For a lot of people, I will always be the mall girl, and that's OK. That was my start. But I can do so much more than that.

I live on eight acres out in the country in Nashville, and it gets creepy and foggy. It's the best atmosphere to write songs.

I'm all about showing people what I can really do in country music. Give me a mic and let me perform, and I'll prove it to you.

It was not appropriate for me to wear anything like a bustier or to be sexy. It was big hair and hoop earrings and jean jackets.

Hopefully, I've established a career, but you can be a big sensation one day, and the next day everyone's going, 'Who? ... Who?'

My image is jeans. An oversize sweat shirt. T-shirt. A pair of boots or sneakers. Very simple. And that's what I feel comfortable in.

At the end of the day, if you're still kickin', and you're still doin' what you love, and you still have a dream, that's all you need.

I went to Nashville when I was 10. Tried to get a record deal. Everybody was like, 'You're 10. It's not gonna happen. Come back later.'

Over the years, I grew up as a person and made mistakes and had a great time and had a baby, kind of grew as a person and as an artist.

From the time I was 2, I told my mom I was going to be a singer. And she'd say, 'Sure, honey, and tomorrow you'll want to be a dancer.'

I grew up on the West Coast during the '80s. But I wasn't a 'valley girl,' since I grew up in Norwalk, which was filled with Latina girls.

I guess getting used to sleeping on the tour bus has been the hardest thing - that and settling for whatever food you can get on the road.

I'm not a one-hit wonder who got lucky. This really is my life. I was born with this talent, and this is what I meant to be. I'm totally grateful.

Before I even got signed as a teen, I was singing with people like Hoyt Axton and Mickey Gilley. I worked with Jerry Lee Lewis and Little Richard.

I've always really been a big fan of rock music. I wanted to record rock music when I was 14 or 15, but I was too young; it would have been ridiculous.

I'm thankful for what I've got, but I'm cramming all my money into a trust fund because I don't ever want to look around and wonder where all my money went.

I think before, in the '80s, it was more about fashion and music videos and a lot of radio: getting out there and the fans learning who you were and your music.

When I got my record deal, my mum was still struggling a little bit, so the entertainment industry took advantage of that. My mum needed money, and so she signed a contract.

I'm constantly trying to grow as a musician, so when I listen to different things, I'm like, 'That'd be cool to do something like that,' and I try to keep myself open-minded.

People do think I was a one-hit wonder, that I'm maybe not the kind of singer that I can really be - that impression is there. I have to work really hard to break down those walls.

I'm real cautious about staying a regular teenager. I've had other friends who hit it big with a record or something, and they changed completely. I don't want that to happen to me.

I wanted to be the country version of Stevie Nicks, but before you knew it, I was heading in a pop direction, touring the world, having No. 1 singles, and loving every minute of it.

To just to get up on stage and sing every night at 9 or 10 years old was unbelievable to me. It wasn't that I was getting paid; it was that I was getting paid to do what I like to do.

Looking back at old-school pictures, I never had a hair or makeup person. I wasn't required to wear a lot of hair and makeup. I was never really allowed to do that because it was the image.

For the kid in me that had a rockier edge and wanted to be Stevie Nicks, it's been fulfilling that I've met Dave Navarro and Dave Grohl, these amazing artists that have given encouragement.

It was Stevie Nicks who made the biggest impression and really resonated with me. I found her intriguing and liked her voice. Her songs were kind of mysterious, and she was a woman in a rock band.

Like, it's fun for me to sing 'I Think We're Alone Now.' But when 'Could've Been' comes out as a single, that's a ballad and really shows my voice; then people will say, 'Hey, this girl really can sing.'

I came to Nashville in the early '90s, and I thought, 'OK, enough is enough. I write songs; I just don't have the backbone to show it to anybody. I want to go to Nashville and learn how to properly write a song.'

My best friend was crazy about Culture Club. She had posters everywhere. She joined the fan club. She knew everything about them. No one else sounds like Boy George, and I have great memories of singing along in her bedroom.

No, I wasn't really suing my mother. I was just trying to get in control of my finances and my life. My stepfather has only wanted me around for my money, and he threatened to leave my mother if he didn't get the money anymore.

I do love the social-media aspect of working records nowadays. You can do a video and put it up on social media, and people check you out who would never check you out before. I think it's much cooler that you can just get the product right to the fans.

Some artists don't want to be involved in anything outside the performing. They'll say, 'You make the decisions and tell me what to do.' I want to be in on all of it. If there's a meeting where commitments are made that I have to carry out, I want to be there.

I think, probably, being a young artist, there were a lot of things I thought I knew and I wanted to do, and I was like, 'Oh! That's what I want to do.' And then it took me in a different direction with 'I Think We're Alone Now,' and then all of a sudden, I was a pop star.

When I was growing up, I wanted to dress like a lot of my idols, but I simply couldn't afford it, or my mother would say, 'Too much make-up' or 'It's too old for you.' So all I've ever worried about is that my fans could relate to me, and as a teenager with the same tastes and interests.

I actually did my first tour at the age of 10 with my dad, and it was as a country singer. We toured through Alaska, and he took me to sing at places like county fairs, hoedowns, backyard barbecues, you name it. We were usually passing around the hat for gas money to get to the next gig.

I have a stepfather who isn't around just because he wants to be with my mother and sisters. There's more to it. He's around for the money. He's proven that in a lot of ways. And my mom loves him. And that's not wrong. But when it interferes with my career and my business and becomes a threat to me, there's a problem.

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