If you're, like, a PhD student in English, and you look at each instance that Richard Yates is mentioned in the book...it has sort of it's own narrative that one could analyze and write literary criticism about.

I like Bret Easton Ellis' sense of humor. I feel like mine is sometimes similar to his. And how his characters sometimes seem really confused in a humorous manner. I like that. And I have that sometimes in my characters.

I don't view my memory as accurate or static - and, in autobiographical fiction, my focus is still on creating an effect, not on documenting reality - so 'autobiographical,' to me, is closer in meaning to 'fiction' than 'autobiography.'

I can discern that certain things have an effect on certain other things, but I don't view those effects as good or bad. If a context and a goal is defined, I could say if it's good or bad. But overall, I don't view things as good or bad.

I wouldn't think of my characters' moralities at all. And I think I identify fully with every main character I've written about and would say that I am them pretty much. So in terms of that I don't think I'm similar to Bret Easton Ellis .

It sometimes seemed to him that for love to work, it had to be fair, that he should tell only half the joke, and she the other half. Otherwise, it would not be love, but something completely else–pity or entertainment, or stand-up comedy.

If a context and a goal is defined I could say if it's good or bad. But overall I don't view things as good or bad. So I'm like a robot or computer in that sense. So maybe that's why people don't think they know me when they read my writing.

I think Gmail chats are different than IRL conversations because Gmail chats are saved by Gmail exactly as they occurred. I like texts and emails. Seems like I don't have anything to say that isn't obvious about texts, emails, and Gmail chats.

I actually don't have...opinions. I'm not being secretive about anything. I just actually don't have opinions about society. I can discern that certain things have an effect on certain other things but I don't view those effects as good or bad.

If I don't like someone and I start reading their stuff, it seems like my brain will just automatically start criticizing everything that's there. It's really hard to read a book without having all this outside information telling you what to think about it.

While other rich people might be like, "Once I'm rich I'm going to go on a vacation to wherever," but instead they just keep wanting to be more rich. It just seems like it would be fun to do whatever you wanted. If I were really rich I would be flying places, I think.

The idea of 'advice,' in terms of telling people advice or asking people for advice, has become not comprehensible to me, to a certain degree, due to feeling, like, for something to be accurately defined as 'good' or 'bad,' I would want to know the context, goal, perspective for it.

As a child, she’d always had what she imagined were fascinating thoughts, but didn’t ever say them. Once, as a little girl, at recess, she thought that if she ran very fast at a pole and then caught it and swung quickly around, part of her would keep going, and she would become two girls.

I think everyone is "racist," to differing degrees, in that everyone's brain will automatically associate information with other information, based on the information they are looking at, but I think focusing on race in any manner that isn't neutral or self-aware probably increases racism.

Lately, they were always reassuring each other that nothing was wrong; and probably it was true—life wasn’t supposed to be incredible, after all. Life wasn’t some incredible movie. Life was all the movies, ever, happening at once. There were good ones, bad ones, some went straight to video.

Novels–and memoirs–are perhaps the most comprehensive reports humans can deliver, of their private experiences, to other humans. In these terms there is only one kind of novel: a human attempt to transfer or convey some part or version of their world of noumenon to another’s world of noumenon.

I don't think music affects what words I choose to type in what order, within what punctuation, at this point, because I'm rereading and editing each sentence, at this point, in my published books, probably 100-150 times each, on average, and listening to probably 20-60 different songs in that time.

I'm a shy, nervous person, and I don't like teaching with "terms." I didn't teach them, like, "This is first person, this is second person, this is foreshadowing," or whatever, so no one probably felt like they were learning anything. But I feel like teaching in that way reduces the concept to a term.

If I focused hard on getting a literary agent, and doing things like that, instead of designing my blog's header, I would have more money, I think. I think I don't view myself as an author. I view myself as a person. I view [anything] as part of being a person, so I feel okay with "marketing" or other things like that.

I don't feel a connection with younger people or with Generation X, or any generation, I feel. If I felt a connection with people my age I wouldn't have written six books about feeling depressed, alienated, lonely. If I did I would have many friends and feel connected with them and probably be a happy person who has a real job.

Focusing on being a person instead of an Asian or an [anything] seems to promote a worldview that encourages people to treat others based on what each person has specifically done in their life, which seems like it would reduce such things as war, racism, unfairness, "hate crimes," [other things most people feel aversion toward].

