Quotes of All Topics . Occasions . Authors
L.A. is definitely a Marmite sort of place for me. I used to hate it, but now I love it. I think it really helps if you know the places and the restaurants and the nice bars to go to and if you have friends there. I've got some friends over there now, and they're not all actors, which is quite refreshing, and now I have a great time there.
Guinevere and Arthur's story is so about the passion. It's about the sexual attraction between them. You can't have that story and show that sexual attraction with them kissing, and then shut the door. It just doesn't work. It's such an important part of their relationship and what happens in Camelot later on. It's who they are and how they bond.
Guinevere has been done quite a few times, especially as a mature young woman, who either is the damsel in distress or the warrior, strong-willed woman. Chris wanted a variety of things in this Guinevere. He predominately wanted her to be real and natural, and make mistakes and be passionate, and be the feisty young girl, but then also completely naive, innocent and ignorant, at the same time.
I don't think I've ever done a character like this before, so I couldn't really draw from previous roles. I've been known for doing a lot of comedies in England, so I don't think that would have worked. I completely went from scratch, with this one, and used the research and what was in the script, and spoke to Chris. It's all from in my mind ,rather than drawing from previous experiences or roles.
I don't think any actors love taking their clothes off on film, unless you're an exhibitionist, which I'm certainly not. Those are the scenes that you actually dread doing. But, so much more goes into this role. As an actress, it's all about reality, and I'm not a prude. I'm not someone who judges other people for taking their clothes off for roles. I'm not going to show everything, but nudity here or there doesn't faze me.