Quotes of All Topics . Occasions . Authors
It's an odd world.
It's my job to manipulate feelings.
I was always insecure about the way I looked.
I feel a bit uncomfortable talking about awards.
I know I work quite hard at making people like me.
Imagination is a beast that has to be put in a cage.
Never fear being a petty fool it means you ain't dying
I didn't know whether to join the army or go to art college.
I love a cinema with two people in it. Love it! Absolutely love it!
If you are afflicted with an artistic feeling, it's just perfecting something.
I played Othello at RADA - blacked up. I didn't know it was going to be offensive now!
I don't enjoy the theatre. I don't go. Don't like going in the back door or the front.
You can make as many films as you like, but if nobody wants to put them on, whats the point?
If one wants to measure oneself by the facile accruement of awards, then I've done very well.
Time itself is talked about as something that is unusual, that there could be a parallel time.
I believe that a world that doesn't have some kind of magic in it wouldn't be worth living in.
I know what I like when I see it, but no way have I ever become interested in learning about it.
There's nothing like the knowledge of being hanged in the morning to concentrate the mind wonderfully.
There's nothing like a little bit of unemployment to kick the stuffing out of you when things are going well.
I'm working class, and want people to know I'm not unintelligent and all the other cliches that come with it.
You can't live your life in a state of profundity, because you're never going to get anything done, and you're just profound.
I think people's imaginations are being neutered by the amount of access they can get to information just by pressing a button.
Eccentricity is usually owned by middle-class and upper-class people. If you are working class and eccentric, then you're just mad.
Because I can think rationally, I can think cosmically, and I can think about the world scientifically and poetically and the universe.
Life is a massive amount of feelings with the occasional profound engagement with intellect. As I get older, I hope the intellect takes over.
The older I get, the more I feel that's all we are: a big bunch of feelings and instincts all wrapped up in some brief encounter with intellect.
You create a proto-human being out of people that you've encountered in your life, and you start building up this person and start becoming this person.
If I can't get hold of someone I love, I'll assume they're being tied to a radiator by al-Qaeda rather than their battery's run out. I'm quite a worrier.
It doesn't bother me one iota that most of my career has been playing people who are not that - well, let's say that people wouldn't aspire to be like them.
Life is not all about profundity. Life is about little things that piss you off, little triumphs, little defeats. So, you can't spend all your time being profound.
My wife... now travels with me everywhere - not because she nearly lost me, but because my kids are all grown up and my son is now a very successful actor, Rafe Spall.
As you get older and more thoughtful, you carry stuff with you. Your kids get older, you take on their sorrows, you enjoy their triumphs. Life doesn't always go to plan.
There's posh character actors. For God's sake, Olivier was one of the greatest character actors in the world. Hamlet, Shylock, Othello - Othello! Whether you like it or not.
In 1996, when I was being treated for leukaemia, at one point I had a vicious infection that was trying to claim me. Mercifully, due to love and expertise, I pulled through.
There's two types of character actors. There's character actors who play all different characters. Or there's actors who always play the same part; they're just a bit funny-looking.
You invent this massive lagoon of information without any pressure to do anything apart from create this person, a person that might fit the bill that is the character that is emerging from the research.
When you're doing a film, your agent and manager spend hours - days - talking about contractual obligations. If you turn up for work and ask for a peeled grape on top of foie gras but you don't get it, you can't get annoyed.
What character actors want to do is investigate new types of people and present them in all their idiosyncrasies, psychological complexities, and contradictory stupidities. That has been one of the great delights over our seven collaborations.
When I was born, my dad was a scaffolder, and my mum worked in a chip shop. Then my mum taught herself how to be a hairdresser and ended up with her own salon; my dad became a postman and then a counter clerk. Our first house didn't have a bathroom.
I don't play the lottery, as I feel I have been really lucky in what I have been able to do in my life, but if I did win, it would be the usual things - helping out the people I love. I'd probably squander a few quid on all sorts of unnecessary crap!
I think anything that increases your understanding of the human condition... I think age and life, if you're lucky, makes you think deeper, and the other thing it makes you realize is that you never stop learning, and you never lose your fear of getting it wrong.
You're trying to form this human being that will fit the bill, and the human being becomes a hand, and the research is a glove, and you try to bring this character together into the research, mesh it, and create this person that is the sum total of all that endeavor.
You're immortal, aren't you, until you get a little peek over the precipice. The thought of death...You're not supposed to start pondering it until you're old. And there's nothing like being told you've got a life-threatening disease to concentrate your mind on that.
I'm sick of having an opinion on everything. Getting older, you learn all sorts of things you're supposed to, but I feel like it's time, when you get older, through experience, to... I started to feel quite... what's the word? ... intimidated by seeing both sides of everything.
My job as a character actor is to make me fit the character, to serve the character. To present this human being who turns up in a piece of film or entertainment that's going, you know, exist as if it might exist after the film is finished and it existed before the film has started.
When I was at school when I was 16, I was in a quandary because I didn't know whether I wanted to join the army - I had this terrible desire to be a tank driver in the Royal Tank Regiment, genuinely - or whether I wanted to go to art college because half of me wanted to be in the army, and the other half of me wanted to be a surrealist.