Quotes of All Topics . Occasions . Authors
I'm constantly reminding myself that the world owes us nothing. We have to make our way and we have to work hard, persevere and make our own way in the world because the world isn't waiting for us, so let's let the world know we are here.
And I'm the first one to tell people to break the rules. But you can only break the rules once you know what the rules are. The other thing is, fashion is the last design discipline to actually have academic texts and historical analysis.
When it comes to my vocabulary, I felt a responsibility when I was teaching to raise the bar of conversation in my classroom. And with my own students, I refused to let them use the phrase "I like" or "I don't like" when we were engaged in a critique.
I'm doing all that I can to prod the industry and get them to pay more attention [to larger women and petite women]. Because I find it to be reprehensible and repugnant that two populations that are so pervasive in this nation should be so badly neglected.
My favorite meal to make for myself is meatloaf.I prepare the the ground beef (I don't use anything else) and flatten it out so it's about 1/2 inch thick, then I spread shredded cheddar all over it, then I roll it up. It's amazing. Like a big cheeseburger.
I am the anti-trend guy? I don't believe in chasing trends. And before anyone shops, I believe you benefit from doing a closet inventory. Ask yourself what am I wearing, what am I not wearing, and you'll probably discover things you didn't even know you had.
I would say this to my students all the time, it's about 30% you as the teacher and 70% about them. They tend to think that their role is to be the baby bird in a nest and you're going to feed them? They're going to feed themselves, or they're going to starve.
I would never dream of telling people how to dress. but I do say to them, however you are dressing, accept responsibility for it. And also, unless asked, I don't judge. And if asked to judge - I would approach it socratically, I would approach it with questions.
I've been in situations where I've said to young people: "You're so personable, you're so articulate, you're clearly so bright, you're so good-looking - feel better about yourself!" But if at the core if you don't, all those words mean nothing. Absolutely nothing.
My advice to the 10 year old daughter is: fashion happens in a context. It's societal, it's cultural, it's historic, it's economic, and it's political. So all of her studies, everything that is happening in the world, all needs to be channeled through her in order to be a good designer.
I believe that it's very important to get to know people with whom you can have a substantive dialogue about design and its development. In addition, read everything about fashion that you can get your hands on. A palpable point of view is what makes a designer, so you need to be confident about yours.
My role as the chair of the fashion department at Parsons put me face to face with all the big designers, retailers, and editors. Since I was moving in these new circles regularly, I realized I needed to do something about my own personal style. It was really Diane von Furstenberg who gave me the nudge.
I have a very Socratic approach - I pummel the designers with questions, so when I get them to step back from the work and look at it with me, they'll eventually see what I see, coming to it fresh and unencumbered. That's always very gratifying because they feel a responsibility and an ownership of a solution.
I have heard women complain about men holding doors for them,, as if it is inherently offensive and implies that they are weak. ... I would hold a door for anyone. ... It has to do with noticing our fellow human beings and saying, "I recognize that you're on this planet, and I don't want a door hitting you in the face.
If I think about most of America, and maybe I'm terribly wrong...but I think most of America would say that they're not in favor of gay marriage. But there is certainly a large cohort, not a majority but a large number of people, who are articulate and vocal and they'd rally behind this. They're making their opinion known.
I was a teacher and an administrator at Parson's School of Design, and as an administrator, I was associate dean. And in that role, I went around fixing things that were broken. And the Parson's fashion program was broken.So fashion chose me. It needed to be developed and evolve. I don't know if it comes naturally to anyone.
I am a stickler for good manners, and I believe that treating other people well is a lost art. In the workplace, at the dinner table, and walking down the street--we are confronted with choices on how to treat people nearly every waking moment. Over time these choices define who we are and whether we have a lot of friends and allies or none.
I'm constantly correcting young people and fashion students in this nation when they say "Well, I do couture." By definition, you don't. You have to be licensed by the government of France to do couture. So don't use that term. You can say that you do one-of-a-kind, you can say it's custom, but you can't say it's couture - because it's inaccurate.
I've never told anyone this, in an effort to run from my past and disguise it, I got rid of all of the scrapbooks my mother kept going back to when I was a baby. Truly. So that's why whenever talk show hosts or a producer asks for these pictures, there are barely any. My sister had a few, but that's it, and this was before digital. I've never told anyone that, but that's the truth.
I'm conflicted. On one hand, I don't want to say that because you were a man and now you're a woman, you can't be in a women's fashion show. But I feel it's a dicey issue. The fact of the matter is, when you are transgender - if you go, say, male to female - you're not having your pelvis broken and having it expanded surgically. You still have the anatomical bone structure of a man.
I've had my own moments in front of designers when I've actually said, 'You know, there's a market here for expanding your work, and here it is. And frankly, there are two markets: The women who are larger than the 12, and then there are women who are petite. And most designers that I talk to have absolutely no interest in addressing either of those populations, which I find repugnant.
Go to Lord & Taylor on Fifth Avenue, I think it's the eighth floor, and it's just a department called 'Woman.' It's rather devastating. You've never seen such hideous clothes in your entire life. I mean, it's simply appalling. Thank God there are no windows on that floor, because if I were a size 18, I'd throw myself right out the window [after seeing those clothes]. It's insulting what these designers do to these women.
I grew up with an absolutely horrible, debilitating stutter, and it was what caused me to retreat into myself and caused me to have very few friends and not want to socialize, and it made me absolutely terrified of giving reports in school. It was awful. It wasn't until I was 19 that I had intensive speech therapy. I had it for two years and it really helped, though I will say when I'm tired, the stutter comes out, even now.
