Quotes of All Topics . Occasions . Authors
I have respect for what other people believe. What I believe in my own life is that it's a search for how I can do things better, whether it's being a better man or a better father or finding ways for myself to improve.
I've been... chased by paparazzi, and they run lights, and they chase you and harass you the whole time. It happens all over the world, and it has certainly gotten worse. You don't know what it's like being chased by them.
People go for help, but their lives don't get better because of those [psychiatric] drugs. They get worse. They feel numb and they're told that's a good thing. It's how you degrade a society - by drugging the piss out of it.
I'm a good listener. I think it's the one characteristic that's most important. I've always been that way. Not that I take all the advice, but you've got to listen to it and have the courage to make your own decision. Then I just go for it.
I've never made a film that I didn't believe in, you know? However the picture turns out, I've always given everything to it. That's kind of how I approach life. I can't help it. There's no part-way with me on anything in any area of my life.
I look at the Samurai because they were the artists of their time. What I think struck me when I read Bushido is compassion. 'If there's no one there to help, go out and find someone to help.' That hit me, because I try to lead my life like that.
You know what? I’m sure drug dealers on the street, in some way, they are making money. That’s what I equate it to. Here is the thing: you have to understand, with psychiatry, there is no science behind it. And to pretend that there is a science behind it is criminal
I believe in life. I know that life comes in at your heart and it doesn't matter if you're an actor, a filmmaker or a gentleman on the street, it comes at you. What Scientology gives me is the tools to deal with that, to better enjoy my life and to be able to contribute more.
I've gotten very good at scheduling my life, scheduling the scene and preparing myself for knowing, saving the energy, consuming the energy, knowing when to go for it and having the available reserves to be able to do that. You have to think about that, because it's endurance.
I don't care what someone believes. I don't care what nationality they are. But if someone wants to get off drugs, I can help them. If someone wants to learn how to read, I can help them. If someone doesn't want to be a criminal anymore, I can give them tools that can better their life.
I've had a very interesting life. There are ways of handling the complexities. I'm willing to take on the responsibilities as a father, as a producer, as an actor; and I enjoy that. I've always been changing and evolving and growing. There's no pinnacle of power where you can sit back and relax.
I enjoy working with writers and their scripts. It's very exciting to me. Eventually I would like to produce, direct and act onstage, but it's not a heavy pressure. When I do it, I want to do it well. I'm just educating myself with writers and scripts, because I didn't read a lot of books when I was growing up.
For me, to take a movie and travel the world and go and work with these cultures and an international cast and have this spy thriller that's not just about character but also action and suspense, they're very challenging films as a producer to make, creating stories, creating set pieces that serve this character [Ethan Hunt].
We live in a world in which we are able to communicate very quickly in many different ways, and yet we find communicating more difficult than ever. When in fact we need communication more urgently than ever, because the enemies that threaten us are universal: drugs, illiteracy and crime. We have to fight against them together.
I structure the scripts and work on them on films and work on scenes with writers and but I haven't written a script myself, I really respect what they do and I'm fortunate I get to work with people that I really enjoy working with and we all kind of spitball and work together on these things, but I haven't written a script yet.
I feel good about the fact that I finally found something I love. I never lived in one place for very long - that's the way my whole life has been. I was always packing and moving around, staying in Canada, Kentucky, Jersey, St. Louis - it all helped because I was always learning new accents, experiencing different environments.
I also realise power is fleeting, it doesn't last forever in this career, so I want to make the most of it. I want to make the kinds of pictures that interest me, it's as simple as that. I've never done work for money ever. If your choices are based on grosses and the film doesn't do well, what does that mean? It leaves you with nothing.
We knew from the beginning the level of commitment needed. We felt honored to work with Stanley Kubrick. We were going to do what it took to do this picture, whatever time, because I felt - and Nic [Nicole Kidman] did, too - that this was going to be a really special time for us. We knew it would be difficult. But I would have absolutely kicked myself if I hadn`t done this.
With each one, I love working on the story and the characters. The stunts, each time, we keep pushing ourselves harder and harder. And they are stunts, so there's always a danger in doing them, but fortunately, I have not had a problem. I have not missed a day of work, ever, in my career. I'm always there early. And I train very hard, and we prepare very carefully for each one.
When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration.
You can put the camera in places where you may not necessarily be able to put it there if I don't do the stunt. If it's character and it's storytelling, then we do it. We design the things around me. I don't do it just to do a stunt. It's storytelling for me and how I can best bring the audience into the action, bring the audience into the story. And that's how we always look at at.
I remember looking at my dad and wanting to understand him. I didn't want to just write the guy off. He was lost. I can't speak specifically in terms of why and how he got to where he was - that was his journey. All I can tell you is, he was overwhelmed by life... My mother basically did all the work, and then they got separated and I didn't see him for a long time. He didn't try to help the family financially or spiritually, and I lived with the effects of the chaos.
When I was about 7 years old, I had been labeled dyslexic. I'd try to concentrate on what I was reading, then I'd get to the end of the page and have very little memory of anything I'd read. I would go blank, feel anxious, nervous, bored, frustrated, dumb. I would get angry. My legs would actually hurt when I was studying. My head ached. All through school and well into my career, I felt like I had a secret. When I'd go to a new school, I wouldn't want the other kids to know about my learning disability, but then I'd be sent off to remedial reading.