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I really want to work with Adele, I think she's amazing. Lykke Li as well. I love them both. I'd also like to work with The Script. I met them in Australia and we just got on like a house on fire.
I grew up in an eclectic house where people were listening to all types of different music. I also think being educated, eloquent and knowing how to talk for yourself in the industry makes you go a long way.
I don't think I've had to change anything, really, apart from being more serious and focussed on my drive. One thing I've realised is that you get out what you put in and because of that my work rate has increased ten fold.
I lived in Peckham for the first 12 years of my life and then my mum and dad decided they really didn't want to bring up their children there. So they saved up money and bought a house in Plumstead, semi-detached, three bedrooms.
My mom used to sell fabric and lace when I was younger. She would bring back these elaborate fabrics from Nigeria. I always enjoyed being around it. However, it wasn't until I started making music that I started taking a vested interest.
I'm into everything. My iPod is very eclectic - if you kept it on shuffle, you'd be amazed. For example, I was forced to grow up on Dolly Parton. My mum was obsessed by her. She bought all this memorabilia for the front room. It's ridiculous.
You have to do a show, an interview, you've got to go straight back on the road to another location, make a track and edit things like footage etc. It's non stop. I really respect the hustle and work rate of Chipmunk, as well as N-Dubz and Tinchy Stryder.
I'm really big on family. I'll love catching up with my cousins. Everyone's in their twenties, so they're all on their grind at the moment, but when we get the time, I'll fly everybody to Amsterdam or Ibiza, and we can just hang for a week, chill, do nothing.
I met Ellie Goulding at the BRITs. She's lovely. I've got a lot of time for her. I gave her congratulations and whatnot and she let me hold her BRIT. That was amazing - once I'd touched one for the first time, I said 'This cannot be the last time I touch a BRIT.
I met Ellie Goulding at the BRITs. She's lovely. I've got a lot of time for her. I gave her congratulations and whatnot and she let me hold her BRIT. That was amazing - once I'd touched one for the first time, I said 'This cannot be the last time I touch a BRIT.'
When I was about 14 I remember thinking when it came to proposing to my future girlfriend, I'd make a CD with all her favourite songs and a message that said, "Will you marry me?" Shows you what a romantic I was. No one listens to CDs any more. It's all about iTunes.
When I was about 14 I remember thinking when it came to proposing to my future girlfriend, I'd make a CD with all her favourite songs and a message that said, 'Will you marry me?' Shows you what a romantic I was. No one listens to CDs any more. It's all about iTunes.
I first became interested in style when I was 16 and I had my first couple of gigs. I realised I couldn't look like the people I was performing to. Not in a condescending way, but just that it would be weird if I was wearing exactly what someone in the crowd was wearing.
If I go to an awards ceremony, I wear a suit, of course I do. I am proud to be there. If there are young kids looking at pictures of me, I want them to feel that they should long for the opportunity to go somewhere really smart and wear a beautiful suit, rather than to reject that.
I find my dress sense tends to be a bit of a mixture between high fashion and unique vintage pieces with a little bit of street trends. For example, I might find a really nice, suede dinner jacket that I'd wear with a basic plain white shirt and some chinos and a pair of Nike trainers.
I was like 14 and decided I wanted to be a rapper, so I needed a hip rapper name. I was with one of my friends in class and literally went through a thesaurus. I saw "temper" and thought, "I like this, but it's too much." My friend was like, "What about Tinie for tiny," and that was that.
Gone are the days when you'd have to tune in to a mad illegal radio station late at night to be able to hear the rapper of your choice. That's all changed now. That's all gone out of the window. And I feel like I represent that change. I represent the era of iPods and Shuffle and things like that.
I didn't take it seriously myself at the time, but now all of my old teachers are supportive. Even my principal - I sold out the O2 Arena in London, and he came out to see me, which was really cool. I actually put a picture with him on my Instagram, and I think and he's wearing one of my snapbacks.
I enjoyed my upbringing, my siblings did, we're polite, we're respectful, but at the end of the day we're young, we like to have fun. But now, more so than ever, the youth has been vilified to the point where it feels like you can't enjoy being young any more, you just have to sit it out and wait until you get old.
Dizzee's just my childhood hero. He's definitely the inspiration. He's got himself to a very good place. He's defied the expectations of what British black urban music was like. He was the first person who made the rest of Britain realise it wasn't just a one-album-type situation. You've got to take your hat off to somebody like that.
I was 18, and I either wanted to go to university in the States, and experience it like how it is in the movies - you know, date a cheerleader, be the coolest guy on campus - or I wanted to take a year and focus on what I wanted to do. I got into all the universities I applied to, but I took a year off anyway and said, let's see what happens.
My glasses are from Cutler & Gross. They're not prescription: I just love wearing them. I used to wear Ray-Ban a lot and then I realised that a lot of the things I've started going for are a little bit more refined. I liked the fact that I was supporting a British brand, somebody I could have a relationship with and people that I could talk to.