Quotes of All Topics . Occasions . Authors
If we can listen to English music without understanding nothing, and dance on it, and feel the groove, feel the feelings, I'm sure everybody can do exactly the same for each language.
WME and IMG both truly understand and value my music and Mosaert's creative visions; they are forward-thinking, all-encompassing, and thoughtful in how they envision me continuing to grow.
I think it's good to eat a bit of everything, but when you eat too much junk food, it's bad for you and for your brain. You don't understand why, but you feel sad. It's because of the junk food!
To me, 'Alors On Danse' is the definition of clubbing. Because everyone is just trying to forget their problems, but actually, it's so sad, clubbing. We try to sell happiness in clubs, but you can't.
I have some English words on the first album, but any time I try to do it, you miss something. You think it's just a simple translation from French to English, but it's so different as far as the understanding.
Hip-hop, pop, dance - the common point is melancholy. That's international, and I like this word because it's not only about sadness or happiness - it's both at the same time. And that's human, and that's life.
I'm sure that a U.S. citizen, if I try to sing in English, he can feel that I'm not really sincere, there is something wrong. And I'm sure that even in French, they could feel the sincerity more than in English.
There are artists in Belgium who try to imitate American artists. But it's like, if you're Belgian pretending to be American, you won't be better than the American because you aren't American. You have to do your own stuff.
The last thing an Englishman wants to hear is a man from Brussels trying to imitate his language - you want to hear a different point of view. You may not be able to understand the details, but you can understand the feeling.
When I listen to an American singer, I wanna listen to his music in his language, because he's more spontaneous - he's more natural - and I need his point of view. And our point of view here in Brussels is French and Flemish.
I'm just like a photographer or a director. Of course I have an opinion, but I don't think my opinion, or what I want to say... is so obvious 'cause that's not my job. My job is just to give a point of view, not more than that.
Congolese rumba was so huge in Africa that everybody was inspired by it. But my African roots brought me this music. In every African family, parties in Brussels, we used to listen to this kind of music. And salsa music as well.
Everyone should have a suit that's really well fitting - if a suit just doesn't fit, it looks ridiculous. It can purposely be too large or too small, if that's what you want, but it has to fit with your image and personal style.
I prefer the word 'musician.' I'm a musician and a composer. I have a problem with the word 'artist.' I don't know if it's the same in English, but words like 'artist' and 'star' put people on a pedestal, which is not really good for my brain.
I think the Congolese music is more important in the African community that Rwandan. You know, Rwanda is not musically really important in Africa. It's interesting, of course. But Congolese rumba was so huge in Africa that everybody was inspired by it.
At the time I learned drums, I wanted to be the drummer of Hanson. I wanted to be this guy because he was so young, and he was already drumming in the band, you know, so I just wanted to be like him. And later, I discovered hip-hop music at boarding school.
I think it's about the feeling more than a language. And I think that we and every culture in the world has to keep their own language just to bring something else, something different, and show a different vision of the world, actually. And that's why I'm trying to keep my language.
I was also so happy to learn how to do the Djatence. Djatence is when you show your clothes off in the street - it's something between a dancing, showing off, and trying to get attention turned on you. It was a really cool experience with people who are more refined than I could imagine.
In Belgium, we know the U.S. culture through the television, but it's not the truth. It's interesting to see that Philadelphia is really industrial. I love industrial cities. Everybody hates them, but I think they're the best places to be creative. The more gritty it is, the more I love it.
As much as only playing clubs can become tedious, performing in huge venues can also become off-putting. To go from one to the other feels great. And sometimes playing clubs can be even more stressful, because you really have to think about what you're going to tell the audience between songs.
It's just about feelings. And the thing is we - everybody lives exactly the same things. We are all humans, even if you speak Spanish or whatever you speak. That's just - we are humans, and that's really interesting. And I'm sure that we can understand each other even if you don't understand my language.
We are all human, and we are all able to listen to music that we cannot understand. I used to listen to English music like Notorious B.I.G., and I didn't know what he's talking about in all of his tracks, but I'm a fan. It's rhythm and a groove that makes me dance, so I'm convinced that my music can work in the U.S.
I always have the same problem when I try to buy something straight off the rack: If I put on a medium, it's perfectly fitted in the torso, but the sleeves are too short. If it's a large, the sleeves are long enough, but it's too baggy. So made-to-measure suits are especially important for me because I'm 6'2'' and so skinny.
