Quotes of All Topics . Occasions . Authors
I thought it was hilarious when 'Brace for Impact' was released, and people said I had abandoned country, even though the song is dripping with pedal steel. If anything, that tells me I'm making progress.
Anytime I ever have met someone that was very angry or full of negativity, nine times out of ten, if you really take a good look at that person's life, there's probably not a whole lot of love going on there.
The art is what can't be put on a timeline. You can't say, 'Well, I'm going to make a record in May because that's when the producer has a window.' So just recording and getting things out is paramount for me.
It's hard enough to sit at a table and talk to most people as it is. But we can go to some town, and there's 300 people we've never met before, and by the third song, we're connecting with everyone in that room.
I've been reading about the idea of cyclical lives - it matches up to the idea of string theory and a multiverse. So I wanted to write a record about that instead of another song about broken hearts and drinking.
There's a lot going on in country music, with indie-label hipsters and underground bloggers arguing their interpretations of what country is, and pop-country stars defending themselves. That deserves to be poked fun at.
My paternal grandfather, when he was in the army in World War II - he was over in the South Pacific, and he thought he was gonna die. And he wrote a letter to my grandmother and their newborn son, thinking he wasn't gonna come home.
I someday hope to find the time and coin to invest more of my creative energy towards the visual media side of releasing music. I'd love to make short film videos pushing the conventional standards of what a country music video can be.
I lived in Japan for about two years. I spent my time equally between religiously studying Aikido in Shinjuku by day and hard partying in Shibuya and Roppongi by night. On more than a few nights, those subways were my own personal stage coach to hell.
I don't pretend to be an astrophysicist or anything, even though I do read about certain things like metaphysics and cosmology that I've always just been really interested in. I don't pretend to be able to sit down and pontificate on any of these subjects.
Let's just cut a live record with three microphones in four days and talk about lizards and aliens. If I had taken that idea to even an independent label, I don't see a label out there that would've said, 'Oh yeah, that sounds great. We know how to market this.'
Looking back on it, now I can identify the points in my life when I wasn't playing, and music - and didn't have that outlet - those were the points when I was most unguided and self destructive because I didn't have that channel to get those energies out. I'm a much healthier person when I play music.
The only way I'm going to support my family is to tour. I love playing, don't get me wrong. That 90 minutes every night, that's free. We get paid to travel. But every night, I have to get myself locked in. There are a thousand people that don't want to be disappointed, because they have a lot of expectations.
I grew up listening to everything. I was in rock n' roll bands and punk bands, and I loved bluegrass and country music, too. Then, when I moved to Nashville, I put out a very traditional country record because that's just what you do. I had a bunch of very traditional country songs. Next thing you know, you're a country singer.
I never really had any grand aspirations of mainstream country success because I know what that entails, and I'd probably be too much trouble for people to work with. If I can just reach the point where I can get 200 or 300 people in small clubs and I'm carving out enough money to pay my bills, then I'm the happiest guy I know.
I used to play a lot of electric guitar. I don't really consider myself a guitar player anymore. Then I got really into how the pickups work. And winding and de-winding Telecaster pickups. And then building Telecasters. And I became more fascinated with making them than I was with actually playing them. So it's a slippery slope.
I worked for Union Pacific. I started out as a conductor at an intermodal switching facility outside of Salt Lake City. We'd pull in trains from all over the country, break them apart, consolidate the freight, and build other trains. It was great until I screwed up and took a management position. Then it became no fun very quickly.