Quotes of All Topics . Occasions . Authors
I think trance music is the only music you can listen to without taking drugs. You can really feel the emotions in it. You can get on another level without the drugs. If you listen to techno, it's so monotone that you really need drugs to enjoy it.
There have been a lot of people involved in the growth of EDM's support in the U.S., from DJ/producers like David Guetta, Deadmau5 and Skrillex, to major festival organisers and pop artists of EDM integrating elements of dance music into their music.
I saw a DJ from Germany called Sven Vath. I saw him in the club, he played for six hours and I was just totally intrigued, because everything he played I'd never heard before and everything he did I'd never seen before. I was so blown away by what he did.
I think Coran Capshaw is such a brilliant entrepreneur and he always thinks about new stuff; the biggest stuff you can imagine. I know he's working on a lot of things for me at the moment, and I think it will definitely help my career to go to the next level.
After my touring life, I'd love to be more involved with charity. It gives me a lot of fulfillment, you know? I would love to get people who are into my music more active in charity work. In the future, when I have more time, I'd love to do spend more time on that.
I think the indie-rock world is very creative. They're always looking for something new, and I think of all the instruments we have in the world, the ones that are the most creative and interesting are the electronic ones. There are so many sounds and plug-ins you can use.
I started off just trying to make a wish list for myself. I wanted to work with people I really admire myself. I wanted to work with other artists from other scenes so they could make my songs improve in a different way - people who have artistically different things to say.
I can read a crowd pretty well. I know what to play and know how to keep it interesting for them and for myself as well. Most of the other DJs are more like producers so they become famous because they make hits and then they start DJ-ing. But I'm more from the other way around.
You have to be open-minded, because it's so diverse nowadays. I used to be a deep trance DJ, and now I've transformed into something eclectic. So you can expect any kind of music, from house to electro to indie-rock to techno and trance. I have very wide musical tastes nowadays.
I would love to fall in love and get married and have beautiful children. I mean that's one of the goals in life, I think, to have, and it's a beautiful thing. My sister has kids and all my friends have kids. They show me their, you know their report cards. And I can show them my sports car.
I think one of the greatest gigs I played, and we've had many, but to play the opening ceremony at - at the Olympic games in Athens 2004 was pretty special, you know? Because it's such a big deal for the whole world. And the whole world's watching. So that was definitely one of the special ones.
Remixes come very quickly, because you already have the melody and the vocals. I have a great passion for music, so it doesn't matter to me if it's a remix or an original production. I don't think about it as, 'Well, I have to spend three hours on a remix or I have to do something all original.'
Napster is great so long as they put out tracks on there that have been officially released. I don't really mind people downloading my music; I also see it as a compliment. And if you are a real music lover, you want to have the original CD anyway 'cause then you feel more connected to the artist.
I can honestly say that the fans inspire. There's an unexplainable rush that comes when I'm in the middle of a set and the energy from the fans hit me. I also get really inspired through collaborations. I've learned so much from the emerging producers I've worked with just as they've learned from me.
I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
My favorite all-time artist... I would say, I think that must be Sigur Ros, I love that band. It's like going to the stars for me. When I put the music from Jonsi or Sigur Ros on, it's so relaxing, it's warm and it never gets boring to listen to, you always hear new things. Yeah, that must be my favorite band.
I've always wanted to be a DJ so I could play the music I love for other people. That feeling hasn't changed, but my sets are always evolving. In terms of tailoring to a specific crowd, certainly I do play differently depending on the situation. It's a different feel, for example, in a small club versus a festival.
I am honored to be to be part of the biggest sports event in the world. The fact that the Games are returning to their birthplace and to the city where they were revived makes Athens 2004 very special. The opportunity to perform my music for billions of people around the globe will be the greatest highlight of my life.
I want to make myself and the crowd happy by way of something different, and that makes things difficult. I'm never playing something that hasn't been released or no one has ever heard before because I care to deliver them what they were hoping to see from me. But also I play four or five songs that will definitely surprise them.
I love Twitter, you know? I try to read everything I can on Twitter. You get so much nice feedback about stuff, you know you just put out a sentence and everybody laughs or everybody's just sending something back. It's amazing. Same with Facebook, you know? I'm a lot on Facebook and it's just - it's just amazing. And YouTube, of course, as well.
Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
I always like to make people happy, make them have a good time. It's pretty obvious if the room is dead - if no one is cheering or singing or whatever, there's obviously something wrong. I always try to look for euphoric feelings, things people are excited that they're hearing, and then I build from there. It's hard to explain, actually. When I'm in the mood, I just feel it. Now they need something with vocals, now they need something hard, something soft.