I usually have Kafka biography in my bathroom. It's a book I can open at random and feel interested in immediately. It's really funny. With this book, since I'm opening it at random and immediately interested, I don't feel the need to read more than I want to read, in that there's not, like, a plot that leads me along. So I can stop whenever.

Though if love was an animal, Garret knew, it would probably be the Loch Ness Monster. If it didn’t exist, that didn’t matter. People made models of it, put it in the water, and took photos. The hoax of it was good enough. The idea of it. Though some people feared it, wished it would just go away, had their lives insured against being eaten alive by it.

I know,' said Erin, and described how she'd lately felt depressed in a new and scary way, which Paul also had felt lately and described as a sadness-based fear, immune to tone and interpretation, as if not meant for humans - more visceral than sadness, but unlike fear because it decreased heart rate and impaired the senses, causing everything to seem 'darker.

I don't know what to say about Asians. I think everyone is "racist," to differing degrees, in that everyone's brain will automatically associate information with other information, based on the information they are looking at (for example skin color, bone structure), but I think focusing on race in any manner that isn't neutral or self-aware probably increases racism.

Rejection is good. Putting others ahead of self, giving things away. Success, money, power, fame, happiness, friends; any kind of pleasure - giving it all away, in the pyramid scheme of life, with the knowledge that everything will be returned, and being satisfied with that knowledge; not with the actual return of things, but the idea of the return of things. There is death.

If I wrote about "being [abstraction]" I would be ignoring existential issues (such as death, limited-time, the arbitrary nature of the universe, the mystery of consciousness) that I feel affect me most in my life and think about most of the time. Another reason is that it doesn't seem specific or accurate, to me, to write about "being [abstraction]." I think there are some other reasons.

There was an enjoyment to being alive, he felt, that because of an underlying meaninglessness–like how a person alone for too long cannot feel comfortable when with others; cannot neglect that underlying the feeling of belongingness is the certainty, really, of loneliness, and nothingness, and so experiences life in that hurried, worthless way one experiences a mistake–he could no longer get at.

I don't think anything ever "needs" to happen. I don't think it's more positive to have a Twitter account, a Tumblr, and a blog. Someone without those things will use their time to do other things, like read books or swim or talk to their children or read websites or listen to music or write books or lie in bed or sit in a chair. I don't think any of these things are more positive than any other things.

I don't think it's more positive to have a Twitter account, a Tumblr, and a blog. Someone without those things will use their time to do other things, like read books or swim or talk to their children or read websites or listen to music or write books or lie in bed or sit in a chair. I don't think any of these things are more positive than any other things. I don't think having an internet presence helps financially.

I feel connected with people because of their sense of humor, worldview, and what they think and feel about certain existential issues (things not affected, in my view, by if someone rides a horse or drives a car or talks only IRL or only by typing), not how old they are, what they use to convey what they think and feel about certain existential issues, or if we have both watched the same TV shows or looked at the same websites.

Death is the end of the fear of death. [...] To avoid it we must not stop fearing it and so life is fear. Death is time because time allows us to move toward death which we fear at all times when alive. We move around and that is fear. Movement through space requires time. Without death there is no movement through space and no life and no fear. To be aware of death is to be alive is to fear is to move around in space and time toward death.

A world without right or wrong was a world that did not want itself, anything other than itself, or anything not those two things, but that still wanted something. A world without right or wrong invited you over, complained about you, and gave you cookies. Don't leave, it said, and gave you a vegan cookie. It avoided eye contact, but touched your knee sometimes. It was the world without right or wrong. It didn't have any meaning. It just wanted a little meaning.

Most people will agree that they would like if they were treated by other people based on what they have concretely done in their life, not what other people have done, with their lives. Focusing on being a person instead of an Asian or an anything seems to promote a worldview that encourages people to treat others based on what each person has specifically done in their life, which seems like it would reduce such things as war, racism, unfairness, "hate crimes".

He sometimes felt that life was something that had already risen, and all of this, the Jackson Pollack of spring, summer, and fall, the vague refrigeration and tinfoiled sky of wintertime, was just a falling, really, originward, in a kind of correction, as if by spritual gravity, towards the wiser consciousness--or consciousnessless, maybe; could gravity trick itself like that?--of death. It was a kind of movement both very slow and very fast; there was both too much and not enough time to think.

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