Quotes by Tim Crouch - Page 1

I'm attracted to the underrated characters.
Tim Crouch / Theatre Actor
Character
Underrated
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Unease is not an emotion I get often in the theatre, and I like it.
Tim Crouch / Theatre Actor
Emotion
Theatre
Unease
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Keeping young people away from Shakespeare is like removing a link to their humanness.
Tim Crouch / Theatre Actor
Humanness
People Young Young People
People Young Like
Link
Removing
Shakespeare
Young People
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I'm excited about the idea of an act of theatre triggering a parallel creative act of writing.
Tim Crouch / Theatre Actor
Creative Act
Parallel
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To have a sense of contemporary ownership of Shakespeare is the most important thing to his work.
Tim Crouch / Theatre Actor
Contemporary
Ownership
Important Thing
Most Important Thing
Shakespeare
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I don't want real life necessarily to be seen only as a context to heighten the deepness my work.
Tim Crouch / Theatre Actor
Real Life
Life Work Real
Context
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Theatre critics have no special access to the truth. And there should be no objective truth to art.
Tim Crouch / Theatre Actor
Art
Access
Critics
Objective Truth
Special
Theatre
Objective
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I am particularly interested in creating a relationship between ideas of reception in conceptual art and theater.
Tim Crouch / Theatre Actor
Art
Conceptual Art
Creating
Ideas
Reception
Conceptual
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Uncertainty is a very good thing: it's the beginning of an investigation, and the investigation should never end.
Tim Crouch / Theatre Actor
Investigation
Should
Uncertainty
Very
Thing
Beginning
Good Thing
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In 'Malvolio,' the audience laugh at me, and I use that laughter to crack open the question as to why they are laughing.
Tim Crouch / Theatre Actor
Laughter
Crack
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I'm on a mission to make people aware that I'm not a solo artist. I'm sometimes challenged by the branding of Tim Crouch.
Tim Crouch / Theatre Actor
Artist
Solo
Aware
Challenged
Crouch
Mission
Solo Artist
Tim
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As actors, we do our best to keep things light and to encourage in the audience an openness to the changing atoms in the room.
Tim Crouch / Theatre Actor
Actors
Atoms
Light
Openness
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Anything one can do to provoke and inspire an interest in the works of Shakespeare in a young audience is fair game. Anything.
Tim Crouch / Theatre Actor
Audience
Fair Game
Inspire
Works
Fair
Provoke
Shakespeare
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It's important to find characters that share sympathy with a young audience, not just in the story but their role in the world.
Tim Crouch / Theatre Actor
Sympathy
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Each of my Shakespeare pieces is different to the other, but each espouses a set of philosophies common to all my theatre work.
Tim Crouch / Theatre Actor
Philosophies
Shakespeare
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A child knows when they are on the receiving end of a didactic exercise, or when they are sitting in the shadow of something else.
Tim Crouch / Theatre Actor
Children
Didactic
Exercise
Receiving
Shadow
Something Else
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The Author is subtly unflinching in its satirical attack on certain practices in the creation of art and the mediation of violence.
Tim Crouch / Theatre Actor
Art
Practice
Violence
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The Author is a play about responsibility, how active we are as spectators and how responsible we are for what we choose to look at.
Tim Crouch / Theatre Actor
Looks
Play
Responsibility
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'The Author' is subtly unflinching in its satirical attack on certain practices in the creation of art and the mediation of violence.
Tim Crouch / Theatre Actor
Creation
Mediation
Satirical
Violence
Attack
Author
Practices
Subtly
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'The Author' is a play about responsibility, how active we are as spectators and how responsible we are for what we choose to look at.
Tim Crouch / Theatre Actor
Active
Spectators
Author
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There is a satire that exists in 'My Arm,' but there is also an honoring of some of the stronger ideas that I've raided from visual art.
Tim Crouch / Theatre Actor
Ideas
Satire
Stronger
Visual
Arm
Exists
Honoring
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Children and teenagers don't easily relate to stories about kings and dukes, and to tell only stories about kings and dukes is to ignore the regular people.
Tim Crouch / Theatre Actor
Ignore
Regular
Regular People
Teenagers
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In many respects, theater is still grappling with problems of reality and representation that the visual art movement realized were unimportant many years ago.
Tim Crouch / Theatre Actor
Grappling
Representation
Unimportant
Visual
Many Respects
Respects
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'I, Malvolio' is a very, very funny show, a clown show, but there is Beckettian darkness in the character. Some real darkness, some right close to the edge of despair moments.
Tim Crouch / Theatre Actor
Clown
Despair
Moments
Edge
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A mental shutdown can happen when a young person is put in front of a Shakespeare play. My pieces are designed to release young audiences into the story and then creep up with the real Shakespeare, almost by stealth.
Tim Crouch / Theatre Actor
Release
Stealth
Creep
Designed
Mental
Shakespeare
Young Person
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It's quite rare for a group of people to come together for a live event that isn't loud music. A live event that enables thinking to take place, to take place collectively. It's unique to theatre. It's a quality I never want to see diminished.
Tim Crouch / Theatre Actor
Loud
Rare
Collectively
Diminished
Enables
Event
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Art is a subjective thing, and it should be a subjective thing. And the difficulty of subjectivity is that it becomes hugely problematized when you start applying large sums of money to art objects. That's where it all starts to get a bit sticky.
Tim Crouch / Theatre Actor
Art
Money
Difficulty
Objects
Should
Sticky
Subjective
Thing
Get
Applying
Bit
Becomes
Hugely
Large
Large Sums
Start
Sums
Where
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Tim Crouch Quotes - Page 1

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