself in a situation where you couldn't see your future and you would be living entirely in the past. It's about that loss.
It's funny, our beauty standard has become harder and tougher because we live in a tough age. I don't think anyone wants to walk down the street and feel vulnerable. You want to walk down the street and feel like you're in control.
Fashion is, after all, a form of escapism, and in fact people are buying more special things than ever, nowadays. They deny and deny themselves, and wait and wait, and then they get sick of it and spend to make themselves feel better.
Maybe it's because I'm a designer, but when I am in a state of excitement, everything is so sharp and colorful and amazing, and I can look at blue and I see the yellow in it and the green in it, and the green-blues, the yellow-blues, so.
Film is an incredible way to express yourself and your vision, as is fashion, but you have to make sure [to] be confident and honest and true to yourself and say something that means something, because that is really the point of any art.
The most important thing is to cleanse and moisturise your face twice a day. Use eye drops. If your eyes are white, you look healthy; you look fresh. Every man should have a magnifying mirror. If you look good magnified, you are set to go.
My own skin-care ritual is quite simple and straightforward; I don't like a lot of fuss, surprisingly. My products are designed to make you look and feel better. I think there are a lot of men out there who want and need the same products.
I find I can get so much done between midnight and 4 a.m. Everything is quiet, no one is disturbing me, and if I go to bed then, I just lie awake thinking of ideas. They are very creative hours for me. One night a week I crash out, though.
I am actually extremely casual in certain environments. But one of the reasons I like living in London, I like the formality of it, as compared to the formality of America - or informality. I like putting on a suit. I like putting on a tie.
I suppose everything I do has sexual undertones, but I don't set out to make everything about sex. My clothes are more about sensuality. What I do is dress and beautify the body. My feeling is, if you have something beautiful, then show it.
We've become a little spoiled with menswear in particular because, of course, we've come off a period in the '70s and '80s when Armani, which is very soft, dominated menswear. And we've become obsessed with comfort. I actually don't like that.
Style. People talk about it being stylish and beautiful, that's at the service of the story. Style for me means nothing without substance and there are moments and things about the film that are stylish but hopefully at the service of the story.
I think people are sick of trends changing every six months - not because we're tired of them, but just for the sake of change. There is so much junk in the world: junk TV, junk movies, all those junk magazines with the same people on the cover.
Fashion is harder than the film industry. You have to constantly be able to crank out hit after hit after hit on demand and on a very tight calendar. I've come back, I've lost it, I've come back again. It's really as good as your last collection.
I am really a loner after all; I am really not a social person. Because of my job, people think I am out every night, but I really hate all that. I am somebody who likes to be alone and see some close friends. I am a shy and introspective person.
I try to be nice, I try to respect other people, but over the years I've learned that all this stuff we do is a bunch of crap. That doesn't mean it doesn't have its place. We are living in a material world, so why not live with something beautiful?
I understand that I have a certain look that can be used to my advantage. I know the power of that when I walk into a room and talk to people, and I can use it as an advertising tool. Now I am actually selling me, my face, my thoughts. So I am my guy.
In my early 40s I started to feel that I had neglected the spiritual side of my life. It had always been there, but I'd neglected it. In fashion, that's really easy because we live in the future, and we can place too much importance on material things.
Fashion is much more collaborative than one might think. You have to have an idea and vision and you have to communicate that vision to a team of people and you have to create an environment that allows those people to give the best that they can give.