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If you're at a restaurant and someone asks, 'Fresh pepper?,' the answer is yes. When people shake off the fresh pepper, they clearly have no interest in living a full life. Same thing goes for grated Parmesan. Why would you turn that down?
It's great if a pilot starts off great and if it doesn't start off so great it's not that big a deal: everybody's baby is born ugly. But you want to know, if given the opportunity: Where are we going? What's the story we're trying to tell?
Sharks will scare me. I went out to Malibu a couple of weeks ago. Beautiful, clear day, out in five feet of water, going to surf, and there was this big ol' freakin' leopard shark... I'm looking at him and I'm thinking, 'OK, he won't hurt me.
Sharks will scare me. I went out to Malibu a couple of weeks ago. Beautiful, clear day, out in five feet of water, going to surf, and there was this big ol' freakin' leopard shark... I'm looking at him and I'm thinking, 'OK, he won't hurt me.'
A little-known secret is that being a pro athlete is not that great. It's a pretty short lifespan. I know all these parents are out there driving their children to be professionals, but so many pros will tell you, 'No, you don't want to do this.'
In my mind, I'm doing everything, but in reality, I'm doing very, very little. You come up with one idea, one moment, one line that leads to something and you feel like it's easy. And then, you sit back and think there would be no show without that.
I'm in show business, and we have a long history here of making movies about law enforcement officers. If you're my age, and you're male, and you're trying to get work, you're going to run into those roles as opposed to having a long run of playing dancers.
I'll admit a little something: If I go to one of those hotels where there's, like, a $50 omelet, I'm taking the silverware home with me. I'm not saying it's right. I just feel like it's an unspoken agreement where the mug and the silverware are just part of the deal.
The challenge in any kind of storytelling, as far as I know, it is, you're looking for the moment that is completely unexpected, but at the same time, you think to yourself, 'Of course, that's the only way it could have gone.' It has to feel like it's the truth of it.
The basic thing a man should know is how to change a tyre and how to drive a tractor. Whatever that bearded dude is doing on the Dos Equis beer commercials sets the bar. That's your guy. Every man should be aiming to be like him. The beard is just the tip of the iceberg.
As far as the leading man/romantic lead, I'll tell you what, I really enjoyed my experience more than I thought or imagined I would on 'Catch and Release.' God bless them if they want to give me another shot at that. I would love to have that as something I can go to on occasion.
I remember years ago being on the set of 'Dreamcatcher' and not only did I have such great admiration for Morgan Freeman and was just thrilled to be around him, I was struck by the fact that he seemed to be having perhaps more fun than I was at his job. And I thought, 'Well, that's very promising.
The danger with success in television is "Haven't we shot this episode before? Didn't we shoot this scene two years ago?" I think it's really hard to just take the risk from season to season and not be afraid to give the audience something completely different, and trust that they'll come with you.
I remember years ago being on the set of 'Dreamcatcher' and not only did I have such great admiration for Morgan Freeman and was just thrilled to be around him, I was struck by the fact that he seemed to be having perhaps more fun than I was at his job. And I thought, 'Well, that's very promising.'
The last time I was in a Marshals' office, they had a poster of 'Justified' up. I asked them, 'Did you know I was coming by, so you put up a poster of the show?' And they said, 'Oh, we all love it... you guys make us look good.' I thought, this is great. If they like it, we really did something here.
I was a Fine Art major. You do a bit of everything until the final year, when you specialise. I did pencil drawing and sculpture. It's a pretty well-rounded fine art education. I thought that it was viable option to make a living out of art. I'm not sure if I was thinking realistically; maybe I never was. But it had great appeal.
I know the difference between someone coming up to you on the street and saying, 'Hey, you're that dude, right. Yes, that's what I thought,' and somebody coming up and saying, 'Big fan of the show. Big fan of that character.' And that's nice. You're out there telling stories, you're hoping to find an audience, and it's very appreciated.